All stories by Meaghan Hannan Davant on BroadwayStars

Wednesday, October 28, 2020

Twins sucked into a video game. A 10 year old’s first play was a winner. He’s working on a new play at Young Playwrights’ Theater by Meaghan Hannan Davant

When Bryan Mercado, then 10, was first told he had been signed up for a playwriting workshop after school with Young Playwrights’ Theater (YPT), a D.C.-based arts education nonprofit and p…

SOURCE: DC Theatre Scene at 04:24PM
Thursday, October 8, 2020

In game show American Dreams, hopeful immigrants vie for one golden ticket to American citizenship by Meaghan Hannan Davant

Working Theater’s production of American Dreams, hosted in our area by Round House Theatre, is a zany, interactive “game show” sponsored by a fictitious arm of the American government …

SOURCE: DC Theatre Scene at 02:48AM
Tuesday, September 8, 2020

Joy Zinoman, ever the innovator, takes acting to a higher level via Zoom curriculum by Meaghan Hannan Davant

When Studio Theatre’s acting conservatory parted ways with its’ eponymous Studio Theatre more than a year ago, the split was “existential,” according to conservatory Co-Director Joy …

SOURCE: DC Theatre Scene at 11:42AM
Thursday, March 5, 2020

Review: Swing musical Bandstand showcases its young cast at the National this week by Meaghan Hannan Davant

Bandstand, the Tony Award-winning swing style musical is making a brief stop at The National Theatre. A story of five World War II  veterans trying to rebuild their lives through music, for…

SOURCE: DC Theatre Scene at 11:32AM
Friday, February 7, 2020

Review: Gun & Powder, a groundbreaking new musical debuts at Signature Theatre by Meaghan Hannan Davant

If you love groundbreaking musical theater, I suggest you navigate away from this page for just a few seconds to snap up tickets to Signature Theatre’s Gun & Powder while you still can…

SOURCE: DC Theatre Scene at 02:24PM
Wednesday, January 29, 2020

Review: Spring Awakening at Round House Theatre, sex, rock and musical by Meaghan Hannan Davant

Steven Sater and Duncan Sheik’s musical Spring Awakening, which opened on Broadway in 2006, was a real-life Cinderella story for its creators and young cast. Despite unconventional origins…

SOURCE: DC Theatre Scene at 02:06PM
Monday, December 16, 2019

Review: An Irish Carol at Keegan Theatre by Meaghan Hannan Davant

No holiday season would be complete without a viewing of Charles Dickens’ 176-year-old classic, A Christmas Carol. And while my heart will forever hold true to the George C. Scott movie-ve…

SOURCE: DC Theatre Scene at 07:48PM
Thursday, December 12, 2019

Review: Lauren Gunderson’s Peter Pan and Wendy, a sensational reimagining for a new generation by Meaghan Hannan Davant

In truth, I never before thought of J.M. Barrie’s Peter Pan as a particularly masculine, or anti-feminist, story.  Most of us have warm recollections of the far-off Neverland, reached onl…

SOURCE: DC Theatre Scene at 12:06PM
Sunday, December 8, 2019

The gloves are off in Second City’s She the People: The Resistance Continues! by Meaghan Hannan Davant

For those who were lucky enough to catch Second City’s original sketch comedy She the People when it rolled through town last December, you might be wondering how the all-female cast of co…

SOURCE: DC Theatre Scene at 12:24PM
Friday, November 15, 2019

Review: Disney’s Newsies, the youth-revolt inspired musical by Meaghan Hannan Davant

Newsies is a frolicking, joyous musical with a healthy dose of “kid power:” the perfect recipe for families this holiday season. Based on the original Disney film and drawing from the re…

SOURCE: DC Theatre Scene at 12:33PM
Friday, November 8, 2019

Review: Signature’s A Chorus Line, with new choreography, still dazzles by Meaghan Hannan Davant

A Chorus Line is known as one of the most pared-down, starkly intimate “song-and-dance shows” in the Broadway canon. On a barren stage—devoid of any scenery or set but for a wall of fl…

SOURCE: DC Theatre Scene at 04:06PM
Monday, October 7, 2019

Review: Escaped Alone, Caryl Churchill jarringly dark, dystopic visions by Meaghan Hannan Davant

For those unfamiliar with the work of British playwright Caryl Churchill, Signature Theatre’s production of Escaped Alone (2016) may come as a bit of a shock. Skillfully directed by well-l…

SOURCE: DC Theatre Scene at 07:12PM
Friday, September 27, 2019

Review: Funnyman Mike Birbiglia tells it like it is in The New One at National Theatre by Meaghan Hannan Davant

Comedian and storyteller Mike Birbiglia has a rare sleepwalking disorder – one that almost killed him.  As he tells it, one night—in the throes of a particularly vivid, bad-guy-chase-se…

SOURCE: DC Theatre Scene at 06:03PM
Saturday, September 14, 2019

Review: Love Sick, Theater J’s seductive musical by Meaghan Hannan Davant

In its best moments Love Sick—the opening show of Theater J’s 2019-20 season in its newly renovated space—is a brilliantly woven tapestry of competing forms. The music, written by Ofra…

SOURCE: DC Theatre Scene at 11:12AM
Monday, August 12, 2019

Review: Dear Evan Hansen, stunning performances led by Ben Levi Ross by Meaghan Hannan Davant

Dear Evan Hansen is a heart-wrenching, ultimately transformative, gut-punch of a musical.  The Kennedy Center’s production, directed by Michael Greif and featuring the national touring ca…

SOURCE: DC Theatre Scene at 12:48PM
Friday, August 9, 2019

Review: Legally Blonde, a delightfully funny, sweet summer musical by Meaghan Hannan Davant

