Friday, April 26, 2024

‘Harlequin, Refined by Love’ Review: A French Showman’s First Steps by Laura Cappelle

The revival of a 2006 work by Thomas Jolly, the director masterminding the opening ceremony at the Paris Olympics, shows his gift for visual flamboyance.

SOURCE: The New York Times Subscription at 02:48PM

‘Forbidden Broadway’ Scraps Summer Broadway Run, Citing Crowded Season by Michael Paulson

The parody show was scheduled to begin performances in July at the Helen Hayes Theater.

SOURCE: The New York Times Subscription at 12:36PM

‘Mary Jane,’ ‘Hell’s Kitchen’ and More New Broadway Shows by The New York Times

This past week has been jam-packed with openings. Our reviewers think these new shows are worth knowing about even if you’re not planning to see them.

SOURCE: The New York Times Subscription at 11:32AM

Review: Turning a Dance Spotlight on the Painter Juan de Pareja by Gia Kourlas

Eduardo Vilaro celebrates his 15th year as artistic director of Ballet Hispánico with a premiere exploring the life of the Afro-Hispanic artist.

SOURCE: The New York Times Subscription at 11:26AM

Review: ‘Jordans’ Tackles Race at Work at the Public Theater by Maya Phillips

Alternating between funny and bleak, the Public Theater’s latest production tackles race and the modern workplace.

SOURCE: The New York Times Subscription at 05:42AM
Thursday, April 25, 2024

Review: A New ‘Great Gatsby’ Leads With Comedy and Romance by Laura Collins-Hughes

This musical adaptation, now on Broadway, is a lot of Jazz Age fun. But it forgot that Fitzgerald’s 1925 novel endures because it is a tragedy.

SOURCE: The New York Times Subscription at 10:32PM

Review: Jessica Lange Stars in Paula Vogel’s ‘Mother Play’ by Alexis Soloski

Jessica Lange stars as a ferocious matriarch alongside Celia Keenan-Bolger and Jim Parsons in Vogel’s latest family drama.

SOURCE: The New York Times Subscription at 09:54PM

A Wanderer, Ravel and Suzanne Farrell: Life Is Good at City Ballet by Gia Kourlas

The spring season at New York City Ballet opened with an all-Balanchine program and a vintage miniature from 1975: “Errante,” staged for a new generation.

SOURCE: The New York Times Subscription at 11:37AM
Wednesday, April 24, 2024

Review: Steve Carell as the 50-Year-Old Loser in a Comic ‘Uncle Vanya’ by Jesse Green

Sleek, lucid, amusing, often beautiful, it’s Chekhov with everything, except the main thing.

SOURCE: The New York Times Subscription at 09:32PM

Carrie Robbins, Costume Designer for Dozens of Broadway Shows, Dies at 81 by Alex Traub

She made a classic wig and poodle skirt for “Grease” (using a bath mat and a toilet cover) and turned actors into Spanish inquisitors, British highwaymen and more.

SOURCE: The New York Times Subscription at 04:48PM

Improv Is Making a Comeback in New York by Jason Zinoman

The pandemic dealt a major blow to the once-thriving comedy form, but a new energy can be seen in performances throughout the city.

SOURCE: The New York Times Subscription at 04:48PM

Review: Noche Flamenca, Raising the Dead With Goya by Brian Seibert

In “Searching for Goya,” at the Joyce Theater, the troupe uses the painter’s images as frames for flamenco dances.

SOURCE: The New York Times Subscription at 02:44PM

‘Oh, Mary!,’ a Surprise Downtown Hit, Will Play Broadway This Summer by Michael Paulson

Cole Escola’s madcap comedy about the former first lady Mary Todd Lincoln will begin performances in June.

SOURCE: The New York Times Subscription at 09:54AM

‘So Far From Ukraine’: A Princely Dancer Finds a Home in Miami by Marina Harss

Stanislav Olshanskyi has had to battle homesickness and adjust to Miami City Ballet’s style: quick, light, constantly in motion. He’s also the prince in “Swan Lake.”

SOURCE: The New York Times Subscription at 09:46AM

‘Orlando’ Review: A Virginia Woolf Fantasy That Plays With Gender by Elisabeth Vincentelli

In this revival of Sarah Ruhl’s adaptation of the Woolf novel, now starring Taylor Mac, the flashes of comedy can’t make up for the loss of poetry.

