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Thursday, July 24, 2008 at 11pm (Broadway Time)
"You wanna show to make it on Broadway, you need a star, baby!"You can almost picture the ye olde BroadWAY producer — fat man with the matching wallet and mouth set — chomping a cigar and yelling those word…
Thursday, July 24, 2008 at 2pm (Broadway Time)
Clowing around with Mark Olsen Movement specialist Mark Olsen illustrates some of the comic elements for Westport Country Playhouse's Scramble! From: WestportPlayhouse Views: 457 1 ratings Time: 01:21…
Thursday, July 24, 2008 at midnight (Broadway Time)
The anecdotal material in Don Reed's cookie-cutter show seems better suited for stand-up than a solo play.
Irish Rep presents a perfectly silly multicharacter comedy, perfect for those who can't afford The 39 Steps.
Lenelle Moïse pens and stars in a powerful, overstuffed portrait of a star-crossed singing duo.
The phoniness of public discourse and its eerie disconnection from the bloody business of power are brought to the fore in Theater Oobleck's droll look at the presidential debates between George Bush and John K…
Liam Neeson gets his close-up in Atom Egoyan's superb production of the Samuel Beckett teleplay.
The little tuner that thought it could, did, and it hasn't lost a jot of its bighearted, quirky brilliance.
For the past two weeks, a master class in acting has been offered in the "Gate/Beckett" series at the Lincoln Center Festival. First came Liam Neeson's searing silent performance in Eh Joe, followed by Barry McGovern's intensely florid solo turn in I'll Go On. And now there's Ralph Fiennes, investing his rendition of the playwright's 1965 short story First Love with a quiet precision that's all the more powerful for its restraint.
The stage adaptation of this Beckett story is being captivatingly performed by Ralph Fiennes.
Elegance without ostentation: that would describe the overview of Leonard Bernstein songs that the pianist Bill Charlap and the singer Kurt Elling brought to Bernstein's theater music.
Dazzling newcomer Karla Mosley finds a home in Expatriate.
Mamma Mia! has its brush with brilliance-the fabulous Dancing Queen sequence-which makes the movie worth seeing despite its flaws.
No use beating a dead horse: Sam Shepard's Kicking a Dead Horse is a dull play.
The Town Hall stage groaned under the weight of talent last week when Scott Siegel unleashed the second annual "Broadway Rising Stars" show.
The pros and cons of feminism are given a too thorough going over in Joanna Murray-Smith's The Female of the Species. There's a strong whiff of desperation as the play plods along.
What do you get when you cross Forbidden Broadway with American Idol and the participants of this years political eight ring circus?
Brent Barrett, Perry Ojeda, and Dee Hoty shine in the Cape Playhouse's highly entertaining version of the hit Broadway musical.
Between its caricatures of Arabs and Italians and its tinfoil-hat philosophy, "The Time of Mendel's Trouble" is both a worrying reading on the sanity barometer and an embarrassingly problematic musical.
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