“Oh. My. God.  Oh my god, you guys!” Keegan Theatre’s production of Legally Blonde is so over-the-top, fabulously fun – the perfect sweet treat on a sweltering DC summer evening. Fo…

SOURCE: DC Theatre Scene at 02:48AM
Monday, July 29, 2019

Review: Tiger Style! at Olney Theatre Center by Meaghan Hannan Davant

Blame their parents. Albert and Jennifer Chen are failing at life.  Sure, they both graduated top of their class from Harvard. And, yes, Jen went on to get a medical degree and PhD (both fr…

SOURCE: DC Theatre Scene at 12:03PM
Friday, July 19, 2019

Review: Prologue Theatre’s The Explorers Club by Meaghan Hannan Davant

Playwright Nell Benjamin’s (Legally Blonde) The Explorers Club lambasts the last bastion of the manly man—an 1879 London gentleman’s club where explorers and scientists of great renown…

SOURCE: DC Theatre Scene at 04:06PM
Friday, July 12, 2019

Capital Fringe review: How’s That Workin’ Out for Ya? 2.0 by Meaghan Hannan Davant

In case you haven’t heard, the future is female—and fiercely funny. At least as told by the Pipeline Playwrights—a collective of sharp-tongued women playwrights from NoVa, each present…

SOURCE: DC Theatre Scene at 05:18PM

Capital Fringe review: Codependent by Meaghan Hannan Davant

I’m going to come right out and admit it: I’m no millennial sympathizer.Too many years of sleeping under my desk and being forced (by corporate dress code) to wear nylons through DC’s …

SOURCE: DC Theatre Scene at 02:54PM
Tuesday, May 7, 2019

Review: A furiously funny Love’s Labor’s Lost at Folger Theatre by Meaghan Hannan Davant

Love’s Labor’s Lost is reputed to be one of Shakespeare’s toughest plays to stage (and it rarely is).  The late 16th Century comedy has a simple enough plot – one guaranteed to tee …

SOURCE: DC Theatre Scene at 11:42AM
Monday, April 15, 2019

Grand Hotel review. Brilliant sets, costumes and performances, lackluster book and music by Meaghan Hannan Davant

Signature Theatre is known for reviving and revamping long forgotten musicals – and they don’t shy away from a challenge.  Grand Hotel tells the story of a handful of strangers, drawn t…

SOURCE: DC Theatre Scene at 11:03AM
Tuesday, March 12, 2019

Review: Confection, a sumptuous, sugary 17th century banquet and its cost by Meaghan Hannan Davant

I’m a sucker for Shakespeare.  And having lived on Capitol Hill for more than a decade and enjoyed many events at the Folger Shakespeare Library, the opportunity to participate in an “i…

SOURCE: DC Theatre Scene at 11:37AM
Friday, March 8, 2019

Review: Cirkus Cirkör’s Limits. Swedish acrobatic troupe knows no limits. by Meaghan Hannan Davant

We here in Washington, DC are no strangers to a “political circuses,” but it was hard to know what to expect from Swedish acrobatic troupe Cirkus Cirkör, whose past performances have be…

SOURCE: DC Theatre Scene at 12:09PM
Saturday, January 26, 2019

Ford’s Theatre’s Twelve Angry Men fails to follow through on its promises by Meaghan Hannan Davant

Sheldon Epp’s Twelve Angry Men, his directorial debut at the historic Ford’s Theatre, promised a present-day take on the 1954 legal drama that follows jury deliberations in the murder tr…

SOURCE: DC Theatre Scene at 11:32AM
Wednesday, December 19, 2018

Review: Kings probes Washington’s pay-to-play politics by Meaghan Hannan Davant

Playwright and Alexandria-native Sarah Burgess is known for her sharp-tongued, rapid-fire dialogue and expositions into the underbelly of American institutions.  Burgess’ first play, Dry …

SOURCE: DC Theatre Scene at 08:42AM
Monday, November 19, 2018

Review: Elf the Musical, Olney’s spectacular holiday musical by Meaghan Hannan Davant

If there’s one thing you’ll take away from Olney Theatre Center’s Elf the Musical it’s this: the DC musical theater scene has a tremendous talent base. To a one, Elf’s largely ense…

SOURCE: DC Theatre Scene at 02:06PM
Saturday, October 27, 2018

Review: The Fever at Woolly Mammoth won’t be the same without you by Meaghan Hannan Davant

Sitting in a circle of chairs facing inwards, arranged at the outermost edges of an otherwise empty stage, it is impossible to discern the actors from the audience.  There is a playful tens…

SOURCE: DC Theatre Scene at 12:12PM
Wednesday, October 24, 2018

Anna Ziegler’s Actually, a provocative counterpoint to the issue of sexual consent by Meaghan Hannan Davant

Anna Ziegler’s (Photograph 51) new two-person play Actually sets out as an intimate exploration of one of our society’s most taboo, yet timely, topics—sexual consent among two young pe…

SOURCE: DC Theatre Scene at 12:04PM
Monday, October 1, 2018

Review: Signature Theatre’s Heisenberg is not just another love story by Meaghan Hannan Davant

The Curious Incident of the Dog in the Night-Time playwright Simon Stephens’s two-person play, Heisenberg, is far from your typical love story. When Georgie (Rachel Zampelli), a 40ish…

SOURCE: DC Theatre Scene at 11:48AM
Friday, June 8, 2018

Loesser’s How to Succeed in Business gets a modern #MeToo-Era update by Meaghan Hannan Davant

Director Marc Bruni knew he was taking a risk in revamping the classic Frank Loesser (music and lyrics) musical How to Succeed in Business Without Really Trying for a modern Washington, D.C.…

SOURCE: DC Theatre Scene at 04:48PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards