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Thursday, August 21, 2008 at midnight (Broadway Time)
The most intelligent and sophisticated reinterpretation of a song so far this cabaret year arrives in the middle of this tandem show that longtime mutual-admiration-society members Karen Oberlin and Miles Phill…
Ladies and gentlemen, this reviewer's winner is Nesha Ward, though she didn't prevail with the judges.
If you thought Andrea McArdle had a great voice when she unleashed it on the Martin Charnin-Charles Strouse "Tomorrow" in "Annie," you need to hear her today.
Nakasian will sing a standard or two or three in the course of a set, but she wants to shake them up and takes pleasure splicing the evergreens with rarely done gems.
In Pam Gems' play Piaf at the Donmar Warehouse, Elena Roger again makes a part her own.
As directed by Pat Zaback, known to Long Island theater patrons as co-founder of BroadHollow Theatre Company, Piscopo anchors this slight-to-middling Sunday-dinner saga with a convincing mix of connection and d…
"Hattie ... What I Need You to Know" attempts to tackle what it meant that the first African-American to win an Academy Award did so playing a loyal slave.
The melodrama is high, and so is the cliché count in "Noon Day Sun," an exploration of racial identity and related themes that is as seductive as a soap opera.
The verbatim theater staging is absorbing and humane, performed with a confidence beyond the actors' years, but it lacks the dramatic power that made "Black Watch" a revelation.
Theatre Q's revue 'My Strange Nation' looks at America through a gay prism
Arms and legs flailing, spoken-word artist Rich Ferguson gives a fervent but clichéd account of his love for Los Angeles.
ROMANCE novels and Greek tragedies get Fringe Festival spins in "The Boy in the Basement" and "Too Much Trouble," respectively. But while these takeoffs may intrigue aficionados, neither stands on its own as a …
James Barbour, Aaron Lazar, Gregg Edelman, Brandi Burkhardt, and Natalie Toro preview the new Broadway musical A Tale of Two Cities.
Meet A Tale of Two Cities scenic designer Tony Walton.
Joe DiPietro's musical, Memphis, explores the racial tensions underneath the birth of rock 'n' roll.
SpotCo, the New York City ad agency, shook up the Broadway ad business a little more than a decade ago with contemporary, eye-catching campaigns for Chicago and Rent.
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