| Today is Saturday, February 4, 2012 |
| Display: By Time | By Show | By People | By Company | Mobile | Classic Site |
Thursday, November 5, 2009 at midnight (Broadway Time)
Program receives Coming Up Taller Award
You can't quite explain why a good match on paper may inspire little passion in real life; even if you locate the crucial elements, the calculus of combining them is impossibly reductive.
This musical version of "Ninotchka" was a disappointing Broadway swansong for Cole Porter, and Musicals Tonight!'s inelegant concert presentation fails to mitigate history's verdict.
Willem Dafoe delivers a stellar performance in Richard Foreman's often frustrating new show.
Richard Foreman is at it again. His latest work is just as obscure and bizarre as his 50-odd others, and despite a vital performance from Willem Dafoe, it fails to do more than confuse.
Think of it a distinctive, intense, offbeat avant-garde experience. If you're lucky, maybe you'll find some meaning hidden somewhere in this 80-minute circus.
Foreman is a master of ruling over his worlds with an authoritative hand, so there's no shortage of cohesion even if you may not always be sure what specific brand of adhesive is holding everything together.
Richard Foreman has said (though not for the first time) that this is his final play. Do yourself a favor and get some of that apparent babble in your noggin.
Since when has Richard Foreman been so grand -- and ever so elegantly French?
Richard Foreman's "Idiot Savant," with Willem Dafoe in the title role, is some kind of wonderful.
Theatrical director Richard Foreman raises the curtain and gives a backstage tour of his librarylike pad.
The virtuoso violinist discusses his new CD, his musical influences, and working with Kristin Chenoweth, Chris Botti and Regina Spektor.
"Shakespeare's R&J" runs Nov. 12-Dec. 20 at Hartford's TheaterWorks
Displaced by Hurricane Katrina, EgoPo lets Beckett be their guide to Philly greatness.
Alan Mandell, Lawrence Pressman and director Michael Peretzian take on Gielgud & Richardson's ghosts for No Man's Land at LA's Odyssey Theatre Ensemble, swap personal Pinter tales and justify those damned pauses.
The collapse of communism 20 years ago offered rich pickings for British playwrights. Are the tremors afflicting capitalism about to do the same?
It's been a fine year for musical theatre - but yet again the Standard's judges have failed to notice
The culture secretary Ben Bradshaw has gone on the attack against the Conservatives' culture policy - and their attempted 'crony appointment' in London
Isabelle Huppert gives a bravura performance in Robert Wilson's visually stunning if somewhat predictable staging of Heiner Müller's play.
Joseph Leo Bwarie and Matt Bailey interview are on the road playing Jersey Boys Frankie Valli and Tommy DeVito. How great is it? They talk to Joel Markowitz
Theater actors Kate Baldwin (starring in Broadway's "Finian's Rainbow") and Graham Rowat (on the road in "Is He Dead?") love to tease their out-of-town friends about New York real estate.
Wednesday, November 4, 2009 at 7am (Broadway Time)
Rocco’s address last month at the Grantmakers in the Arts conference got a lot of attention. Here is the entire text. Good read. Thanks for reading! Jodi Post from: off-stage rightIn case y…
Wednesday, November 4, 2009 at midnight (Broadway Time)
BROADWAY AD NETWORK
BROADWAY AD NETWORK

BROADWAY AD NETWORK
BROADWAY AD NETWORK