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Saturday, November 21, 2009 at 4pm (Broadway Time)
If we thought yesterday's post was NaBloPoMo perfunctory, well... I just got home from my cousin's bar mitzvah (to which I wore oxford flats with my dress, which was an amazing decision), and I'm just turning a…
Saturday, November 21, 2009 at 1am (Broadway Time)
An Appeal to Oprah: Support "The Heart is a Lonely Hunter" at New York Theatre Workshop The Heart is a Lonely Hunter will be playing at New York Theatre Workshop in a co-production with The Acting Co…
Saturday, November 21, 2009 at midnight (Broadway Time)
Selective listings from theater critics of The New York Times.
The National Theatre has confirmed the initial details of its £50 million plan to modernise its Grade II-listed London home.
Sedaka's Laughter in the Rain to tour U.K. next year
Savion Glover, the tap dancer, has been performing this week at the Blue Note with four major figures in jazz. It's all being recorded for video, but also for audio.
The former "American Idol" contestant Melinda Doolittle performed on Thursday evening at Feinstein's at Loews Regency.
Cabaret queen Andrea Marcovicci kicks off the festivities with "Skylark: Marcovicci Sings Mercer" at the Algonquin, a fine 80-minute tour through two dozen titles.
Sheldon Harnick was the only performer able to capture intact the lighthearted glee of Mercer's comic imagination in the tribute at the 92nd St. Y on Wednesday.
The House Theatre of Chicago's world premiere production of "All the Fame of Lofty Deeds" is built around a rambunctious visual and aural landscape.
Neither the poet W.H. Auden nor composer Benjamin Britten were exactly famous for knockabout comedy. The surprise of Alan Bennett's new fictionalized bio-drama about their tussles between reputation and sexuali…
What is it that attracts Broadway musicals to urban poverty? Great performances can cover a multitude of sins. But with merely competent performances, like those in this production of Oliver, you begin to notic…
The Light in the Piazza, a lovely chamber musical that just opened at the Philadelphia Theatre Company after major success in New York, gives us the current chick-lit dream come true: Mediterranean men are passionate and tender, and a trip to Italy will solve your problems ("You cannot say 'no' to these people!").
In Pacific Resident Theatre's intimate revival, Marilyn Fox's pitch-perfect staging nails the emotional delicacy in the descent and resurrection of Andrew Crocker-Harris (Bruce French).
Though it's centered on the timeworn cliché of the wise innocent child, Alan Ayckbourn's "My Wonderful Day" is largely entertaining.
What fools these adults be! Ayckbourn's latest offers a child's-eye view of a marital fracas.
My Wonderful Day is a wonderful play about a less than wonderful day for one very unique character and a group of typical Ayckbournians.
It is like plodding through a muddy gulf of self pity.
Mando Alvarado's new play has a sitcom-worthy premise that's hurt more than helped by the plot's sudden dark turn.
Alvarado's show eventually drowns in schmaltz, but it fails interestingly enough to make for an encouraging look at his future.
The title of Mando Alvarado's new play is a location, a performance space, and a way of life - a delicately balanced hub of creativity
Mando Alvarado's new play about an unlikely romance between a subway musician and a young woman is consistently engaging.
What the Czechoslovak-American Marionette Theater does is improbably fabulous, and they're doing it again in their sublime new production.
This may be the biggest show in town, but in the ways it really counts, it's also the most restrained.
Cain should be congratulated for the breathtaking boldness of his endeavor here. But rather than equivocate myself, let me say that more playwriting discipline and a stronger directorial hand would have shored …
An original and often witty play that says less than it wants to say in more words than it needs to use.
No need to equivocate: Bill Cain's "Equivocation" at the Geffen Playhouse is one of the most bracingly intelligent, sizzlingly theatrical American plays in a decade. Stuffed -- some will say overstuffed -- with…
A talk with Bill Cain, author of the much in-demand play "Equivocation," about art, politics and family in Shakespeare's day and our own. It's in previews at Seattle Repertory Theatre and opens Sunday.
Based on the first part alone, which just opened at Peter Norton Space, this could be the event of the season.
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