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Wednesday, March 10, 2010 at 3pm (Broadway Time)
First produced by Steppenwolf in 2007, then in NYC at Second Stage Theater in 2008, Aguirre-Sacasa's play Good Boys and True is a play that works kindof like a funnel, or more precisely like a corkscrew sea she…
Wednesday, March 10, 2010 at 5am (Broadway Time)
Thos was invited behind the scenes at a rehearsal for the new revival of Stephen Sondheim's cult show, Anyone Can Whistle, for this fascinating inside look at the workings of an intelligent modern musical produ…
Wednesday, March 10, 2010 at midnight (Broadway Time)
The struggling New York City Opera, operating with a slender financial cushion, announced plans on Tuesday for another stripped down, five-production season.
Matt Pfeiffer's direction of the Arden's Romeo and Juliet bathes us in emotional intensity. He also strips the young lovers' tragedy of any romance in order to cast a disapproving glare on Shakespeare's text itself.
The Arden Theatre Company continues their season with director Matt Pfeiffer's exhilarating production of Romeo and Juliet.
John Webster and Martin McDonagh seek some revenge
Playwright Vern Thiessen cleverly plays with history in this entertaining tale of the two Soviet scientists who in 1924 successfully embalmed the body of Lenin-forever.
A top-notch ensemble enlivens Vern Thiessen's mostly merry fantasy about life in the early days of the USSR.
"Neighbors" is a simultaneously overheated and undercooked new play that sacrifices cogency and meaning for pure sensation.
Today on ArtsBeat three New York Times critics - Anthony Tommasini, chief classical music critic; Roberta Smith, art critic; and Dwight Garner, book critic - are discussing the music, the art and the literary t…
If you find your eyelids drooping during this new production at New York Theatre Workshop, don't blame any turkey you might have eaten at your pre-show repast - the culprit is undoubtedly tryptophan of a margin…
The undeniably dramatic true story of a great struggle for American freedom of the press seems awfully dry, coming across as theater that's good for you rather than good theater.
While "Top Secret: The Battle for the Pentagon Papers" offers a cogent, informative peek into a historic chapter in 20th-century journalism, as an evening of theater it is static.
To add show biz muscle to this docu-drama, director John Rubinstein has assembled close to a dozen well-credentialed thespians to inhabit the real life role models.
Nixon-era radio drama has a lot going for it.
The "write what you know" maxim couldn't be more apropos in this case, evidenced by Cowan and Aarons' clear presentation of the facts and splendidly nuanced dialogue, which consistently rings true.
By wisely devising "Top Secret" as a radio play with the actors seemingly reading from scripts, the authors and director create a distancing effect that gives both fluidity and credence to their chronicle, whic…
Geoffrey Cowan and Leroy Aarons' crackling drama about the publication of the controversial documents receives a brilliantly acted production at New York Theatre Workshop.
Liza Minnelli, Kristin Chenoweth, David Hyde Pierce, Chita Rivera, Karen Ziemba, Debra Monk, John Cullum, Mario Cantone, Norm Lewis, and more stars come out for the Vineyard Theatre's benefit salute to composer…
Says the "Glee Club" playwright, ""We just know that you're either on the team, or you're not, you're either for the team, or you're on your own."
If the community cannot get its act together, who will it blame if Bloomberg guts culture funding? Itself.
Abigail Breslin, currently starring as Helen Keller in Broadway's The Miracle Worker, gives Playbill.com a peek at the hours leading up to her first preview.
Terrence McNally has been writing plays for 45 years. So the only surprising thing about the current festival of his work at the Kennedy Center is that it's taken this long for one to happen.
Some actors merely learn a role; Simon Russell Beale lets it engulf him completely - which can be painful. But he wouldn't have it any other way, he tells Aida Edemariam
Two of theatre's biggest stars have rarely shared a stage, which is why they're so delighted to be starring together at the National.
Playing Marchbanks opposite Melissa Errico in "Candida" at Irish Rep
The stars of Promises, Promises on drinking, American Idol and tweeting on Ambien.
Do institutional theaters, asks one prominent arts marketer, "expect audiences to disconnect and remain in a dome of silence"?
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