Thursday, December 13, 2018
Vive la revolution! Following 2017’s irrepressibly lovely Little Mermaid, Pins and Needles Productions return to The Egg with Christopher William Hill’s colourful,
SOURCE: The Stage Registration at 06:17AMWednesday, December 12, 2018
Selina Cadell’s production of William Congreve’s The Double Dealer opens with a modern prologue written by the director and Eliza Thompson. The
SOURCE: The Stage Registration at 08:11AMTuesday, December 11, 2018
It’s easy to forget that JM Barrie’s Peter Pan was originally conceived as a work for the stage. However this year’s Park
SOURCE: The Stage Registration at 06:04AMMonday, December 10, 2018
Every town or city has its own take on pantomime and the Cambridge Arts Theatre’s festive offering is neatly suited to its
SOURCE: The Stage Registration at 07:06AMFriday, December 7, 2018
Chekhov was funny. Not ha-ha funny all the time, but funny nonetheless. Terry Johnson’s new version of Uncle Vanya – which he
SOURCE: The Stage Registration at 05:38AMMonday, December 3, 2018
This year’s Mercury Theatre pantomime takes the seed of a traditional fairytale, Jack and the Beanstalk, and feeds it a Miracle Gro
SOURCE: The Stage Registration at 10:07AMThursday, November 29, 2018
In 1603, Sir Walter Ralegh was accused of conspiring to kill the new king, James I, and replace him with Lady Arabella
SOURCE: The Stage Registration at 06:07AMMonday, November 26, 2018
Intrepid panto correspondent and newbie Londoner Rosemary Waugh reviews the bright lights of Jude Christian and Cariad Lloyd's pantomime
The post Review: Dick Whittington at Lyric Hammersmit…
SOURCE: exeuntmagazine.com at 09:34AMWednesday, November 21, 2018
‘Twas the night before Christmas and three little children will not go to sleep. Not, that is, until they’ve had a bedtime
SOURCE: The Stage Registration at 01:03PMThursday, November 15, 2018
Super Duper Close Up is a solo show about anxiety. But it’s an anxiety that’s so entrenched, so multi-faceted and solidified it’s
SOURCE: The Stage Registration at 03:49PMTuesday, November 13, 2018
Rosemary Waugh chats to Jess Latowicki, one half of Made in China, about how their new show Super Duper Close Up draws inspiration from anxiety, feminism - and skincare.
The post Jess Latowi…
SOURCE: exeuntmagazine.com at 05:31AMFriday, November 9, 2018
Jane Austen began writing The Watsons in 1804, only to abandon it the following year. No one knows why she stopped working
SOURCE: The Stage Registration at 05:14AMTuesday, November 6, 2018
I won't spoil the ending: Rosemary Waugh reviews Chris Goode's post-apocalyptic story of a girl and her cat.
The post Review: Mirabel at Ovalhouse appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 08:50AMFriday, November 2, 2018
In 2010, Lisa Hammond and Rachael Spence performed No Idea at the Young Vic, a show based around asking the general public
SOURCE: The Stage Registration at 06:00PMWednesday, October 24, 2018
The lights are up: Rosemary Waugh reviews Robert Icke's illuminating reimagining of Ibsen's play.
The post Review: The Wild Duck at the Almeida appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:25AMFriday, October 19, 2018
Heroism takes a quite beating in Shakespeare’s Troilus and Cressida, the playwright’s shrewdly satirical take on the Trojan War and its many
SOURCE: The Stage Registration at 04:21AMWednesday, October 17, 2018
Anna (Claudie Blakley) is a 39-year-old woman with a successful – albeit unspecified – career in theatre, a loving family and a
SOURCE: The Stage Registration at 05:15PMFriday, October 12, 2018
Keep calm and carry on. Brigid Larmour’s Second World War relocation of Much Ado About Nothing returns much of the original meaning
SOURCE: The Stage Registration at 05:28AMThursday, October 11, 2018
Beth Flintoff’s Henry II completes a trilogy of medieval conquerors plays performed by theatre company Reading Between the Lines over the past
SOURCE: The Stage Registration at 09:29AMMonday, October 8, 2018
The waves are rolling in or moving out: Rosemary Waugh reviews Katie Mitchell and Alice Birch's latest collaboration.
The post Review: The Malady of Death (La Maladie de la Mort) at the Bar…
SOURCE: exeuntmagazine.com at 12:05PM“I’ve been single so long I’ve started having sex dreams about my vibrator.” The opening line of A Funny Thing Happened on
SOURCE: The Stage Registration at 09:22AMThursday, October 4, 2018
“How do you follow a blockbuster?” is the question that haunts many best-selling authors including, in this case, Daniel Defoe. Nick Perry’s
SOURCE: The Stage Registration at 09:13AMFriday, September 28, 2018
Let the doors be locked: Rosemary Waugh reviews Yaël Farber's Hamlet, starring Ruth Negga.
The post Review: Hamlet at the Gate Theatre, Dublin appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 05:39AMWednesday, September 26, 2018
Ordinary isn’t something plays often strive to be – but Charlotte Keatley’s 1987 drama My Mother Said I Never Should thrives on
SOURCE: The Stage Registration at 07:07AMFriday, September 21, 2018
When the Reverend William Mompesson (Sam Crane) arrives in Eyam, Derbyshire, in 1665, he finds a small village already suffering from plagues
SOURCE: The Stage Registration at 04:06AMMonday, September 17, 2018
Listen up: Rosemary Waugh reviews a six-part programme led by Natalia Osipova.
The post Review: Pure Dance at Sadler’s Wells appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 01:50AMWednesday, September 12, 2018
A country in turmoil thanks to a power-mad leader refusing to admit the empire no longer exists: when the Orange Tree Theatre
SOURCE: The Stage Registration at 05:47AMMonday, September 10, 2018
Alice Sebold’s 2002 novel The Lovely Bones was an international literary sensation. Loosely based on true events, it charts the aftermath of
SOURCE: The Stage Registration at 06:15AMWednesday, September 5, 2018
Blood, sweat and more blood: Rosemary Waugh reviews the UK premiere of Clare Barron's play about 13-year-old competitive dancers.
The post Review: Dance Nation at the Almeida appeared first …
SOURCE: exeuntmagazine.com at 04:50AMSaturday, September 1, 2018
You have nothing to fear: Rosemary Waugh reviews Scottish Dance Theatre with a work inspired by Robert Mapplethorpe.
The post Review: Velvet Petal at Southbank Centre appeared first on Exeun…
SOURCE: exeuntmagazine.com at 04:40AMMonday, August 27, 2018
“Rufus: we’ve got a problem with some flying stuff.” The opening night of Emily Lim’s Pericles at the National Theatre is in
SOURCE: The Stage Registration at 06:53AM 
