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Saturday, November 1, 2008 at midnight (Broadway Time)
Arranged 'Chances Are,' 'Splish Splash'
The author-radio host-actor-activist and Chicago symbol has died. "My epitaph? My epitaph will be 'Curiosity did not kill this cat,'" he once said.
To Be Or Not To Be ought to balance on the knife's edge where hysteria and hilarity meet. Only the knife is dull and the laughter is forced.
The hard edges of Varla Jean Merman - the drag performing persona of Jeffery Roberson - are softened by a palpable if muddle-headed eagerness to please, and her vocal prowess is impressive.
A crucial change from the original Broadway production puts the emphasis on the folk music.
Audiences be warned: "Apple" by the Canadian playwright Vern Thiessen contains moments of anguish, the ravages of medical treatment and the specter of imminent death.
"Resurrection" will most likely resonate with those who know next to nothing of the black world Daniel Beaty writes about and with those who actually live in it.
This revival of Harley Granville Barker's Waste wants for precisely nothing, especially from the second act onward. It's scintillating theater as only the British can do it.
Drama abhors a vacuum: Enough said about The Grand Inquisitor
Perusing the 1963 reviews for the Broadway musical "Tovarich," now being given a concert-reading airing by Mel Miller's Musicals Tonight!, one gets a feeling well articulated by one of its song titles: "Uh-Oh."
"Million Dollar Quartet," a lively jukebox musical currently running in Chicago, is what you might call a no-brainer baby boomer money-spinner.
Of all the evening's many characters, I'm not sure I liked any. Most are too sharp or too silly to care about - and few are sufficiently established.
In this musical's L.A. debut, director Michael Mayer's superlative touring edition received a rapturous response from the opening-night crowd, demonstrating that the show's appeal extends far beyond one age gro…
Youth sucks, rocks. Includes nudity and sexual situations
'Spring Awakening' not only smells like teen spirit, it sounds and looks like it too.
Unique arrangements ushered in a new genre of films
'Goldfinger' 'Midnight Cowboy' music reconsidered
Filmmakers are continually moved by Jon Barry's scores
In fact, a revival of Barry's 1974 musical "Billy" is now in the discussion stages.
It's been stressful for 17-year-old Andrea Ross, juggling high school while taking on the lead role as Joan of Arc in George Bernard Shaw's "Saint Joan."
Charlie Scatamacchia of Croton-on-Hudson appears in "Kiss Me, Kate" at the Irvington Town Hall Theater. Scatamacchia is a vice president at R&H Theatricals in New York City.
For its new season, the Hudson Stage Company will feature "Mary's Wedding" - a change of pace. It's the first historical play in the Company's 10 seasons.
Composer Jason Robert Brown remembers his own Bar Mitzvah in telling about his latest musical 13, his upcoming Swan, and his favorite fan
Matt Sax is the creator and star of "Clay," a solo hip-hop musical that will inaugurate LCT3, Lincoln Center Theater's emerging artists' initiative.
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