Friday, September 15, 2023
In books, articles and lectures across Europe and America, he broadened an international appreciation of his native country’s rich dance tradition.
SOURCE: The New York Times Subscription at 04:04PMFriday, July 28, 2023
The choreographer has long taught company class. It’s part of what makes his distinctly individual dancers seem so natural — and coherent as a group.
SOURCE: The New York Times Subscription at 05:01AMFriday, June 23, 2023
The esteemed editor, who died last week at 92, was a balletomane who was known to program New York City Ballet seasons from his offices at Alfred A. Knopf and The New Yorker.
SOURCE: The New York Times Subscription at 09:00AMFriday, April 21, 2023
A dancer with a singularly theatrical presence, she was best known for her long collaboration with her husband, the choreographer David Gordon.
SOURCE: The New York Times Subscription at 03:25PMWednesday, March 15, 2023
Considered one of the greats of her era, she partnered with Nureyev, Baryshnikov and others, bringing a passionate style to roles in dance, both ballet and modern.
SOURCE: The New York Times Subscription at 07:10PMFriday, January 13, 2023
Andrew Litton, the musical director of City Ballet, talks about conducting for ballet and the lure of the company’s repertory, much of it rare in concert hall.
SOURCE: The New York Times Subscription at 05:00AMFriday, December 16, 2022
Her versatility and theatricality brought her world renown and an appearance with the Bolshoi Ballet in Moscow. She later became a troupe’s artistic director.
SOURCE: The New York Times Subscription at 12:23PMThursday, June 16, 2022
American Ballet Theatre presents the New York premiere of Of Love and Rage June 20–25.
SOURCE: Playbill at 11:37AMFriday, April 1, 2022
She took a unique interdisciplinary approach and created a new field of study by exploring the collision of politics, ballet, design and music.
SOURCE: The New York Times Subscription at 04:45PMWednesday, February 2, 2022
Mr. Maharaj choreographed for Bollywood, but was chiefly known for carrying the torch of Kathak, one of India’s major dance traditions.
SOURCE: The New York Times Subscription at 03:09PMThursday, April 19, 2018
Mr. Peck’s dances for the revival of the Rodgers and Hammerstein musical on Broadway tick almost every box of dutiful choreography, if without force.
SOURCE: The New York Times Subscription at 02:42PMFriday, October 13, 2017
Repairing the damage to the home of the Houston Grand Opera and the Houston Ballet, which have relocated temporarily, will take at least eight months.
SOURCE: The New York Times Subscription at 01:12PMTuesday, January 10, 2017
The annual prizes, for young performers in theater and dance, were given to Khris Davis, an actor, and Indiana Woodward of New York City Ballet.
SOURCE: The New York Times Subscription at 01:24PMTuesday, January 12, 2016
Sunday, December 27, 2015
Directed by Wayne Cilento, this choreographic anthology of numbers from musicals, TV shows and films is at the Joyce Theater through Jan. 3.
SOURCE: The New York Times Subscription at 02:16PMTuesday, August 18, 2015
For its spring 2016 season, American Ballet Theater offers a slightly bolder lineup, with more of a focus on its artist in residence, Alexei Ratmansky.
SOURCE: The New York Times Subscription at 08:31PMWednesday, May 6, 2015
The two dancers — Mr. Fairchild in “An American in Paris” and Mr. Yazbeck in “On the Town” — are bringing terrific performances to their shows.
SOURCE: The New York Times Subscription at 02:46PMTuesday, November 25, 2014
The “Little Dancer” sculpture by Degas is the inspiration for the new musical by the same name, starring Tiler Peck of New York City Ballet.
SOURCE: The New York Times Subscription at 05:21PMSunday, November 9, 2014
“John,” by the choreographer Lloyd Newson and based on multiple interviews, is about a gay sauna as a transformative experience.
SOURCE: The New York Times Subscription at 05:08PMTuesday, July 1, 2014
American Ballet Theater danced Ashton and Ratmansky versions of Shakespeare classics on Monday evening at the Metropolitan Opera House.
SOURCE: The New York Times Subscription at 05:29PMFriday, April 25, 2014
A dance critic says the dancing in seven new Broadway musicals is good enough for any of them to be contenders for a Tony choreography nomination.
SOURCE: The New York Times Subscription at 06:05PMFriday, March 28, 2014
Shakespeare’s plays, which often deal with young love, magic and the elemental, readily lend themselves to dance, as countless adaptations demonstrate.
SOURCE: The New York Times Subscription at 12:00PMTuesday, January 21, 2014
The Paul Taylor Dance Company has added a performance to its season at the David H. Koch Theater that will include many of the company's alumni.
SOURCE: The New York Times Subscription at 01:44PMFriday, July 26, 2013
“Murmurs,” a mime/circus show by Victoria Thierrée Chaplin, explores illusions with a strange set and surreal scenes.
SOURCE: The New York Times Subscription at 04:44PMSunday, July 14, 2013
The Puerto Rican singer Gilberto Santa Rosa and the Ukrainian-born dancers Karina Smirnoff and Maksim Chmerkovskiy star in a revival of Luis Bravo’s popular “Forever Tango.” …
SOURCE: The New York Times Subscription at 10:00PMMonday, June 10, 2013
Richard Nelson’s new play, “Nikolai and the Others,” gives an intimate portrait of Balanchine at work with Stravinsky on the ballet “Orpheus.”
SOURCE: The New York Times Subscription at 05:45PMFriday, June 7, 2013
The choreography in this season’s Broadway shows ran the gamut from circus acrobatics, to princely magic and character-revealing leaps.
SOURCE: The New York Times Subscription at 06:02PMFriday, August 17, 2012
How do you react to the look of a naked body onstage? Thirty-four years ago, as part of a friend’s bachelor party, I went to a London strip club with a group of seven other men. We were al…
SOURCE: The New York Times Subscription at 10:20AMTuesday, May 29, 2012
There is no single method for choreography to succeed in a musical, and this year’s Tony Award nominees take distinct approaches.
SOURCE: The New York Times Subscription at 10:00AMMonday, December 5, 2011
Thursday, December 1, 2011
The Cunningham company's Repertory Understudy Group, known as the RUGs, ended performances at the Cunningham Studio.
SOURCE: The New York Times Subscription at 01:44PM 
