Frontmezzjunkies reports: Anatevka returns to the Elgin Theatre for a limited Toronto engagement beginning May 25 Quietly settling somewhere deep in my emotional memory, the experience of se…
Frontmezzjunkies reports: Seven opening night productions launch a thrilling week of theatre, celebration, and anticipation at the Stratford Festival Every year, this week feels a bit like c…
Frontmezzjunkies reports: One beloved Broadway hit and one troubled adaptation prepare for their closing performances By Ross Broadway can feel ruthless sometimes. One show arrives and catch…
The London England Theatre Review: Jinkx Monsoon delivers a thrilling and emotionally bruising portrait of Judy Garland in Rupert Hands’ haunting revival By Ross “Madness,” our descrip…
Frontmezzjunkies reports: “Schmigadoon!” leads a nomination list celebrating queer storytelling and theatrical innovation By Ross Broadway has always thrived when it makes room for stori…
The London Ontario Theatre Review: Julie Tomaino’s community-infused reimagining of the beloved Canadian musical proves as moving and uplifting as ever By Ross A single red chair sits alon…
Frontmezzjunkies reports: A new musical rooted in history and defiance begins its Broadway run By Ross The image that stays with me is simple. Two sisters standing side by side, not yet lege…
Frontmezzjunkies reports: Celebrating the artists who turned movement into some of the season’s most exhilarating storytelling By Ross Close to the heartbeat of theatre, the Chita Rivera A…
Frontmezzjunkies reports: It All Begins at Ontario’s Shaw Festival By Ross Few traditions fill me with as much anticipation as my summer return to the Shaw Festival. Each season offers the…
The London England Theatre Review: Toby Stephens and Noah Valentine lead Lindsay Posner’s gripping revival of Peter Shaffer’s modern masterpiece By Ross Some plays do not begin when the …
Frontmezzjunkies reports: Joshua Henry, Caissie Levy, Schmigadoon!, and The Balusters headline a richly diverse list of Drama Desk Winners By Ross One of the things I cherish most about the …
Frontmezzjunkies reports: “Liza! at 80” Takes Carnegie Hall for One Night Only By Ross The moment I saw the announcement for Liza! at 80: A Celebration in Song and Dance, I felt that fam…
Frontmezzjunkies reports: The 2026 Off Broadway Alliance Award Nominations Announced By Ross Some of my most memorable nights in New York have taken place far from the bright marquees of Bro…
Frontmezzjunkies reports: Joshua Henry Leads a Night of Extraordinary Theatre at the Drama League Awards By Ross It was a thrilling night, with the announcement of the 2026 Drama League Awar…
Frontmezzjunkies reports: New works, landmark revivals, and a reimagined home at Astor Place shape The Public’s expansive fall and winter lineup By Ross The Public Theater has always carri…
Frontmezzjunkies reports: And the Winners of the Toronto Theatre Critics’ Awards Are… By Ross One of the great pleasures of being part of Toronto’s theatre community is witnessing how …
Frontmezzjunkies reports: Lea Michele, Daniel Radcliffe, and Sam Tutty lead a fan-voted celebration of the season’s most beloved performances By Ross There is something especially joyful a…
The Broadway Theatre Review: David Auburn’s Pulitzer Prize Winner Reopens Old Wounds at the Booth Theatre The idea of genius has always made people uncomfortable, especially the kind that …
Frontmezzjunkies reports: Ben Ahlers, Ayo Edebiri, Leslie Manville, and More Among 2026 Honorees By Ross The feeling of discovery has always been one of the most thrilling parts of theatre, …
Frontmezzjunkies reports: Schmigadoon!, The Balusters, and Ragtime Lead the 2026 Outer Critics Circle Awards Some shows arrive with enormous anticipation, while others build their reputation…
The Broadway Theatre Review: August Wilson’s Century Cycle Resonates with Spiritual Force at the Barrymore The sound of a guitar being gently strummed is what draws me in, but it is the fe…
The Broadway Theatre Review: A fact-based drama of isolation and narrative control, driven by performance and shaped by uneven execution By Ross Time does not move the same way for everyone,…
The Toronto Theatre Review: Andrew Kushnir’s Docu-Drama Unpacks Family Mythology, National Identity, and the Weight of Historical Silence By Ross It’s the most compelling question of the…
Frontmezzjunkies reports: Lin-Manuel Miranda’s breakout musical returns to City Center with a new concert staging By Ross New York has a way of bringing certain stories back exactly when t…
The Broadway Theatre Review: A Familiar American Tragedy Finds New Emotional Ruin at the Winter Garden By Ross The sound of a car door closing has rarely carried so much weight, but in this …