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Friday, May 8, 2009 at 11am (Broadway Time)
Sofia Vergara -CECOMEX Cinco de Mayo Sofia Vergara who currently plays Mama in CHICAGO Broadway, makes an appearance at the CECOMEX Cinco de Mayo festival in NYC. For more information on CHICAGO, visit http:…
Friday, May 8, 2009 at midnight (Broadway Time)
Selective listings from theater critics of The New York Times.
This production of Madame de Sade, is quite frankly, all talk and no action. Even a cast including Judi Dench, Frances Barber and Rosamund Pike can't save it.
The tale of a young boy whose dreams come true is an inspiration to all those who are dreaming of a better future and for those who perhaps have lost the dream along the way. It's never too late, you know, and …
Most of the abuses in the corporate office depicted have gone the way of the manual typewriter, there are plenty of overworked, under-appreciated and easily outsourced underdogs to make the improbable scenario …
Gugino and Schreiber's anguished erotic heat is matched by the hellfire viciousness of Dennehy's patriarchal sadism.
"Wallander," a three-episode series based on the popular crime novels of the Swedish author Henning Mankell, begins on Sunday on PBS's "Masterpiece Mystery!"
Decades before terms like "alpha girl" were invented to describe a cutthroat female high school pecking order, the hits of Lesley Gore outlined this treacherous realm of sexual rivalry and vindictive gossip in …
The show, now at Carpenter Center in Long Beach, generates laughs - but they are sporadic.
West Coast-premiere staging of the newfound 1898 farce in Long Beach showcases the genius of Mark Twain and David Ives.
Sexualizing the savior is one thing, but Mr. Rogers? That's sick.
Any scientist worth his lab coat will tell you that the secret to a good experiment lies in limiting the variables. What can you learn if you test everything at once?
Some shows exist for the same reason dog runs do: All puppies need to get off the leash.
The emotional precision of "The Fantasticks" -- central to its worldwide appeal and original 17,162-perf run -- is in short supply in Reprise's overproduced revival.
For better or worse (mostly worse), Reprise Theatre Company has given "The Fantasticks," "the world's longest-running musical," a glamorous makeover.
Jason Alexander directs a well-cast and charming production at Reprise.
Eric McCormack and Lucas Grabeel headline the Reprise Theater Company's enchanting production of the 50-year-old musical.
Edward Hall's all-male, prison-set production of Shakespeare's classic play will delight some audiences and alienate some others.
Edward Hall's Propeller, an all-male British company, investigates and invigorates text so fully it seems to invent Shakespeare's plays on the spot, as in the near-great production of "The Merchant of Venice" n…
This provocative new production puts Shakespeare's play on lockdown in a brutally violent men's jail.
While keeping the same basic ingredients that have driven Cirque shows for the past quarter-century (circus acts, colorful staging, minimal concept), "Ovo" branches out in several fairly bold directions, which …
Helen Shaw shares four things she hates about theatrical icon Samuel Beckett.
John Glover is having a Lucky year.
Sean Mathias's production in London of "Waiting for Godot," with two masterful actors in the lead roles, is alternately crushing and beautiful.
Even though it clocks in at a mere 75 minutes, Ethan Coen's latest collection of one-acts wears out its welcome long before it's over, mistaking as it does banality for hipness.
The Coen touch -- on stage as on screen -- is more smartass than smart. It panders sedulously to anti- establishment attitudes and thumbs its nose at credibility.
This set of three short plays by Ethan Coen leaves a distinctive if fleeting aftertaste that you're not sure whether to savor or spit out.
While Ethan Coen's triptych explore some Kafkaesque workplace issues, he's less like Kafka than a story-telling John Stewart or Steven Colbert with a nod to O. Henry
The writer who helped create "Fargo" and "No Country for Old Men" has demonstrated he can create for the stage as well as for the movies. Now we need a full, two-act play from the man.
These dark situation comedies are given tasty treatment by director Neil Pepe and an adroit, multitasking cast.
Ethan Coen's new trio of one-acts about office life are quite amusing.
If work were always as much fun as Offices, the new giggle factory of an evening by Ethan Coen that just opened at the Atlantic Theater Company, the trudge from graduation to retirement would pass in a blink.
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