SOURCE: The New York Times Subscription at 05:06AM
Tuesday, April 23, 2024

‘Mary Jane’ Review: When Parenting Means Intensive Care by Jesse Green

Amy Herzog’s heartbreaker arrives on Broadway with Rachel McAdams as the alarmingly upbeat mother of a fearfully sick child.

SOURCE: The New York Times Subscription at 09:48PM

Terry Carter, Barrier-Breaking Actor and Documentarian, Dies at 95 by Robert D. McFadden

He was the only Black actor on “Combat!” and “The Phil Silvers Show,” then made well regarded documentaries on luminaries like Duke Ellington and Katherine Dunham.

SOURCE: The New York Times Subscription at 01:42PM

Lady Macbeth Gets Two Very Different Interpretations by Maya Phillips

One of Shakespeare’s most coveted roles for women gets different interpretations onstage in New York and Washington.

SOURCE: The New York Times Subscription at 12:02PM
Monday, April 22, 2024

Huey Lewis’s Music Makes ‘The Heart of Rock and Roll’ by Elisabeth Vincentelli

The new musical doesn’t take itself too seriously and has many winning moments — almost enough to eclipse the weaknesses of its story.

SOURCE: The New York Times Subscription at 08:32PM

‘Cabaret’ Opening on Broadway: Eddie Redmayne, Angela Bassett and Baz Luhrmann by Sarah Bahr, Melissa Guerrero and Jutharat Pinyodoonyachet

A party for the buzzy revival of the Broadway musical was held at a theater that has been transformed to look like a 1930s-era nightclub.

SOURCE: The New York Times Subscription at 06:36PM

‘Patriots’ Review: What Happened to the Man Who Made Putin? by Jesse Green

Michael Stuhlbarg and Will Keen shine as a kingmaker and his creature. But in Peter Morgan’s cheesy-fun play, it’s not always clear which is which.

SOURCE: The New York Times Subscription at 06:02PM

Review: ‘Grenfell’ Sees Tower Fire Through Residents’ Eyes by Laura Collins-Hughes

At St. Ann’s Warehouse, this documentary play about a London fire is blood-boiling and aggrieved.

SOURCE: The New York Times Subscription at 11:36AM

How ‘Stereophonic’ Made Musicians Out of Actors by Alexis Soloski

The new Broadway play conjures a group as dazzling as peak Fleetwood Mac. This is how five actors with limited training (one never held a bass) became rock stars.

SOURCE: The New York Times Subscription at 05:12AM

The Vampire Ballerina in ‘Abigail’ Has a Long Pop Culture Lineage by Margaret Fuhrer

The vampire ballerina in the new movie “Abigail” has a long pop culture lineage. She and her sisters are obsessed, tormented and likely to cause harm.

SOURCE: The New York Times Subscription at 05:02AM
Sunday, April 21, 2024

‘Cabaret’ Review: Dancing, and Screaming, at the End of the World by Jesse Green

Eddie Redmayne and Gayle Rankin star in a buzzy Broadway revival that rips the skin off the 1966 musical.

SOURCE: The New York Times Subscription at 09:42PM

‘Hell’s Kitchen’ Review: Alicia Keys’s Musical Finds Its Groove on Broadway by Elisabeth Vincentelli

The retooled jukebox musical, with its top-notch performances and exciting choreography, “stands out as one of the rare must-sees” in a crowded season.

SOURCE: The New York Times Subscription at 12:24AM
Saturday, April 20, 2024

Alfred Molina on the Museum He Never Misses When He’s in New York by Sarah Bahr

“Every time I’m in the city, I make a visit,” said the actor, who is performing on Broadway in “Uncle Vanya.”

SOURCE: The New York Times Subscription at 05:06AM

Review: In ‘Still,’ Confessions Doom Two Reunited Lovers by Rhoda Feng

Despite a juicy premise, this Colt Coeur production, starring Tim Daly and Jayne Atkinson, never manages to take off.

SOURCE: The New York Times Subscription at 05:06AM

Peter Morgan Turns His Pen From ‘The Crown’ to the Kremlin by Maureen Dowd

His new play “Patriots,” now on Broadway, follows Putin’s rise to power and the Russian oligarchs who mistakenly thought he’d be their puppet.

SOURCE: The New York Times Subscription at 05:06AM

‘Stereophonic’ Review: Hitmakers Rendered in Sublime Detail by Naveen Kumar

In David Adjmi’s new play, with songs by Will Butler, a ’70s band’s success breeds tension, and punches up the volume on Broadway.

SOURCE: The New York Times Subscription at 12:24AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards