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Wednesday, May 12, 2010 at 10pm (Broadway Time)
Astoria Performing Arts Center, Off-Off-Broadway By Dan Dinero BOTTOM LINE: A moving production of one of the best musicals that never made it to Broadway, and at $18, you get far more than you pay for. …
Wednesday, May 12, 2010 at midnight (Broadway Time)
Mrs. Travis, who may have been the youngest Ziegfeld Girl ever, went on to perform in stage productions and films.
DC Theatre Scene unveils "Theatre Shelf," a column dedicated to recommending theatre-related books, CDs and DVDs. The column is written by Brad Hathaway, best known for his pioneering web site, Potomac Stages, …
Make sure you get a sitter for the night, because you re not going to want to bring your kids to this one.
This new production of J.M. Barrie's classic story is mostly notable for its high-tech special effects.
Before you scream "Not another Hamlet!" read on...
This Shakespearian mash-up of "Romeo and Juliet" and "Hamlet" is pretty witty and most definitely gay.
A pair of 400-pound gorillas hovers over the puppet comedy "Stuffed and Unstrung," and neither is made of cloth with halved ping-pong balls for eyes.
The best thing I can say about "Breath on the Mirror" is that the show's puppets are more expressive than its people.
"Le Cirque Féerique" seems designed with two distinct audiences in mind: children and their forever-young parents.
Daniel Beaty's solo show, "Through the Night," is full of moments of desperation, triumph and hope.
Jules Romains's delightful "Doctor Knock, or the Triumph of Medicine" is a 1923 spoof of the arrogance of the medical profession.
In "Five Days in March," two strangers check into a hotel and sleep together for five days while protests about American aggression rage.
"Lascivious Something," which opened last night at the Women's Project, features intriguing situations that are undercut by pretentious stylization and inert writing.
Sheila Callaghan's play about a modern variant of the demigod Dionysus, set at the dawn of the Reagan era, is ambitious, but its rich language and potentially explosive plot are undermined by theatrical gimmick…
Shelia Callaghan's new play about the complicated personal life of an American expat in Greece is overripe and occasionally confusing.
It hurts to have to say this. But "Hair" has been allowed to deteriorate into the packaged '60s theme park that this revival had so smartly avoided.
In Christopher Sieber, this production at the small Acorn Theatre on Theatre Row is blessed with a leading man... who is here giving a major star turn.
Doris loved coming back to Broadway for the event every year after - 12 times altogether. From 1998 - 2010, she only missed it in 2007.
A dance-theater troupe presents a spy caper skewering the issue of falling public arts funding.
Unique opportunity for artists to step outside daily routines and focus on professional skills and artistic goals.
The 9.13 Festival takes shape.
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