BroadwayStars | All Your Theater News from Broadway and Beyond

This multimillion-dollar spectacle dresses and sneers like a leather-jacketed outcast, but turns out to be as squeaky-clean and edgeless as a country-club preppy.

Linked From www.timeout.com

The Country Girl
Review by Adam Feldman

In Nichols's account of this talky backstage drama, there's not much life in the wings; the play flaps and flaps, but doesn't take flight.

Linked From www.timeout.com

BLOOD ON THEIR HANDS by MARK BLANKENSHIP

From a distance, this production of Macbeth is less dynamic than originally thought.

Linked From Theater News Online

My Fair Lady Score Soars, but the Production Waivers at the Paramount by David-Edward Hughes

Linked From TalkinBroadway

Babylon Babylon
Review by Amanda Cooper

Despite boasting a stage filled with figures in provocative costumes, Babylon Babylon feels slow and tame.

Linked From www.timeout.com

The Castle
Review by Diane Snyder

At a time when rehabilitation and second chances aren't popular philosophies of justice, this uneven but still effective production proves that there's hope for redemption.

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For its latest opus, the team musicalized Shakespeare's pastoral romantic comedy As You Like It, setting it in feudal Japan with samurai in place of French royalty. If that reframing sounds bizarre, that's because it is-but it also works.

Linked From www.timeout.com

Time Is the Mercy of Eternity
Review by Adam Feldman

Although Margolin has dissected her own play into four barely interrelated scenes, this gambit does not make the evening as a whole more endurable.

Linked From www.timeout.com

Crooked
Review by Adam Feldman

These lonesome and damaged people, at once strange and totally credible, have marvelous dimension in Liz Diamond's polished, multifaceted production for Women's Project.

Linked From www.timeout.com

Days of our lives, envisioned by Beckett BY MICHAEL SOMMERS

Belgrader's sensitive direction helps the actors steadily walk a fine line between tragedy and comedy as they plumb the serio-comic implications of Beckett's study in mortality. The results are a memorable prod…

Linked From NJ.com

In 'Paris,' a classic romance for a new age By Louise Kennedy

Boy meets boy in Trinity Rep musical

Linked From Boston Globe

Frenetic actors in search of a play By Wendy Rosenfield

Maybe you've never heard of Dear World, Bristol Riverside Theatre's current production. Chances are, you know its source material, Jean Giraudoux's postwar dig at French war profiteers, The Madwoman of Chaillot.

Linked From Philly.com

Sunrise at the Quarry - Reviewed by RON COHEN

The intensity and fragility of youthful friendship are movingly evoked in this new play that was developed in improvisations and then worked into shape by writer Nick Sanzo.

Linked From Backstage

A Tribute to Robbins and His Artistic Partners, Past and Present By ALASTAIR MACAULAY

A series of different American Ballet Theater men is gracing various City Ballet lineups of Jerome Robbins's "Fancy Free" this season.

Linked From The New York Times Subscription

Weill's Operatic Impression of New York City Life, From the Stoop Up By VIVIEN SCHWEITZER

The themes of regret, jealousy, immigration and domestic violence central to "Street Scene," Kurt Weill's 1947 opera about life in a New York tenement, are still relevant.

Linked From The New York Times Subscription

The Sound and the Fury (August Seventh, 1929)
Review by David Cote

For all of Collins & Co.'s deliberate obfuscations and juggling of roles among multiple actors, there are moments of shocking clarity that break your heart; so much, everything, is signified.

Linked From www.timeout.com