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Friday, November 6, 2009 at noon (Broadway Time)
Recently I witnessed a major CEO speaking at a relatively informal event. This CEO had been making all the rounds trying to reposition a well-known brand. While speaking with this small group, a com…
Friday, November 6, 2009 at midnight (Broadway Time)
This intermittently amusing backstage comedy suffers from credibility problems.
Scott Ellis' animated 90-minute production makes up for the underwhelming text by providing solid laughs, energized performances, and a strange scenic design that twists and turns to reveal ridiculously elabora…
While it has a certain cleverness, "The Understudy" disappoints, in part due to the modest level of its ambition.
The play is slight and not as funny as it should be.
Funny but slight, clever but without any real depth, the one-act gains considerable fizz from Scott Ellis' punchy production and from the bristling interplay of its three fine actors, each of them exposing diff…
Theresa Rebeck's "The Understudy" is a slight but breezy and knowing backstage comedy that is cast, yes, with two TV stars.
Julie White is fabricating bountiful laughs from a display of strained nerves in Theresa Rebeck's scattershot comedy.
Despite some structural problems and a few gaps in credibility, Theresa Rebeck's new play on the backstabbing backstage world of the contemporary theatre is a fast, funny 90 minutes.
Sometimes a veneer of professionalism is the only thing masking all-out panic. Julie White, in The Understudy, gives us both at once.
"The Understudy" is a bittersweet portrait of people forgetting who they are in the mad rush to become something else.
The Roundabout serves up a superbly-acted production of Theresa Rebeck's backstage comedy.
Playwright Theresa Rebeck finally gets it right with "The Understudy," says Terry Teachout.
The words "laugh riot" have not traditionally been associated with Franz Kafka, but that may soon need to change.
Director Scott Ellis said he hired Gosselaar with some trepidation even though the actor had aced a Los Angeles audition.
It has been a decade and a half since Mark-Paul Gosselaar last roamed the halls as Zack Morris on "Saved by the Bell;" he has since developed another distinction: as perhaps the best celebrity-slash-bicyclist i…
Selective listings from theater critics of The New York Times.
In this one woman, one hour, one sided biographical musical we get a rapid, superficial, speed dial version of their 35 years together - despite his being homosexual.
More bubbly, faster pace than Broadway original
"Just Imagine," directed by Steve Altman, lives somewhere between real gratification and slight lull with its steady menu of Beatles and Lennon gems.
Harold Pinter named the four characters in "No Man's Land" after real-life cricket players, and in Michael Peretzian's assured revival, now at the Odyssey Theatre, the game is in full swing.
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