TheatreWorks' West Coast premiere churns out confrontations and revelations as if they're on a runaway conveyor belt.
SOURCE: San Francisco Chronicle at 02:15PMThe contrast between fancy digs and scrappy art epitomizes what 447 Minna, which is owned by CAST, is all about.
SOURCE: San Francisco Chronicle at 02:08PM"Ennio," which uses costumes made out of paper, doesn't even succeed at being fun.
SOURCE: San Francisco Chronicle at 01:00PMIn wet times at underground Bay Area performance spaces, the outside world doesn't always stay outside.
SOURCE: San Francisco Chronicle at 08:24PMMarin Shakespeare Company might exemplify a broader shift in attitude about theater leader jobs.
SOURCE: San Francisco Chronicle at 07:00AM"When I say no, I'm also saying yes to what is truly meant for me. I'm saying yes to who I am as a maker," Sarita Ocón said.
SOURCE: San Francisco Chronicle at 07:00AMOakland Theater Project, Shotgun Players and American Conservatory Theater are among the must-see theaters in 2023.
SOURCE: San Francisco Chronicle at 07:00AM"It's not sustainable," said Rob Ready of PianoFight, where attendance and bar sales are down 65% compared to 2019.
SOURCE: San Francisco Chronicle at 07:00AMDespite mammoth griefs, local theater made thrilling art this year, a testament to our artists' mettle, inventiveness and flair.
SOURCE: San Francisco Chronicle at 07:00AMCenter Repertory Company made a cast- and crew-wide effort to ensure that Wendy Wisely could go onstage one last time.
SOURCE: San Francisco Chronicle at 07:00AMThe musical commits the cardinal sin of misreading and thus omitting what makes its source material great.
SOURCE: San Francisco Chronicle at 02:41PMIrene (Anne Yumi Kobori) hears from a ghost words all bohemian youths dread hearing from their ancestors: "Go. Get. A. Job."
SOURCE: San Francisco Chronicle at 01:20PMAmid all the organ harvesting and groin juice licking, Dimitris Papaioannou also creates moments of levity.
SOURCE: San Francisco Chronicle at 01:31PMPresidio Theatre's "Sleeping Beauty" looks to make participatory theater fun for an American audience.
SOURCE: San Francisco Chronicle at 07:00AMAt "A Christmas Carol" and "Nutcracker," neurodiverse audience members can make whatever noises they want or need to.
SOURCE: San Francisco Chronicle at 07:00AM"Into the Woods" is the first major show in the Curran since "Harry Potter and the Cursed Child" departed in September.
SOURCE: San Francisco Chronicle at 05:45PMTheatreWorks Silicon Valley suggests just how many more shadings, facets and worlds the musical theater canon still has to show us.
SOURCE: San Francisco Chronicle at 01:59PMCustom Made and FaultLine Theater's co-production is perfect for fans of homegrown theater who tire of the same old holiday fare.
SOURCE: San Francisco Chronicle at 02:16PMIn August Wilson's play, it makes sense to put all your faith in the lotto, even when you know the game is rigged.
SOURCE: San Francisco Chronicle at 01:42PMKeyComp could make it possible for a single synthesizer player to replicate the sound of a large orchestra with unprecedented flexibility.
SOURCE: San Francisco Chronicle at 07:00AMAt a recent "Two Trains Running" rehearsal at Marin Theatre Company, director Dawn Monique Williams led with conspiratorial joy.
SOURCE: San Francisco Chronicle at 07:00AMMarin Theatre Company's artistic director departs at a time when many are questioning whether the demands of theater leadership are worth the rewards.
SOURCE: San Francisco Chronicle at 03:30PMIf you grew up on Disney princesses whose narrative arcs drove unswervingly toward heterosexual marriage, "Frozen" opens refreshing possibilities.
SOURCE: San Francisco Chronicle at 02:45PMThe small theater led by Michael Socrates Moran and William Hodgson is consistently one of the most vital and exciting in the Bay Area.
SOURCE: San Francisco Chronicle at 07:00AMNext spring, Larissa FastHorse's script will be the first play by a Native American woman on Broadway.
SOURCE: San Francisco Chronicle at 02:09PMCustom Made Theatre Company, FaultLine Theater and African-American Shakespeare Company are among 2022's seasonal standouts.
SOURCE: San Francisco Chronicle at 07:00AMPerforming at NCTC is especially meaningful for Marken, since Artistic Director Ed Decker first recommended him for an audition.
SOURCE: San Francisco Chronicle at 07:00AMShotgun Players' "Natasha, Pierre & the Great Comet of 1812" isn't just another transitory set on the same-old stage.
SOURCE: San Francisco Chronicle at 01:35PMOn one downtown Berkeley block, phở is both dinner and theater for two Chronicle critics.
SOURCE: San Francisco Chronicle at 02:07PM"Ain't Too Proud — The Life and Times of the Temptations" epitomizes one essential function of the jukebox musical.
SOURCE: San Francisco Chronicle at 01:58PM"Everybody always thinks 'Wuthering Heights' is romantic, and it so isn't," director Emma Rice told The Chronicle.
SOURCE: San Francisco Chronicle at 07:00AM