Thursday, March 26, 2026 at 9am (Broadway Time)
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Read the Reviews for Public Charge, by Former U.S. Ambassador Julissa Reynoso by Logan Culwell-Block

Co-written by Michael J. Chepiga, the play details Reynoso's experience working under Secretary of State Hillary Clinton.

SOURCE: Playbill at 09:32AM
Thursday, March 26, 2026 at 8am (Broadway Time)
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Bill Maher to Receive Mark Twain Prize for Humor After White House Had Called It “Fake News” by Caitlin Huston

“This is fake news. Bill Maher will NOT be getting this award,” White House press secretary Karoline Leavitt said last week.

SOURCE: The Hollywood Reporter at 08:10AM

A New AI Scam Is Targeting Thousands of Authors. I Was One of Them. by Julian Sancton

With their blend of ego and insecurity, writers are ideal marks for swindlers promising fortune and glory. Chatbots have turbocharged the con.

SOURCE: The Hollywood Reporter at 08:00AM
Thursday, March 26, 2026 at 6am (Broadway Time)
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Sibling love and loss: Alfredo Sanzól’s new play at Madrid’s Teatro María Guerrero by Maria Delgado

For his newest play, La última noche con mi hermano (The Last Night With My Brother), Alfredo Sanzol has taken inspiration from a friend telling him about the final night she spent with her…

SOURCE: thetheatretimes.com at 06:04AM

Wake Up With BroadwayWorld March 26, 2026- CHESS To Welcome A New Star and More

Rise and shine, BroadwayWorld! It is March 26, 2026 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours: NEW - BWW For You, Personalize…

SOURCE: BroadwayWorld at 06:00AM
Thursday, March 26, 2026 at 5am (Broadway Time)
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Russell T Davies’s hit TV series It’s a Sin to be adapted as ‘visceral’ dance show by Chris Wiegand Stage Editor

New work will be choreographed and directed by Benoit Swan Pouffer, artistic director of Rambert, with Davies and Pet Shop Boys serving as executive producers It’s a Sin, the award-winning…

SOURCE: The Guardian at 05:48AM

The Secret Garden review – children’s classic replanted as a haunting musical by Catherine Love

York Theatre RoyalJohn Doyle’s atmospheric production shrouds Frances Hodgson Burnett’s story in the ghosts and secrets of the grownups at Misselthwaite Manor In this version of Frances …

SOURCE: The Guardian at 05:48AM

Small Island review – Windrush epic speaks to our era with startling clarity by Nick Ahad

Leeds PlayhouseFeaturing stellar performances across the cast, Matthew Xia’s production breathes new life into Andrea Levy’s sprawling family saga A novel from more than two decades ago,…

SOURCE: The Guardian at 05:48AM

English National Ballet: Body & Soul review – from an army of AI bots to waves of pure human emotion by Lyndsey Winship

Sadler’s Wells, LondonKameron N Saunders’s ambitious sci-fi-coded fable is paired with a showcase of Crystal Pite’s mastery in contrasting order with human messiness The headline news …

SOURCE: The Guardian at 05:48AM

Under Milk Wood review – dark fairytales swirl around Dylan Thomas’s evergreen village by Mark Lawson

Theatr Clwyd, MoldDirector Kate Wasserberg emphasises the fantasy and supernatural elements of the poet’s ‘play for voices’ in an entertaining and inclusive production As with Molière…

SOURCE: The Guardian at 05:48AM

Slippery review – lust and longing are in the air, long after the party is over by Anya Ryan

Omnibus theatre, LondonA couple of former hedonists are reunited years later in Louis Emmitt-Stern’s quick-witted dissection of bereavement and the queer dating scene History is supposed t…

SOURCE: The Guardian at 05:48AM

‘I’m a big bear. I lumber’: showbiz superstar Richard Kind on delivering performances you can see from space by Ryan Gilbey

The first time Kind starred in Nazi-spoof The Producers, he lost 30lb. Is he – and the West End – ready for his return? And why is he so worried about his old flatmate George Clooney? Ri…

SOURCE: The Guardian at 05:48AM

Vincent in Brixton review – a radiant portrait of the artist as a young romantic by David Jays

Orange Tree theatre, LondonVan Gogh is a restless soul who finds kinship – and possibly more – with his London landlady in this tender and full-hearted drama The young Vincent van Gogh …

SOURCE: The Guardian at 05:48AM

Michelle De Swarte: The Afters review – blazing gags from a comic who says what she sees by Brian Logan

Brighton Corn Exchange The fantastically confident standup is a blast from the start with her takes on menopause, parenting and her upbringing Model, actor, journalist, comedian: no doubting…

SOURCE: The Guardian at 05:48AM

‘It shook the plaster off the ceiling’: Self Esteem and David Hare on reviving rock romp Teeth ‘n’ Smiles by Alexis Petridis

It lit up the 1970s with its nihilistic tale of a hippie band imploding in a trail of drugs, booze and violence. What can it tell us about the music business today? Writer David Hare and wil…

SOURCE: The Guardian at 05:48AM

‘It’s got real sass!’ Irvine Welsh chooses new life for Trainspotting as a stage musical by Mark Fisher

Production based on 1993 novel opens at Theatre Royal Haymarket in London in July, with original songs co-written by the author It has been a book, a play and a film. It has also spawned thr…

SOURCE: The Guardian at 05:48AM

Dario Fo at 100: a deliriously funny playwright with a deadly serious purpose by Michael Billington

The great Italian entertainer’s plays, such as Accidental Death of an Anarchist, have not lost their power to make audiences roar with laughter while confronting injustice In Britain we te…

