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Monday, August 4, 2008 at midnight (Broadway Time)
Longtime actor parlayed his creative nature into a behind-the-scenes business
News about the new season at the Vineyard Theater and two festivals at 59E59 Theaters.
A New York writer recalls how she created and sold hundreds of fake letters "by" celebrities such as Noël Coward and the silent-film star Louise Brooks.
This week's column discusses cast albums of Rodgers & Hammerstein's South Pacific, present and past.
Performers, orchestra contribute to making this musical one of Music Theatre's finest.
Alas, "Flamingo Court," now at New World Stages, fails to lift the beleaguered genre above the level of the middling sitcom.
With Rufus Norris directing, the piece had a good reception at the Royal Court in 2000. Those reviews are probably the main reason for this revival at the Duke of York's, but producers would also have been look…
David Ives new take on Feydeau's classic farce at Williamstown.
The main point here is a satire on oratorio form - in particular, the perennial pleasures of Handel's "Messiah." In doing so, Idle and Du Prez are continuing a fine old British tradition of classical send-ups d…
Eric Idle performs at the Hollywood Bowl in an oratorio descended from Monty Python's 'The Life of Brian.'
New Steppenwolf plays cover array of subject matter
Attack of the Theater People and Furious Improvisation: How the WPA and a Cast of Thousands Made High Art out of Desperate Times are among this summer's must-read books.
George M. Cohan, too easily dismissed as a cornball composer, was in fact an Irish-American rebel who reimagined what musicals in America could be.
Bad lyrics - lyrics that make no sense, that make you wince with their sheer awfulness, that make you wonder how the singer can possibly get through them - are hardly lacking. And they don't come only from hack…
There are great musicals, and there are musicals that have a great impact.
A walk in the park with the creator of "Hair."
"To me, Broadway is where all the magic really happens," says Goldberg, 52. "I think there's nothing better than sweaty actors on a stage."
THE FAMED Rodgers & Hammerstein Music Publishing business, run by Ted Chapin, has put itself on the market for a mere $250 million.
Will Pomerantz's enjoyable production of the Pulitzer Prize-winning musical satire emphasizes the script's comedy.
Following a disappointing performance by Amy Irving, this collection of one-acts grows progressively better.
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