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Friday, December 4, 2009 at 9pm (Broadway Time)
December 4 Book. What book - fiction or non - touched you? Where were you when you read it? Have you bought and given away multiple copies? Oh books.... how I love thee... I've read a lot of books this year a…
Friday, December 4, 2009 at midnight (Broadway Time)
Selective listings from theater critics of The New York Times.
17 songs for Presley included 'It's Now or Never'
Lightning-fast on her feet, and in sufficient command of her material to extrapolate and expand on doctrine when necessary, Donovan alone puts on a heaven of a show. It's only when she broadens her scope that t…
Rinde Eckert's intoxicating update of the famed Greek myth is both pointedly jarring and sublimely lyrical.
James Earl Jones and Adrian Lester's excellent performances lift Debbie Allen's staging of Tennessee Williams' play about a dysfunctional Southern family.
Fugard finds absolution in a coffee shop in a struggling mini-mall, presumably around the San Diego area the 77-year-old playwright now calls home. He also finds it with an exceptional cast led by Sam Waterston…
The two make an especially jolly pair.
No, that headline isn't my review for the wonderful new production of Sweet Charity that opened at the Menier Chocolate Factory last night.
The former Eastenders actress Tamzin Outwaite takes the title role with charm and energy - if a little toothily
What is lacking though is the wow factor so evident in recent Menier musical productions.
Sweet Charity at the Menier Chocolate Factory is great fun, but is let down by Tamzin Outhwaite in the lead role.
Under Nigel Lilley's musical supervision, a half-forgotten 1960s show is dusted down and given a captivating vitality and freshness.
The magic Menier musicals machine is at it again.
Matthew White's revival of "Sweet Charity" is the most thrillingly complete piece of work at the Menier Chocolate Factory since the venue's 2005 triumph with "Sunday in the Park With George."
Cirque takes a real slip with this frantic, vaudeville-inspired show.
Lame script, unfunny clowns don't help flashy show on way to N.Y.
Cate Blanchett is the least of the reasons to see an otherwise solid production of "A Streetcar Named Desire," says Terry Teachout.
At three hours plus, this is a streetcar that takes its time, making the journey from simple desire to delusion to abject cruelty. And hopeless as it all may seem, Ms. Ullman and company have us riveted to our …
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