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Saturday, November 15, 2008 at midnight (Broadway Time)
Michael Flatley is set to host competition
Laura Linney circling Joan Didion script
More participants have been announced for the eighth annual "24 Hour Plays on Broadway," to take place on Monday at the American Airlines Theater.
Goat Island's taxing farewell performance hints that now is the right time to say goodbye.
Since every supposed reversal is telegraphed endlessly in advance by Russell's kitschily inept staging, the play manages to be at once mundane and bizarre: in every sense, insanely dull.
For all involved, it must be a neat technical workout, but from the aisle, it seems like a lot of cold clockwork.
With the right company, the play might not be so easily dismissed.
Echoes of Chekhov resonate in George Bernard Shaw's dazzling, though sometimes numbing, skewering of the British gentry in the months leading to World War I.
The Paper Mill's production is a welcome improvement over the original, though it covers much of the same ground.
A disturbing look at the weird and complicated relationships we have with new media.
The central character of Kevin Elyot's Mouth to Mouth spends most of the play flagellating himself with guilt, and Elyot treats his shame like tantric foreplay, continually delaying its release.
An impressive, memorable, thrilling evening of musical theatre.
With a few judicious cuts and a stronger director, "My Favorite Animal" could be a brisk romp through the romantic entanglements of some severely disturbed Texans. As it stands now, however, the show is merely …
Dramatic 7-hr. reading of Fitzgerald work proves seductive
Actor fully commits to Fitzgerald work
As an extended comedy act, Sleepwalk with Me is tremendously entertaining. But if Birbiglia wants the show to become a full-fledged theater piece, he's going to have to sleep on it.
You don't have to be a political junky to enjoy this behind-the-scenes look at a fictional campaign for the White House.
At its best, Bury the Dead emerges as a social-realist stage poem on the tests that every generation faces, in war or in peace.
Despite the undeniable pleasure of at last experiencing this long-lost piece, one is left hoping that Kurt Weill's "Marie Galante" will receive a more enlivening and illuminating production in the future.
On Thursday night the enterprising Opéra Français de New York presented an elaborate and overdue production of Kurt Weill's "Marie Galante," its American premiere, at Gould Hall.
Billy Elliot's director on taking the ballet boy to New York
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