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Now onstage at the Lantern, The Royale tells the true story of Jack Johnson, who defied Jim Crow laws with his historic boxing career. Gary Day reviews.
The outdoor exhibition from the Science History Institute presents the story of Georg and Max Bredig, their scientific accomplishments, and their escape from Nazi Germany. Gary Day previews.
TILT mounts its largest exhibition of the last two years with If We Never Get Better, a group show of queer and/or trans artists of color who focus on healthcare, collective grief, disabilit…
The Print Center teams up with Dr. Ksenia Nouril and Irina Glik for an exhibit photographing the people of Ukraine during their everyday lives, before and during the war. Gary L. Day preview…
A new exhibition at the Barnes shows how Marie Cuttoli enlisted the talents of some of the 20th century’s biggest artists to help revive and redefine the art of the French tapestry. Gary D…
Karen Olivier’s epic exhibition at ICA looks at monuments: what they mean, and what they could mean. Gary Day reviews.
Ephrat Asherie’s exuberant choreography in the Philly premiere of ‘Odeon’ brought the normally staid Annenberg audience to its feet. Gary Day reviews.
Filmmaker Alla Kovgan’s new biography examines how choreographic genius Merce Cunningham changed the face of modern dance. Gary Day reviews.
With ‘One-Man Nutcracker,’ Chris Davis brings some welcome grown-up wit to the hoary holiday chestnut. Gary L. Day reviews.
Director Michael Apted’s 55-year social experiment on film ends with a powerful lesson about the wisdom age can bring. Gary Day reviews.
Carolyn Harper’s fabric-based work, now on view at Muse Gallery, compels a close look at what some would rather not see. Gary Day reviews.
François Ozon’s docudrama, ‘By the Grace of God,’ is based on a true story of a group of men who took on the priest who sexually abused them as children, and the Catholic hierarchy th…
NextMove closed out its season with a mixed bag of crowd-pleasing works by David Parsons at the Annenberg’s Zellerbach Theatre. Gary L. Day reviews.
After 35 years at its helm, Sara Garonzik plans to step away from the Philadelphia Theater Company. Critic Gary Day recalls the impact she had on him and his career.