| Today is Saturday, February 4, 2012 |
| Display: By Time | By Show | By People | By Company | Mobile | Classic Site |
Tuesday, July 22, 2008 at 6am (Broadway Time)
Lisa chats to Broadway musical theatre songwriter Scott Alan. They discuss everything from song influences, song meanings and flying. We also get to hear songs from Scott's first album - which includes perfor…
Tuesday, July 22, 2008 at midnight (Broadway Time)
Actor part of Membership First majority
When a tunesmith has a highly personal style, the potential exists for the songs to begin to sound alike after the fifth or sixth or even the third or fourth ones.
This literate, funny yet poignant play has enough going for it even without the surprise element.
What this musical has first and foremost, is action: magical disappearances and witty exchanges.
Australian playwright Joanna Murray-Smith's comedy ingredients are certainly bold, but the satirical farce meal she serves up is less than satisfying.
Plays don't work like TV shows or standup routines, so why didn't Don Reed get some help?
"Marie Antoinette: The Color of Flesh" returns to the Gotham stage after a well-reviewed first run last year, but it still needs the help of a dramaturg who's not afraid to employ the guillotine.
Harlem Rep makes clear its association with the City College of New York's Department of Theatre and Speech but still purports to be a professional theatre. On the basis of this production, despite flashes of p…
One can't help but admire how resourcefully this 16-person ensemble dramatizes the events - character-heavy and action-packed as they are - of the famous 1975 film, even as it inevitably falls short of its clas…
Anything would be better than this amateurish mess of paranoid political satire, which is the theatrical equivalent of a punishment from God.
Liam Neeson and Barry McGovern give indelible portraits in Lincoln Center Festival's productions of these Samuel Beckett works.
"I'll Go On" is about as good as it gets, with McGovern wringing laughs from some of Samuel Beckett's bleakest passages.
Barry McGovern is a masterful Beckett interpreter whose one-man show "I'll Go On" blends Beckett's words with George Carlin's comic timing. The laugh-till-you-hurt/hurt-till-you-laugh result is something either…
Director Michael Evan Haney has five capable actors playing more than thirty roles in the globe-trotting yarn, as compactly adapted by Mark Brown at the Irish Rep.
"Around the World in 80 Days" matches form and content brilliantly as five actors playing 39 roles perform Mark Brown's adaptation of Jules Verne's adventure story of a race against time around the globe. The s…
Courting Mae West would not be without its excitement, nor is LindaAnn Loschiavo's play of the same name. Yet though it has all the witty banter and innuendo that's expected, too many storylines, too much repet…
The cast has energy to spare, but John Heimbuch's violent, nihilistic comedy suffers from a bad case of ADD.
The cast members do the best they can with the material, but Owusu's muddy script falls flat, especially under Rye Mullis' cartoonish direction.
"The Higher Education of Khalid Amir" takes off with a series of hilarious scenes and characters.
When broad comedy fails to catch fire, it can be hard to assess the reasons, but in this case a flaccid script and sloppy direction leave the cast adrift, forcing them to fill in unmotivated behavior and nonsen…
Though the show is a little heavy on the exposition, Dorothy Parker's surefire material and an adept cast help the play, under Bricken Sparacino's direction, flow well, some rough patches notwithstanding.
Reports on The Wendy Complex, Prince Trevor Amongst the Elephants, and Daguerreotypes.
BROADWAY AD NETWORK
BROADWAY AD NETWORK

BROADWAY AD NETWORK
BROADWAY AD NETWORK