SOURCE: The Guardian at 05:48AM

‘It won’t be pretty!’ French and Saunders to play the Ugly Sisters in Palladium panto by Chris Wiegand

Comedy duo will take the stage together in the West End for the first time in 17 years in Cinderella alongside Julian Clary Dawn French and Jennifer Saunders are to return to the stage toget…

SOURCE: The Guardian at 05:48AM

A moment that changed me: I thought my Parkinson’s was the end of my life, but dancing changed everything by Ian Temple

The moment I stepped into English National Ballet’s studio, I stopped being just a patient. Among fellow spirits, I have rediscovered my sense of joy and agency Fourteen years ago, a neuro…

SOURCE: The Guardian at 05:48AM

Henry V review – once more unto the breach at the RSC, as Alfred Enoch leads the charge by Arifa Akbar

Royal Shakespeare theatre, Stratford-Upon-AvonCo-artistic director Tamara Harvey stages a well-acted production that never hits as hard as it should The bellicose patriotism in this, the las…

SOURCE: The Guardian at 05:48AM

And who’s playing Madeline? Lily Allen’s West End Girl could make sensational theatre by Chris Wiegand

Intimate monologue or performance art? The singer’s recent gigs give a tantalising idea of what a stage adaptation of her album might look like ‘This conversation’s too big for a phone…

SOURCE: The Guardian at 05:48AM

Mark Simmons: ‘A lot of brilliant comedy shows tackle world issues – that’s not what this is!’ by Interview By Liam Pape

The comedian on learning from Stewart Lee, forging gags from chats with friends and his niche joke about Magic FM Who did you look up to when you were starting out as a comedian?I wanted to …

SOURCE: The Guardian at 05:48AM

Teeth ’n’ Smiles review – Self Esteem makes a mesmeric rock star but the drama doesn’t dazzle by Arifa Akbar

Duke of York’s theatre, LondonFifty years since David Hare’s play was first staged, Rebecca Lucy Taylor is inspired casting as a singer who refuses to go out without a bang David Hare’…

SOURCE: The Guardian at 05:48AM

A Mirrored Monet review – painter reflects on his past in a musical with heart and humour by Lucinda Everett

Charing Cross theatre, London Carmel Owen’s ambitious musical follows the impressionist’s regrets back to his early adventures in art and his first marriage As its title suggests, this m…

SOURCE: The Guardian at 05:48AM

Moving Emphasis On Tolerance And Courage In “Nasser # 7 Leben” At The Schnürschuh Theater Bremen by Daniel Meyer-Dinkgräfe

The Schnürschuh-Theater in Bremen was founded in 1976 and has been at its current location since 1994. For 2025 it received public institutional funding of 92250 € (compared with 34,3 mil…

SOURCE: thetheatretimes.com at 05:38AM

Mearns and Melnick, Dance Stars Who Choose Each Other by Gia Kourlas and Vincent Alban

In “Superbloom,” the latest work by the ballet dancer Sara Mearns and the postmodern choreographer Jodi Melnick, women are at the forefront.

SOURCE: The New York Times Subscription at 05:01AM

Neal Street, Producer Behind Sam Mendes’ Beatles Movies, Hires Ex-Left Bank Development Chief For TV by Max Goldbart

EXCLUSIVE: Neal Street, the production outfit behind Sam Mendes’ Beatles movies, is expanding in TV and theater with a pair of newly-created development roles. Ed Cripps, a former developm…

SOURCE: Deadline at 05:00AM
Thursday, March 26, 2026 at 4am (Broadway Time)
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Thursday, March 26, 2026 at 3am (Broadway Time)
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BETTE & JOAN

The post BETTE & JOAN appeared first on Australian Arts Review.

SOURCE: Australian Arts Review at 03:50AM
Thursday, March 26, 2026 at 2am (Broadway Time)
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Thursday, March 26, 2026 at 1am (Broadway Time)
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Titanique Sets Sail on Broadway Tonight at the St. James Theatre by Jonah De Forest

Our hearts will go on... to Broadway! The splash hit musical Titanique begins performances at the St. James Theatre on March 26, with opening night set for April 12. Co-created by Marla Min…

SOURCE: Broadway.com at 01:32AM

Luke Evans Makes His Broadway Debut in The Rocky Horror Show, Starting Tonight by Jamie Kravitz

Let's do the Time Warp again! The much-anticipated Roundabout Theatre Company production of Richard O’Brien’s The Rocky Horror Show, directed by Oh, Mary! Tony winner Sam Pinkleton,…

SOURCE: Broadway.com at 01:32AM
Thursday, March 26, 2026 at midnight (Broadway Time)
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Titaníque Crashes Into Broadway Beginning March 26 by Logan Culwell-Block

The campy Céline Dion jukebox musical stars Marla Mindelle, Deborah Cox, Jim Parsons, and more at the St. James.

SOURCE: Playbill at 12:36AM

The Rocky Horror Show Begins Performances on Broadway March 26 by Margaret Hall

The revival stars Luke Evans as the iconic role of Frank-N-Furter, under the watchful eye of Oh, Mary! director Sam Pinkleton.

SOURCE: Playbill at 12:36AM

A Humongous Ego, A Fractured Legacy: Giant Exposes the Man Behind the Myth by Suzanna Bowling

Talent can dazzle. It can seduce. Giant makes uncomfortably clear, it can also just under the surface waiting to be unleashed. Mark Rosenblatt’s sharply constructed Broadway debut, now pla…

SOURCE: Times Square Chronicles at 12:05AM

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off