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Tuesday, February 9, 2010 at 6am (Broadway Time)
Meet Ashley Batten - the newest member of the MusicalTalk presenting team.
Tuesday, February 9, 2010 at midnight (Broadway Time)
James Graham ties in his themes of advertising, synaesthesia and love remarkably well in a witty script with sadness always just underneath the comedy
They referred to the renowned opera soprano Maria Callas as La Divina, and awarded her with curtain calls galore - at one point, 27. So as a moniker, La Divina is already taken. No problem. You can call Ann Crumb, simply, Divine.
Once we get past the far fetched factor of how these three windup together on New Year's Eve we get to know them and can finally feel for them in Act II
This well-tuned U.S. premiere of Italian playwright Franca Valeri's peppery, two-character comedy, inspired by Puccini's "Tosca," is enormously pleasing.
An intergalactic adventure teaches a plucky princess about the true meaning of love in this impressively scored and imaginatively staged opera.
This enthralling show at the New Victory smartly blends opera and musical theater.
Mandy Patinkin as a fictionalized Meyer Levin, obsessing over his version of the Anne Frank story at Yale Repertory Theater
Ed Harris surpasses the material in bait-and-switch LaBute play.
Ed Harris has excelled for so long as a Hollywood everyman with a gripping steely-eyed intensity that he doesn't always get enough praise for the finesse of his acting.
Ed Harris performs with distinction at the Geffen's intimate Kenis space.
The Royal Shakespeare Company will hold court in Manhattan for an unprecedented six-week, five-play residency inside the Park Avenue Armory.
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