Friday, May 17, 2013

'Here Lies Love' and more interactive musicals to get immersed in

Ever since I read "Brave New World" in high school, I've been on a wary lookout for the rise of the "feelies." These are hyper-sensory entertainments about which Aldous Huxley indelibly warn…

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Friday, May 10, 2013

Angela Lansbury, Elaine Stritch and more older actresses get better with age

It is hardly a controversy for the ages. It is, however, part of a satisfying reality in the theater.

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'On Your Toes' review: Revival isn't quite

"On Your Toes" was a Broadway musical milestone in 1936, when, for the first time, ballet was integrated into the story and, also for the first time, credit for the "dance stager" was offici…

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Thursday, May 9, 2013

'Old-Fashioned Prostitutes (A True Romance)' review: Haunting

There is always something strangely comforting about the disturbing strangeness of Richard Foreman's hallucinatory collages. That is, despite the unsettling dreamlike incoherence of "Old-Fas…

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'Bunty Berman Presents...' review: Bollywood spoof

If you close your eyes, "Bunty Berman Presents..." might be one of Hollywood's lesser demi-classic musical comedies from the '40s. Besides the Tin Pan Alley tunes and slurpy celestial chorus…

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Monday, May 6, 2013

'Nikolai and the Others' review: Ambitious, pretentious behind-the-scenes drama

When theater characters pontificate about (capital-M) Making (capital-A) Art, it is hard not to listen for the phony-baloney in their words.

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Saturday, May 4, 2013

'Vanya and Sonia' takes drama critics' award

"Vanya and Sonia and Masha and Spike," Christopher Durang's comic mashup of Chekhov themes and contemporary family life, has won the New York Drama Critics Circle Award for best play of the …

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Friday, May 3, 2013

Ayad Akhtar's amazing 'Disgraced'

"Disgraced," the best play I saw last year, has won the Pulitzer Prize. You are forgiven for stifling a "Huh"?

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Tuesday, April 30, 2013

'Kinky Boots,' 'Matilda' lead Tony nominations

The Cyndi Lauper-scored "Kinky Boots" earns 13 Tony Award nods, British import "Matilda" garners 12.

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Friday, April 26, 2013

Broadway musicals stick to the safe route

So much for Broadway's gallop toward cutting-edge musicals and boundary-pushing content. The season, which officially ended Thursday, did have a late rush of fascinating new plays. But when …

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'Pippin' review: A circus-y show diverts

After an up-and-down season, Broadway officially ended Thursday on a high.

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Wednesday, April 24, 2013

'I'll Eat You Last' review: Bette Midler is back

How much fun is it to have Bette Midler curled up barefoot on a sofa on a Broadway stage, chatting at us for 90 minutes in a periwinkle blue caftan with silver sparkles to match her long fin…

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Tuesday, April 23, 2013

'The Trip to Bountiful' review: Cicely Tyson is radiant

Sentimental journeys don't come much more bittersweet than "The Trip to Bountiful," the wistful Horton Foote serio-comedy that lured Cicely Tyson back to Broadway for the first time in 30 ye…

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Monday, April 22, 2013

'Testament of Mary' review: Fiona Shaw shines in audacious drama

Fiona Shaw has haunted T.S. Eliot's "The Waste Land" in an abandoned theater on 42nd Street. In her Tony-winning embodiment of "Medea," she made an ancient story as horrifically human as the…

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Sunday, April 21, 2013

'Macbeth' review: One-man Cumming triumph

Alan Cumming has played a wild variety of outrageous characters since the Scottish-born actor made his American debut as the pansexual Emcee in "Cabaret" 15 years ago. Until now, perhaps non…

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Thursday, April 18, 2013

'Jekyll & Hyde' review: Schlock opera

The theater season isn't even officially over for another frantic week. But Broadway already has its tourist-ready 19th century potboiler for summer visitors who have seen "The Phantom of th…

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'Orphans' review: Tom Sturridge a standout

Forget all the theatrical blood on the walls in rehearsals of "Orphans." Forget the noisy firing of Shia LaBeouf, the ugly leaked emails and anything you've read or heard about Alec Baldwin'…

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Wednesday, April 17, 2013

'The Assembled Parties' review: Touching

There was a time when every season had a play or even two by Richard Greenberg -- who won his 2003 Tony for "Take Me Out" and unfair notoriety when Julia Roberts made her 2006 Broadway debut…

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Tuesday, April 16, 2013

'The Big Knife' review: An Odets revival

In December, Broadway luxuriated in a muscular revival of "Golden Boy," a pivotal 1937 period piece that brought Clifford Odets his first uneasy fame and fortune as a New York playwright wit…

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Monday, April 15, 2013

Superb Nathan Lane, disappointing 'Nance'

Nathan Lane has always been a walking, talking (singing, dancing, joking, dazzling) embodiment of both comedy and tragedy masks. Unless one has followed his career from the serious start, ho…

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Sunday, April 14, 2013

'Motown the Musical' review: Bitter Berry

When we first meet Berry Gordy in "Motown the Musical," he's a bitter guy refusing to go to the 25th anniversary celebration of his music label, his monster hits and the artists he nurtured.…

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Friday, April 12, 2013

Life's been a cabaret for Elaine Stritch

Elaine Stritch sat in her usual place on the tiny raised stage at the Café Carlyle, the pricey 100-seat cabaret/supperclub in the hotel where the actress has lived for more than a decade.…

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Thursday, April 11, 2013

'Matilda: The Musical' review: A Brit hit

Annie and Cinderella know plenty about evil grown-ups, as Broadway has been telling us in this season of plucky musical heroines. But neither has had to deal with the daft adult meanies who …

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Friday, April 5, 2013

Working like a dog, or cat, on Broadway

The biggest casting upsets of the spring season have been positively inhuman.

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Thursday, April 4, 2013

'Kinky Boots' review: Feel-good musical

Dissertations will surely be written about how, in the three decades since "La Cage aux Folles," drag-queen musicals became their own feel-good genre on Broadway.

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Tuesday, April 2, 2013

'The Last Five Years' review: Smart songs

When "The Last Five Years" had its New York premiere downtown in 2002, it was impossible to imagine anyone but Norbert Leo Butz and Sherie Rene Scott in Jason Robert Brown's two-character mu…

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Monday, April 1, 2013

'Lucky Guy' review: Tom Hanks smartly follows reporter's tale

'Go to the morgue and count the bodies," the hard-boiled tabloid editor growls at the hungry young reporter. His point -- meant to be both morbid and inspirational -- is that everything betw…

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Friday, March 22, 2013

Broadway boots up for the Tony Awards

So how was the 2012-2013 season? Don't ask.

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Thursday, March 21, 2013

'Hands on a Hardbody' review: It's a slog

"Hands on a Hardbody" may well be the best musical ever written about 10 people holding onto a parked truck. But if you go into the show wondering why a gifted creative team would want to ad…

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Wednesday, March 20, 2013

'Breakfast at Tiffany's' review: No shine

Girls were supposed to dream about becoming fairy-tale princesses. But everyone I ever knew, or at least anyone I liked, wanted to be Holly Golightly.

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Sunday, March 17, 2013

'The Flick' review: It seems like forever

Theatergoers are furiously taking sides about "The Flick," the latest work from Annie Baker, one of the most interesting young playwrights around. The far-from-superficial question is about …

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2012-2013 BROADWAY SEASON
Jun 13: Harvey - Studio 54