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Monday, June 23, 2008 at 11pm (Broadway Time)
With a full workweek since the 2008 Tony Awards now gone and the new Broadway season officially underway, it seemed like the perfect time to take a look ahead (way too soon) at the race for the big prize at nex…
Monday, June 23, 2008 at midnight (Broadway Time)
Elan McAllister, one of Cry-Baby's lead producers, announced that a national tour of Cry-Baby will be launched in the fall of 2009.
13-year-old theater presented Neil Gaiman play
Zadan, Meron will exec produce series
Gabriel Byrne drama set for second season
Enid Bagnold's charming play gets a perfect revival at the Donmar Warehouse.
Philip Ridley is a master at dispensing information a bit at a time. Although there's no real action in the play (just two people talking for 85 minutes), the stakes and the tension remain high, keeping audienc…
Under Steve Marmion's uncompromising direction for the Brits Off Broadway fest, Deborah Findlay and Mark Field stop just short of flaying one another alive to expose the suffering of these characters, bruised r…
This new bio-musical about nightclub entertainer turned talent agent Jadin Wong is badly executed.
Lantern Theatre Company led the way for this season's best plays and musicals.
A younger Professor Higgins offers intriguing possibilities.
This collaboration between renowned drag diva Joey Arias and visionary puppet artist Basil Twist is a trippy, mesmerizing visual feast.
Basil Twist has a stage magician's gift for sleight-of-hand, and he can do things with Christmas lights and forced perspective that filmmakers can barely do with computers.
"Love is hard for everyone," author-performer John Jiler tells us near the start of his lively but sometimes discomforting show.
It's a rare pleasure to hear laughter at a new opera: not a self-aggrandizing chuckle to prove understanding or a polite giggle at a singer's mugging, but real, deserved laughter.
For the most part, "Miss America" smacks of indulgent youthful innocence squeezed through the withered ringer of experience rather than the work of seasoned satirists.
Perhaps you're one of those people who have long lamented, "If only 'Weekend at Bernie's' had been funnier and had starred actors with some chemistry." Your wait is over.
Brooke Berman is a resourceful author, with a mint of modern phrases in her brain, and imagination to spare.
Brooke Berman's new play about three old friends covers familiar ground in a charmingly bittersweet fashion.
Like its characters, "A Perfect Couple" resists structure; it's a chain of brief episodes that often feels more like a staged screenplay than a play.
IN her last play, "Hunting and Gathering," Brooke Berman explored the romantic confusion of a group of 20-somethings. With "A Perfect Couple," she's moved on and up - proving, just as entertainingly, that 30-so…
Tim Robbins directs a play that is rude, noisy and full of itself. In other words, successful activist theater.
Under James Naughton's free-flowing direction, aided by Lisa Shriver's spontaneous-seeming choreography, the tunes spring up casually, just for fun, as if these friends and lovers were on a giddy retro roll.
"Hot 'n Cole: A Cole Porter Celebration!" is an uneven but sometimes elating revue at the Westport Country Playhouse.
This more than a century old domestic comedy falling within the rubrik of Shaw's pleasant plays, manages to remain remarkably fresh, relevant and entertaining thanks to the Berkshire Theatre Festival's handsome…
A new staging of The Who's famous rock opera emphasizes sound over visuals, with mixed results.
At Hollywood's Ricardo Montalbán Theatre, the music proves to be an adaptation's driving force.
Brian Michael Purcell's elaborate staging at the Ricardo Montalban Theater has its undercooked and raggedy patches, but the music's energy and production elan are enough to carry the day. The kids are all right…
The classic rock musical gets a new and uneven staging.
Also reviewed: 'Macbeth' at Theatricum Botanicum, 'Dog Sees God' at Hudson Backstage, 'Hello, My Name Is ____' at Garage Theatre
Canadian actor Raoul Bhaneja delivers a satisfyingly straightforward rendering of the text, and it makes for a surprisingly enthralling production.
Is Michael Stuhlbarg a great Hamlet, or only pretending to be one?
Chicago Shakespeare Theater, which brought home the regional-theater award, is one of America's liveliest and most consistently satisfying drama companies. I've gone there two or three times a season since 2004…
Good or bad, the technology is always fun to watch. But it can't make up for the lost humanity or the mangled poetry -- all sacrificed to the political cause.
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