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Wednesday, September 9, 2009 at midnight (Broadway Time)
"I Dreamed a Dream," the album by Susan Boyle, the Scottish singing phenomenon, won't be released until Nov. 24, but it has already hit No. 1 on Amazon's Best Sellers in Music list.
The new musical-comedy drama "Glee" dresses like "High School Musical" and has the heart of "Porky's." That's a compliment.
The high school comedy, one of the fall's best new shows, celebrates music, ambition and the misfit.
TV series' creator Ian Brennan used his Prospect High days to inform the show's characters, ideas
I want to be in "Funny Girl." And I want ["Glee" creator] Ryan Murphy to direct it.
The English National Opera next week begins a 2009-10 season rife with theater names at the helm, as if to reflect an increasing fluidity between the worlds of theater and opera.
"The Night Is a Child" doesn't take us anywhere else new or surprising.
This third play by Charles Randolph-Wright to be produced at the Pasadena Playhouse is in many ways a lovely work with much to recommend it
This labored dysfunctional-family melodrama tries to be both shocking and funny but succeeds only in the mildest way at the latter.
Warren Bodow's well-meaning if flawed play about an African-American deejay experiencing discrimination benefits from strong ensemble performances.
"The Domestic Crusaders," Wajahat Ali's envelope-pushing play, is about immigrant Muslims living in the American suburbs.
Though his tales lack suspense and much drama, Billy Roche's natural performance demands attention. Students of acting and Irish literature should not miss this American premiere.
This hilarious, haunting play about a 100-year-old son and his father goes from silly to heartbreaking without ever becoming serious, thanks to wonderful performers and sharp directing.
Each of these five short plays has its own appeal, but the decision to put such diverse works together leaves one disoriented, as an outsider looking in.
Seeing Sebastian Barry's "The Pride of Parnell Street" at New York's 59E59 Theaters reminded me of what a slump modern Irish theater is in.
This portrait of the marriage of a marginalized man and woman in 1990s inner-city Dublin gleams with authentic sound but is ultimately unconvincing at its sentimental heart.
Sebastian Barry's drama remains compelling through long and circuitous dialogues that could be trying for even the best of audiences, showing what can be done when a writer, director and actors combine their en…
Sebastian Barry's new play is a lovingly acted, fiercely sentimental elegy for a marriage.
Sebastian Barry's bleak yet beautiful drama about domestic violence is well served by Aidan Kelly and Mary Murray.
It's a surprisingly vivacious portrait of helplessness, of the entirely human impulse to adapt, to get by even when there's little hope life will get better.
It's a gut-wrenching saga told with poignancy and wit, precisely the kind of niche today's cutting-edge theater strives to fill.
Playwright Danai Gurira says the inspiration for her new play, Eclipsed, came from a photograph one of her professors showed her when she was in graduate school.
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