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Tuesday, June 9, 2009 at 6pm (Broadway Time)
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Tuesday, June 9, 2009 at 7am (Broadway Time)
MusicalTalk polarities this week as MusicalTalk gives you a review, a preview, an obituary and... well, whatever the opposite of an obit is; we celebrate the lives of two very diffrent musical Arthurs, look for…
Tuesday, June 9, 2009 at midnight (Broadway Time)
Cromer, who showed up for the awards and honored his original collaborators, read a long list of those who were, he said, "Our Town."
"I've been away a long time," Cromer said. "It's good to be back."
Novelist, playwright known for Kraft, 'Trap'
Roles included 'Abe Lincoln,' 'Swamp Water'
This concert rang out the Lyrics & Lyricists series on a euphoric wave of polished glass harmonies and light swing rhythms.
In "Nurse Jackie," a new series on Showtime, Edie Falco plays a ministering angel with a devilish addiction to painkillers.
This program covered a span of 33 years of Jerome Robbins's choreography.
With The Power of Two, Michael Feinstein and Cheyenne Jackson have put together a whale of a cabaret act. It bodes well for a burgeoning cabaret future together.
Lillian Hellman's play remains a gripping reminder that there is a price to pay for the recycling of greed and the ravaging of our humanity as we enter another century
Director Marianne Elliott has adopted a Gothic aesthetic for the National's first crack at All's Well That Ends Well. It provides style and substance in near perfect harmony.
This crowd pleasing musical was one which made me think I'd landed on an alien planet.
Michael Grandage's Hamlet gives us a splendid Jude Law in the title role. It also gives us a play that at time seems freshly written.
Series A of Ensemble Studio Theatre's 2009 Marathon disappointed some, but Series B came roaring back with one-acts that ranged from quite good to excellent.
Even at a mere 60 minutes, Elizabeth Battersby's new one-woman musical threatens to outstay its welcome.
Three decades old, and thoroughly WASP-centric, this A.R. Gurney classiic speaks broadly in an age of diminishing expectations.
Derek Ahonen's play about a modern-day free-loving "tribe" lacks depth.
The Amoralists is a theater company that claims not to be "concerned with the principals of right or wrong, good or bad," an attitude that could endanger the success of its productions. And yet, despite being s…
Review of the bound for Broadway comedy about the divine Tallulah Bankhead giving life one last "kick in the pants."
It's awfully hard to find too much fault in a production that provides a fundamentally effective vehicle for Schmidt's score, which -- make no mistake -- is remarkable.
When you encounter a new work that possesses the breathtaking beauty, emotional immediacy, masterful craft and profound wit and wisdom of "A Minister's Wife," you understand why the art of live theater will nev…
Goofball antics have deeper meaning in "Machines Machines Machines Machines Machines Machines Machines," a three-man caper that starts off hysterically but ultimately becomes a tedious exercise in silly physica…
Contraptions and mechanical gewgaws of all sorts are the buzzing, whizzing, clanking lifeblood of this handcrafted theatrical tribute to Rube Goldberg.
This giddy, deliriously funny enterprise at HERE is not only good enough to redeem not just its exuberant title, but possibly the idea of experimental theater.
Brilliant acting and Doug Hughes' canny helming fully animate Mamet's galvanic 1992 show.
"Oleanna" still fills me with reservations - artistic as well as political. Yes, the debate is tendentiously rigged. But you can't argue with a play that retains the power to get theatergoers arguing with each …
The fascinating Bill Pullman on the creative art of acting
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