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Friday, June 27, 2008 at midnight (Broadway Time)
Selective listings from theater critics of The New York Times.
The blacklisted screenwriter stood by his beliefs but paid a stiff price.
Peter Askin's stirring documentary "Trumbo" gives you reasons to cheer but also to weep.
Shattered Globe Theater in Chicago has resurrected "A Taste of Honey," a show that deserves to be seen again and again -- and has given actress Helen Sadler the chance to show her stuff.
Nominated for a PEN Award, Jovanka Bach's final entry in her Balkan trilogy provides convincing characters, haunting poetry, and no easy answers.
There was abundant talent in Idina Menzel's performance, but no sign of the kind of oversight that might snap it into focus.
Anthony Neilson's play places too many demands on its actors as it tries to ricochet from comedy to pathos to psychosis.
Playwright Anthony Neilson offers a cold and frank look at love or, in this case, its absence.
The eager, animated actress-playwright Natalie Mosco tackles perhaps America's first female superstar painter in "A Brush With Georgia O'Keeffe."
It's a natural for director Bart de Lorenzo whose ebullient flair embellishes Margulies' take on de Rougemont's real-life story of adventure, romance and all the mysteries in between.
If anything on the boards today could prompt a young viewer to aver, "I not only want to see more theater, I want to make it," this is the one.
Robert Carsen's sardonic but overstrained take on Voltaire's tale is a horrible mixture of scattergun and sledgehammer
The title sounds like an allergy-inducing Roberto Cavalli perfume in animal-print packaging, and the overproduced show is just as subtle.
The overriding (and obviously unintentional) message of creator-director Neil Goldberg's fast-wilting circus in that there's no problem textbook acrobatics and a gym membership can't remedy.
"Cirque Dreams" doesn't have the pretentiousness of "Cirque du Soleil" - to which it has no connection, other than in name - but it also lacks its artistry.
This stunts-and-spandex spectacular is ideally suited for children ages 6 to 12 with an advanced interest in jungle fauna, gymnastics or sequins.
Cirque Dreams Jungle Fantasy is not related to Cirque du Soleil, though there are similarities. That said, children will probably find it enjoyable. Adults, on the other hand, will not be so easily won over.
This circus-like entertainment is mostly recommended for young theatergoers or adults who haven't seen this kind of show before.
All cirques are not created equal, but "Cirque Dreams" does provide a mild, family-friendly diversion.
For all its Vegas sensibilities, this is a fun show. Though not as imaginative as the Cirque du Soleil shows I've seen, it's still a pleasant diversion for a summer evening.
Everything rides on the physical feats, and the vast majority of those in "Jungle Fantasy" are daring enough and clever enough to captivate audiences of all ages without overstaying their welcome.
"Jungle Fantasy" is an extravagant spectacle. Broadway may have never before hosted the likes of those Mongolian lizards, but they and their talented tropical friends seem right at home.
For light summer entertainment, this is a "Fantasy" worth indulging.
A Chorus Line, the landmark musical about doing it all for love, spreads its universal message with a national tour.
Daniel Davis rose to prominence by playing a character with one name: Niles, the butler in "The Nanny." Now he's portraying another, but one worlds apart from a gentleman's gentleman.
Listen to excerpts from "In the Heights," "Passing Strange," "Adding Machine" and "A Catered Affair."
The influence of rap and rock is being felt in a new crop of original cast albums.
THIS woman doesn't need a lawyer. Please - someone call an exorcist.
Officials of a north suburban park district say strong racial language in the musical "Ragtime" prompted their decision Wednesday to cancel the show two weeks before it was set to open.
As he celebrates his 80th birthday year, the composer of such shows as Bye Bye Birdie and Annie speaks candidly about his five-decade career.
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