Monday, July 12, 2021
The long-delayed Marvel-Disney movie generated $80 million at the domestic box office and another $60 million on the Disney+ streaming platform.
SOURCE: The New York Times Subscription at 08:31PMMonday, April 26, 2021
Sunday night’s pandemic-restricted telecast saw a 58 percent plunge in viewers from last year’s record low.
SOURCE: The New York Times Subscription at 06:55PMSunday, April 25, 2021
It has been a surreal time in Hollywood, but Sunday night’s Academy Awards, which begin at 8 p.m. Eastern, could go down in movie industry history for several reasons.
SOURCE: The New York Times Subscription at 07:27AMSunday, April 4, 2021
Even though it was streaming at the same time, moviegoers flocked to theaters. But with caps on seating capacity, analysts said, the take was about half of what was normal.
SOURCE: The New York Times Subscription at 03:04PMSaturday, January 23, 2021
For Adam Aron, who runs AMC Entertainment, the world’s largest movie theater chain, the past year has been filled with twists and turns. And no one knows the ending.
SOURCE: The New York Times Subscription at 01:10AMMonday, May 4, 2020
Sunday, May 19, 2019
Depending on ticket sales, the R-rated musical fantasia about Elton John could have ripple effects for its star, its studio and the wider film industry.
SOURCE: The New York Times Subscription at 10:20PMThursday, May 2, 2019
Alan Bergman was promoted to co-chairman of Walt Disney Studios, and Alan Horn, chairman, extended his contract. In a separate move, the producer Amy Pascal will leave Sony for Universal.
SOURCE: The New York Times Subscription at 08:10AMThursday, April 11, 2019
In a lavish presentation, the company is expected to offer long-awaited details about its counter to the tech giants that have moved into entertainment.
SOURCE: The New York Times Subscription at 03:43PMSunday, December 2, 2018
Showing in just 34 theaters, “The Favourite” had early results in line with two of last year’s Oscar-season hits, “Lady Bird” and “The Shape of Water.”
SOURCE: The New York Times Subscription at 01:58PMWednesday, October 31, 2018
A limited number of cinemas will receive an exclusive period of one to three weeks to play the films — a departure from Netflix’s streaming model.
SOURCE: The New York Times Subscription at 09:05PMSunday, October 14, 2018
Damien Chazelle’s first movie since “La La Land” was mostly loved by critics. Audiences were less impressed.
SOURCE: The New York Times Subscription at 02:28PMSunday, October 7, 2018
Huge turnout for “Venom” and “A Star Is Born” gave Hollywood its best October weekend ever. “Venom” came in first place, but both films exceeded expectations.
SOURCE: The New York Times Subscription at 03:01PMMonday, July 2, 2018
From MoviePass to Alamo Drafthouse, more companies are getting into the ticket subscription business. Here’s a survey of some of the most prominent.
SOURCE: The New York Times Subscription at 10:20AMTuesday, June 19, 2018
Jennifer Lee and Pete Docter will take over as the chief creative officers at Disney Animation and Pixar following the resignation of John Lasseter.
SOURCE: The New York Times Subscription at 07:09PMWednesday, January 10, 2018
Mark Wahlberg received $1.5 million for reshoots of the kidnapping drama after it cut out the disgraced Spacey. Michelle Williams got just a small per diem.
SOURCE: The New York Times Subscription at 08:19PMWednesday, December 27, 2017
Users can go to the movies once a day for $9.95 a month. While multiplexes doubt that’s sustainable, the chief executive, who slashed the price, says, “We seem to have hit a nerve in Ame…
SOURCE: The New York Times Subscription at 08:03PMFriday, December 15, 2017
Disney has achieved great success under the leadership of Robert A. Iger. But he is likely to be judged on the success of his 21st Century Fox deal.
SOURCE: The New York Times Subscription at 09:33PMWednesday, December 13, 2017
“I took action,” the director Ridley Scott said of his whirlwind reshoot of “All the Money in the World,” which featured Christopher Plummer in a role originally filmed by Mr. Spacey.
SOURCE: The New York Times Subscription at 05:00AMSunday, November 5, 2017
Disney scored big with Marvel’s ‘Thor: Ragnarok,” which took in more than $400 million globally over the weekend.
SOURCE: The New York Times Subscription at 01:59PMSaturday, October 14, 2017
The academy has long insisted that professional achievement is what counts, but now it stands at a precipice, and Harvey Weinstein could change everything.
SOURCE: The New York Times Subscription at 02:18AMTuesday, October 10, 2017
Disney once owned Miramax, which Harvey Weinstein co-founded. Mr. Weinstein is also a longtime Democratic donor with ties to the Clintons and the Obamas.
SOURCE: The New York Times Subscription at 07:38PMSunday, October 8, 2017
BamTech has had success with its services for Major League Baseball, HBO and others. Disney is hoping the company can do the same for it.
SOURCE: The New York Times Subscription at 11:59AMTuesday, September 26, 2017
The theater chain has invested $20 million in the start-up Dreamscape Immersive and will open six locations offering V.R. experiences in the next 18 months.
SOURCE: The New York Times Subscription at 09:00AMThursday, August 24, 2017
The promotion for “Star Wars: The Last Jedi” will involve an augmented reality event spread across some 20,000 stores in 30 countries.
SOURCE: The New York Times Subscription at 03:00AMWednesday, August 9, 2017
Plans announced by the world’s largest media company to start two Netflix-style services instantly reverberated through the entertainment industry.
SOURCE: The New York Times Subscription at 09:00PMThursday, May 11, 2017
The map will be sold on June 25 at Van Eaton Galleries in Sherman Oaks, Calif., and could fetch between $750,000 and $1 million.
SOURCE: The New York Times Subscription at 10:22AMTuesday, May 9, 2017
The Walt Disney Company reported better-than-expected earnings, but analysts peppered Robert A. Iger with questions about the health of ESPN.
SOURCE: The New York Times Subscription at 08:19PMFriday, March 10, 2017
With “Andi Mack,” a comedic drama that’s bitter and sweet, Disney Channel stretches its brand. It’s part of an effort to lift sinking ratings.
SOURCE: The New York Times Subscription at 01:09PMWednesday, March 8, 2017
In adapting its 1991 animated hit with live action and digital flourishes, the studio treads a minefield that comes with tweaking a revered classic.
SOURCE: The New York Times Subscription at 08:43AM 
