Monday, May 13, 2019
Making ballerinas’ footwear is a mix of physical labour and nuanced expertise. Anna Winter speaks to shoe experts and principals about the
SOURCE: The Stage Registration at 12:00PMBrazilian choreographer Deborah Colker’s Dog Without Feathers, inspired by Joao Cabral de Melo Neto’s poem of the same name, concerns the Capibaribe
SOURCE: The Stage Registration at 10:39AMThursday, May 9, 2019
Abuse of power, victim-blaming, emasculation and female rage – the Medusa myth contains so much that resonates today. It’s disappointing that superstar
SOURCE: The Stage Registration at 09:03AMTuesday, April 9, 2019
The award-winning choreographer’s new work with video artist Panagiotis Tomaras draws on his training in the alternative therapy of Rolfing. He tells
SOURCE: The Stage Registration at 03:00AMMonday, April 8, 2019
Dancer and producer Ivan Putrov’s Against the Stream is an enjoyable showcase of works by choreographers who, to a greater or lesser
SOURCE: The Stage Registration at 08:48AMThursday, March 28, 2019
Tom Stuart’s affecting and funny new play, written in response to playing Christopher Marlowe’s doomed king, a role he’s concurrently performing in
SOURCE: The Stage Registration at 10:16AMWednesday, March 27, 2019
Choreographing the Corn Laws is a bit of an ask – narrative ballet inevitably struggles for nuance when it comes to statecraft.
SOURCE: The Stage Registration at 08:51AMFriday, March 22, 2019
Originally unveiled in 2017 to mark the 50th anniversary of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, Mark Morris’ Pepperland is
SOURCE: The Stage Registration at 08:19AMThursday, March 7, 2019
BalletBoyz’ short but riveting evening of new work begins with Them, a 30-minute piece devised via collective improvisation sessions in collaboration with
SOURCE: The Stage Registration at 08:31AMWednesday, March 6, 2019
Potential dance students have many study options to choose from, each of which provide different styles of training and career prospects. Anna
SOURCE: The Stage Registration at 08:00AMCall the dramaturg! Liam Scarlett’s Frankenstein is in dire need of a pacemaker and emergency surgery to slice away at its considerable
SOURCE: The Stage Registration at 07:12AMMonday, March 4, 2019
Richard Alston has been making dance for 50 years; half of that time for his own company. Yet this celebratory programme, which
SOURCE: The Stage Registration at 07:05AMFriday, March 1, 2019
This theoretically involved but theatrically impotent creation is the result of a collaboration between filmmaker Charles Atlas and choreographers Rashaun Mitchell and
SOURCE: The Stage Registration at 08:35AMTuesday, February 26, 2019
As a hip hop reinterpretation of The Wind in the Willows begins its UK tour, its choreographer tells Anna Winter about being
SOURCE: The Stage Registration at 07:30AMMonday, February 18, 2019
Cervantes’ nudnik knight-errant is back. Carlos Acosta’s 2013 production of Don Quixote for the Royal Ballet is a big, bold, irresistible gift
SOURCE: The Stage Registration at 07:08AMFriday, February 1, 2019
Father (Vader), which premiered in Europe in 2014, is the first instalment of Peeping Tom’s surreal family-based trilogy. It’s every bit as
SOURCE: The Stage Registration at 08:46AMTuesday, January 29, 2019
As the founding artistic director of the Place and the London Contemporary Dance School, Brooklyn-born Robert Cohan revolutionised dance in Britain. As
SOURCE: The Stage Registration at 08:00AMMonday, January 28, 2019
Chambre Noire is a grim one-woman puppet show about the death of Valerie Jean Solanas, the radical feminist who famously shot Andy
SOURCE: The Stage Registration at 07:10AMMonday, January 21, 2019
Dangle the disco balls and crank up Copacabana because Strictly’s live tour is back on the road. With the full coterie of
SOURCE: The Stage Registration at 05:49AMFriday, January 18, 2019
What would happen if Miss Havisham and Queen Victoria met up for a little conversation, cavorting and mutual sourness? As imagined by
SOURCE: The Stage Registration at 10:51AMWednesday, January 16, 2019
Eggs, elves and an evil bunny are the main players in puppetry company Les Antliaclastes’ Waltz of the Hommelettes, an imaginatively sinister
SOURCE: The Stage Registration at 07:23AMFriday, January 11, 2019
Liv Warden’s punchy debut play shifts its gaze away from the epicentre of the MeToo movement towards the auxiliary victims of abuse:
SOURCE: The Stage Registration at 07:17AMMonday, January 7, 2019
Derek Deane’s 1997 production of Swan Lake for English National Ballet was originally staged as a vast in-the-round spectacle at the Royal
SOURCE: The Stage Registration at 06:58AMThursday, December 13, 2018
There isn’t a wasted step in Matthew Bourne’s Swan Lake. It’s been more than 20 years since Bourne’s brawny male birds first
SOURCE: The Stage Registration at 05:19AMMonday, December 10, 2018
Cinderella and Prince Charming have bonded over a shared passion for DIY and bathroom sealant, Rumpelstiltskin is on the rampage and the
SOURCE: The Stage Registration at 09:00AMFriday, December 7, 2018
Dazzling audiences at Covent Garden for five years, the Royal Ballet principal tells Anna Winter about the differences between dancing in Russia
SOURCE: The Stage Registration at 08:50AMWednesday, December 5, 2018
The New Vic’s adaptation of Kenneth Grahame’s classic is full of gentle whimsy and clever stagecraft. The cast of accomplished actor-musicians begins
SOURCE: The Stage Registration at 10:53AMThursday, November 29, 2018
What happens when you’re released from prison? In the words of Cheryl Byron, who served three years inside HMP Low Newton, it’s
SOURCE: The Stage Registration at 09:59AMWednesday, November 28, 2018
Dystopian Dream is an ambitious theatrical setting of Nitin Sawhney’s 2015 album, choreographed and performed by dance duo Honji Wang and Sebastien
SOURCE: The Stage Registration at 07:35AMWednesday, November 21, 2018
If only there was a sense of rage in Alastair Marriott’s new one act ballet The Unknown Soldier, which opens the latest
SOURCE: The Stage Registration at 06:22AMFriday, November 16, 2018
It’s 1956 and a prodigal daughter returns to the Potteries after 13 years of mysterious exile in Deborah McAndrew’s latest work for
SOURCE: The Stage Registration at 04:29PM 
