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Saturday, September 19, 2009 at midnight (Broadway Time)
The singer Jon Secada performed at Feinstein's at Loews Regency on Wednesday evening.
Emily Mann's stage adaptation of the best selling book about the remarkable Delany Sisters is having a revival at the McCarter Theater where it premiered in 1995 before moving to Broadway
There are moments of greatness in the Huntington production, but not enough spiritedness, not enough risk, and that finally means not enough August Wilson.
A 90-minute explosion of hip-hop and freestyle dance, is so energetic and eye-catching that it nearly pops off the stage.
What an unexpected, fantastic, exciting, spectacular, inspirational evening of invigorating hip hop dancing and unique story telling presented by the fourteen member Groovaloos at The Joyce Theater.
In this short video, ZERO HOUR's director Piper Laurie talks with Joel Markowitz about eating flowers, and directing Jim Brochu in ZERO HOUR, which is moving to The Theatre at St. Clement's on November 14th.
Friday, September 18, 2009 at 9pm (Broadway Time)
Scott Walters, a leader and advocate for participation and creation of art in smaller communities (with populations under 100K for his specific project) has written a very thought-provoking letter to Rocco Land…
Friday, September 18, 2009 at midnight (Broadway Time)
Selective listings from theater critics of The New York Times.
There's nothing like a party to let the new neighbors know exactly what type of person you are.
This jolly, gaudy musical comedy opening the Walnut Street Theatre season is about two scam artists, dirty rotten scoundrels who work the Riviera, seducing money out of rich women.
The Repertory Theater of St. Louis provides a polished, authoritative staging of "Amadeus." The Lyric Stage Company of Boston's "Kiss Me, Kate" is sung better than it's acted.
This odd, fragmented play about three homeless youths who battle men on the DL and nightmares for bus fare is saved by a rich performance from Jon Norman Schneider.
These men are not happy. And thusly neither are we.
This 90-minute play gave me the feeling I was switching channels from a soap opera to Lifetime, so prevalent were the clichés.
The struggle between men to understand each other is an eternal, universal one that needn't (and probably shouldn't) be locked into one locale that has the capacity to make you forget how real all this is for t…
Director Kenny Leon again shows his affinity for Wilson's work, eliciting electric performances from his cast.
The Foundry Theater's engrossing urban adventure makes the bustle outside the tour bus throb with history, mystery and meaning, as the best live performances do.
Blair Singer's corny and not so funny little celebrity send-up at the Geffen Playhouse couldn't be more bloodless even if it employed single celled protozoa instead of actors
Most TV series take three seasons to jump the shark, but in the theater it can happen in 20 minutes, and so it goes at the Geffen.
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