| Today is Saturday, February 4, 2012 |
| Display: By Time | By Show | By People | By Company | Mobile | Classic Site |
Wednesday, May 7, 2008 at midnight (Broadway Time)
Politically based portraits of Meir and women of Iraq share vitality, pain, complexity
Thurgood Marshall was a towering figure in our legal history. But this one-hander Laurence Fishburne is more history by the numbers than flesh and blood drama
Race and history trouble The Country Girl and Sound and the Fury; Thurgood gets them right.
According to the the press materials, Anton Dudley wrote this play especially for Jan Maxwell who has repaid this questionable favor with a wonderful performance.
This production of Endgame still stands up as original and unique as it was when it first premiered in 1957.
Dear World remains thin fare in a too large package, a musical in search of a raison d'etre. It died on Broadway almost 40 years ago, and I'm afraid it should have been tagged "do not resuscitate."
This family play incorporates music, dance and video. But what is most fascinating is the way it melds Jewish and African traditions of family, song, dance and storytelling.
Kristin Griffith gives a bravura performance as former Presidential secretary Rose Mary Woods in Susan Bernfeld's structurally ambitious drama.
COSTA MESA --The working motto for the scribes featured in this year's Pacific Playwrights Festival seems to have been: Dream big, but plan small.
The neo-Nazi skinhead evokes both fear and fascination in popular culture. David Gow's two-person play Cherry Docs confronts this revulsion and attraction head on.
Playwright Derek Ahonen's perspective on the family unit seems to be both sanguine and deeply cynical.
Through the filter of Kirk Wood Bromley's demented, genius brain, a story that has a placenta as a protagonist becomes all at once a witty musical, a lesson in Chinese mythology, and a dense philosophical journ…
The title pretty much sums it up. Although the quick scene changes, dynamic cast, and vigorous direction from Shaun Colledge ensure that the results are never tedious, the end result is somehow less than the su…
Deep in the third act of the Pearl Theater Company's entertaining production of "The Importance of Being Earnest," I realized how much the sitcom "Frasier" owes to Oscar Wilde.
David Grimm's annoying new play is a self-indulgent work about how hard it is to be a writer.
The narrative of Rogelio Martinez's new play, set in Cuba in 1961, shortly after Fidel Castro came to power, quickly becomes muddled with too many competing viewpoints, subplots, and biases to create a coherent…
This new play commissioned by INTAR Theater takes a look at the fate of a Cuban family that was on the right side of the revolution.
November, Les Liaisons Dangereuses, and a preview of Port Authority.
Pummeled by the critics, the London production of "Gone With the Wind" will have its running time trimmed by 15 minutes to three and a quarter hours.
BROADWAY AD NETWORK
BROADWAY AD NETWORK

BROADWAY AD NETWORK
BROADWAY AD NETWORK