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Saturday, June 20, 2009 at midnight (Broadway Time)
'Stars' pro dancer set for Paramount remake
Jamie Lee Curtis, Kristin Chenoweth, Odette Yustman and Betty White have joined the cast, as has Victor Garber. They join Kristen Bell and Sigourney Weaver in the film, to be directed by Andy Fickman.
Small theaters bring millions of dollars to the city, group says.
Minnelli, Lansbury score Tonys
Peter Franklin moves on from career as agent
Horton Foote's last play may have brought him a late-life triumph, but its comic intent comes packed with tragic subtext.
Lillian Hellman's pride of vipers are front and center in this excellent revival of The Little Foxes. All the greed and manipulation are hard to miss.
Shakespeare's Globe has come up with one of the best As You's of recent years. Kudos to Thea Sharrock for her traditional handling of the work.
Zinnie Harris updates Henrik Ibsen's "A Doll's House" from late 19th-century Norway to the Edwardian political classes in 1909 London.
Deeply religious newlyweds trying to iron out marriage's inconveniences in a treehouse.
Dorothy Parker and her wonderful way with words continue to fascinate, and Maureen Van Trease is clearly in her thrall in this intermittenly effective entertainment.
Despite its story about the conflation of race, religion, and sexuality in modern-day Brooklyn, this plodding and pretentious play, which has been sharply directed by Anne Kauffman and is flaccidly acted by an …
Before collapsing into self-parody, "Stunning" starts off as the year's most exciting new play.
Charlayne Woodard and Cristin Milioti give excellent performances in David Adjmi's engrossing if frustrating play about life in Brooklyn's Syrian-Jewish community.
Riveting perfs and super-stylish staging polish the play's satirical weapons of high dudgeon, while adding to the luster of LCT3, the developmental wing of Lincoln Center currently making a splash in its inaugu…
Broadway, out of economic necessity, is embracing rock, country and pop-soul music. Here's a look at some of the original cast albums of the season.
Phylicia Rashad has taken on the role of a different type of Big Momma in August: Osage County. Let's say, she's learning on the job.
The Tony Award-winning actress discusses her experiences playing Mattie Fae in Broadway's August: Osage County.
Part 3 in our continuing series following Broadway hopeful The Tapioca Miracle looks at the New York reads with a Broadway cast, and the writer's notes after.
The entire city is crawling with melancholy Danes, thankless children and unrequited lovers, in free outdoor shows this summer.
Broadway actress Rachel York still looks every inch the ingénue, with copper-colored locks and a dimpled grin.
Michaeljon Slinger of West Side Story, Alejandra Reyes of In The Heights, and Mitch Dean of Altar Boyz chat about the unique challenges of swing work.
Opera, sports and now a London theater's Greek tragedy, broadcast to screens around the world
Terry Teachout on the masterly staging of Horton Foote's great play "Dividing the Estate" in Hartford, Conn. Plus, a revival of the all-black '70s take on "The Wizard of Oz" in New York.
Lacking the joy, exuberance and emotional connection needed to overcome its pedestrian book, the show is a limp spectacle -- a fantasy bereft of magic.
The revival suggests that it was a musical for its original time. Despite a strong, very appealing Motown-sound score by Charlie Smalls, it comes across as a meandering, one-joke show.
The impact of the slick, ambitious evening depends on one's affection for the musical, a middle-of-the-road, rock-and-soul extravaganza that already seemed old-fashioned, uneven and a little schlocky when new.
City Center Encores! offers a visually sumptuous but otherwise uneven production of the 1975 musical version of The Wizard of Oz.
The new revival of the 1975 Broadway musical "The Wiz," starring Ashanti as a lovely but lifeless Dorothy, is busily energetic and yet full of dead ends.
Yellow is the perfect color for summer, and there's hardly a place to get a richer dose of it than City Center, which is currently housing a nearly perfect choice for its Encores! Summer Stars series, The Wiz.
The show gets, and deserves, a slightly longer run than the usual Encores! airing (and Broadway may follow), as this is truly a show for all ages and all imaginable audiences.
This innovative revival of "The Wiz," the 1975 soul and rock adaptation of L. Frank Baum's classic fairy tale, drenches the audience with a downpour of pizzazz and talent.
For someone about to make her stage debut, Ashanti appears eerily relaxed.
North Shore Music Theater Closes Amid $10M Debt
First-look deal includes two potential projects
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