Wednesday, May 24, 2023
The South African choreographer and dancer Dada Masilo’s “The Sacrifice,” at the Joyce Theater, responds to Pina Bausch.
SOURCE: The New York Times Subscription at 03:03PMFriday, May 5, 2023
In “Yes and Yes,” at the Irish Arts Center, Liz Roche responds to “Ulysses,” true to her own voice as she converses with his famously convoluted one.
SOURCE: The New York Times Subscription at 04:36PMTuesday, April 25, 2023
Bobbi Jene Smith’s “Broken Theater” is perhaps the most high-profile offering at La MaMa Moves!, but other programs were just as memorable.
SOURCE: The New York Times Subscription at 01:34PMMonday, April 24, 2023
Kathy Westwater’s dances at the Chocolate Factory, “Revolver” and “Choreomaniacs,” build on her focused movement investigations of the last 20 years.
SOURCE: The New York Times Subscription at 02:57PMFriday, April 14, 2023
At New York City Center, a characteristically generous Casel presents works by other choreographers as well as her own “Where We Dwell V.2.”
SOURCE: The New York Times Subscription at 03:04PMThursday, April 13, 2023
Gutierrez, whose work often calls attention to the precariousness of life in the performing arts, is experiencing a period of midcareer abundance.
SOURCE: The New York Times Subscription at 05:00AMFriday, April 7, 2023
In “Weathering” at New York Live Arts, the performers seem like the last holdouts of a civilization clinging to survival.
SOURCE: The New York Times Subscription at 01:56PMMonday, March 27, 2023
The contemporary dance group Bereishit performed two works by its founder, Park Soon-ho, at NYU Skirball.
SOURCE: The New York Times Subscription at 02:19PMFriday, February 24, 2023
Wednesday, February 22, 2023
“Life of Pi” and Laura Linney on Broadway, Lise Davidsen at the Met Opera, SZA on tour: Here’s what we’re looking forward to this season.
SOURCE: The New York Times Subscription at 05:00AMTuesday, January 24, 2023
Israel Galván brought a new iteration of his visually pared-down, danced-without-music “Solo” to Baryshnikov Arts Center.
SOURCE: The New York Times Subscription at 04:23PMThursday, January 19, 2023
The interdisciplinary Out-FRONT! fills a gap in the dance calendar, showing incandescent works like Jasmine Hearn’s “Salt and Spirit.”
SOURCE: The New York Times Subscription at 02:39PMSunday, January 15, 2023
The Indigenous artist Daina Ashbee’s first group piece, at the Gibney, simmers with tension and offers an approach to healing.
SOURCE: The New York Times Subscription at 04:25PMFriday, January 13, 2023
Sunday, December 11, 2022
Ivy Baldwin’s defiant and poignant work for four dancers at the Chocolate Factory Theater is the outcome of deeply considered collaboration.
SOURCE: The New York Times Subscription at 06:12PMWednesday, December 7, 2022
At 30, Jacquelin Harris is expanding her repertoire, with role debuts in store for the latest Alvin Ailey American Dance Theater season.
SOURCE: The New York Times Subscription at 03:52PMSunday, December 4, 2022
At Kyle Abraham’s premiere for Alvin Ailey American Dance Theater at New York City Center, dancers find intimacy in songs by Erykah Badu and Jazmine Sullivan.
SOURCE: The New York Times Subscription at 05:48PMFriday, December 2, 2022
After a few slow, sad years, the dance calendar returned to something like abundance, with standout shows that leaned into joy and community.
SOURCE: The New York Times Subscription at 05:00AMTuesday, November 8, 2022
The most intriguing aspects of Dimitris Papaioannou’s “Transverse Orientation” arise from a tension between grandeur and simplicity.
SOURCE: The New York Times Subscription at 02:06PMSunday, October 23, 2022
Emily Johnson’s “Being Future Being” unfolds in two parts, one at East River Park, the other at New York Live Arts.
SOURCE: The New York Times Subscription at 03:45PMThursday, October 20, 2022
Wednesday, October 12, 2022
In a joyous program at the Joyce Theater, Barnes and company show the relationships among Black social dance forms. It’s all connected, and it’s all jazz.
SOURCE: The New York Times Subscription at 02:12PMThursday, October 6, 2022
Rainer, who has said “Hellzapoppin’: What About the Bees?,” will be her last dance, tackles race, if at a puzzling remove.
SOURCE: The New York Times Subscription at 02:27PMSunday, September 25, 2022
The annual smorgasbord at New York City Center features dancers from Music from the Sole, the Bavarian State Ballet and Alvin Ailey.
SOURCE: The New York Times Subscription at 03:17PMFriday, July 8, 2022
Friday, July 1, 2022
The choreographer Milka Djordjevich’s work at New York Live Arts investigates regimented movement before opening up to something more joyous and loose.
SOURCE: The New York Times Subscription at 02:02PMFriday, June 24, 2022
On Thursday’s mixed bill, Ulysses Dove’s “Dancing on the Front Porch of Heaven” was the most arresting and emotionally resonant work.
SOURCE: The New York Times Subscription at 03:22PMThursday, June 23, 2022
“It’s not really like we’re dancing. It’s more just like we’re moving,” Heera Gandhu, 13, says of his collaboration with the choreographer Mariana Valencia at Abrons.
SOURCE: The New York Times Subscription at 01:55PMFriday, June 17, 2022
Amanda Castro, Brinda Guha and Arielle Rosales come from different traditions but share a reverence for the dancers’ foundation: the ground.
SOURCE: The New York Times Subscription at 03:38PMWednesday, June 15, 2022
Wednesday, May 25, 2022
In a delayed celebration of its 50th anniversary, the Brown company presented two dazzling works she made with Robert Rauschenberg.
SOURCE: The New York Times Subscription at 02:21PM 
