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Tuesday, October 6, 2009 at 11am (Broadway Time)
Next Tuesday, October 13, I am directing a reading of EDEN with a terrific cast that includes Tony Nominee Jayne Atkinson (Enchanted April, Blithe Spirit, Ivanov, t.v.’s “24“), David Margulies…
Tuesday, October 6, 2009 at 10am (Broadway Time)
In the wake of seeing the tour of Mary Poppins, I thought I would share favorite songs from three of my favorite Sherman Brothers scores. “Are We Dancing”Here we have John Davidson wooing a beautiful young…
Tuesday, October 6, 2009 at 6am (Broadway Time)
MusicalTalk was lucky enough to be invited to rehearsals for "From Broadway to West End - by special arrangenment" - a tribute concert to musical theatre stalwart and MusicalTalk guest - William David Brohn. H…
Tuesday, October 6, 2009 at 3am (Broadway Time)
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Tuesday, October 6, 2009 at midnight (Broadway Time)
Kate Shindle, whose Broadway credits include Legally Blonde, Cabaret and Jekyll & Hyde, will run the 2009 ING New York City Marathon Nov. 1 to help raise money for their marriage equality initiatives.
Star turns from Kevin Spacey and David Troughton, company hymn-singing, 23 adult actors, 17 extras, 6 children and a real-live monkey give value for money. But they can't disguise the carpentry beneath this cla…
The potential is there for a deeper examination of death and immortality, but "The Cure" settles for standard vampire fare.
A truly original musical with catchy rock songs and infectious humor, "Fat Camp" shines amidst the lighter fare of this year's New York Musical Theatre Festival.
An uncomfortabled melding of the non-musical works of W.S. Gilbert with 36 songs from eight Gilbert and Sullivan operettas.
Watching Alexander and Channing have a go at these smart, self-aware and keenly observed women is also a treat for auds, and could punch the ticket for a Gotham transfer, especially with additional time for the…
Tonya Pinkins Shines in a Rocky Ford's Production
"Wishful Drinking" is a lot of fun -- a dry martini with extra olives that offers a potent escape. But the high is short-lived. And anyone looking for a more meaningful experience may be disappointed.
This re-conceived musical simultaneously zings the intellect, breaks the heart and roils the blood. A return to Broadway would seem every bit in order
T.R. Knight gives an impressive performance as Leo Frank in Rob Ashford's stunning production of the Tony Award-winning musical.
Now remounted at the Taper with a dream cast, Ashford's "Parade" appears to be, by any standard, Southern California's production of the year.
Having assembled a nimble cast, helmer Will Frears takes them briskly through their paces in this cinematic production for MCC. But like those trip photos, no matter how you scramble them, the scenes never add …
Dinelaris hasn't sufficiently realized that playwriting itself can also be damage control, and fallout from the rockier moments prevents the whole show from being as transcendent as its best scenes.
Alexander Dinelaris's ambitious but faltering play aspires to be a portrait of a generation that is too scared to move forward.
Playwright Alex Dinelaris has a few entertaining tricks up his sleeve in this tale of an unhappy ad man and a blocked photographer.
Alexander Dinelaris' play is that rare combination: an unashamedly romantic tearjerker with a distinctly modern bent.
Alexander Dinelaris' play about a photographer at an emotional crossroads is well-acted and consistently engaging.
Nathan Louis Jackson's intermittently engaging play focuses on an African-American family stuck living lives that don't match their dreams.
"Broke-ology" is a well-observed but underpowered play about the strains eating away at the unity of a tight-knit black family.
If the conflict isn't new, Jackson's attempt to deal with some time-honored tribulations is surprisingly sturdy.
You won't find the word in any dictionary, but you also won't have much trouble discerning its meaning. It's the word that makes up the title of Nathan Louis Jackson's thoughtful and touching new play that Lincoln Center Theater is presenting at its Mitzi E. Newhouse Theater: Broke-ology.
Economics as destroyer is the theme of Nathan Louis Jackson's moving new play about a struggling African-American family in Kansas City.
Jackson, a writer for NBC cop drama "Southland," writes Ennis (Francois Battiste) and William (Wendell Pierce) with so much verve and pathos that passages dominated by one or the other practically sing.
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