All stories by Julia Rank on BroadwayStars

Friday, June 22, 2018

Misanthrope review at Camden People’s Theatre, London – ‘ambitious, but clumsy’ by Julia Rank

Whilst the cast of the current West End production of Tartuffe perform in a mixture of English and French, the bilingual Exchange

SOURCE: The Stage Registration at 12:16PM
Friday, June 15, 2018

Finishing the Picture review at Finborough Theatre – ‘intimate staging of Arthur Miller’s swan song’ by Julia Rank

Arthur Miller’s final play Finishing the Picture explores the manufacturing of female stars in Hollywood and their struggle to find their own

SOURCE: The Stage Registration at 07:42AM
Friday, June 8, 2018

The Yellow Wallpaper review at Omnibus Theatre, London – ‘effective glimpse into postnatal depression’ by Julia Rank

Taking its cue from Charlotte Perkins Gilman’s 1892 gothic feminist short story The Yellow Wallpaper, Ruby Lawrence’s intelligent re-imagining makes for an

SOURCE: The Stage Registration at 07:17AM
Monday, June 4, 2018

Stitchers review at Jermyn Street Theatre, London – ‘hope without sentimentality’ by Julia Rank

Sewing tends to be thought of as a quiet, meditative activity performed by women in peaceful surroundings. The men’s prison in which

SOURCE: The Stage Registration at 05:52AM
Thursday, May 31, 2018

Adam and Eve review at Hope Theatre, London – ‘unconvincing and underdeveloped’ by Julia Rank

In Tim Cook’s hour-long play Adam and Eve, the biblical progenitors take the form of a smug middle-class couple (played by Lee

SOURCE: The Stage Registration at 09:50AM
Friday, May 25, 2018

The Biograph review at Finborough Theatre, London – ‘a love letter to silent film’ by Julia Rank

In 1912, only the most desperate out-of-work theatre actors would have considered slumming it in moving picture shows. By 1928, cinema was

SOURCE: The Stage Registration at 08:13AM
Friday, April 27, 2018

Faceless review at Park Theatre, London – ‘lacks theatricality’ by Julia Rank

Based on true accounts of young women running away to join IS, Chicago-based playwright Selina Fillinger’s debut play Faceless (which she wrote

SOURCE: The Stage Registration at 12:56PM
Monday, March 12, 2018

Stuffed review at Jack Studio Theatre, London – ‘heartfelt and strongly performed’ by Julia Rank

Inspired by co-writer Lucy Joy Russell’s personal experiences of IVF treatment, Stuffed follows 40-year-old Kim and her husband Jack’s increasingly attempt to

SOURCE: The Stage Registration at 11:20AM
Tuesday, February 20, 2018

Napoleon Disrobed review at Arcola Theatre, London – ‘energetic and anarchic’ by Julia Rank

Based on a novel by Simon Leys, Napoleon Disrobed imagines a scenario in which the diminutive tyrant escapes from exile in St

SOURCE: The Stage Registration at 06:34AM
Tuesday, February 6, 2018

Cyril’s Success review at Finborough Theatre, London – ‘a good-natured revival’ by Julia Rank

In honour of the 150th anniversary of the foundation of the Finborough Arms building, the west London pub theatre is presenting a

SOURCE: The Stage Registration at 07:42AM
Wednesday, January 24, 2018

Austen the Musical review at Mirth, Marvel and Maud, London – ‘frustratingly thin portrait of an author’ by Julia Rank

The opening scene of Austen The Musical makes a strong argument in favour of ‘The Death of the Author’ mode of literary

SOURCE: The Stage Registration at 07:18AM
Monday, January 22, 2018

Woman Before a Glass review at Jermyn Street Theatre, London – ‘an impressive performance’ by Julia Rank

The painterly title Woman Before a Glass is suggestive of the male gaze. This one-woman play by Lanie Robertson – author of

SOURCE: The Stage Registration at 08:43AM
Monday, January 15, 2018

Tiny Dynamite review at Old Red Lion Theatre – ‘strikingly designed’ by Julia Rank

Abi Morgan’s three-hander Tiny Dynamite was last seen at the Lyric Studio in 2003. As well as continuing to write for theatre,

SOURCE: The Stage Registration at 12:32PM
Wednesday, December 20, 2017

Top Hat review at Upstairs at the Gatehouse, London – ‘a lively staging’ by Julia Rank

This time last year, Joanne Clifton raised the Strictly Come Dancing mirrorball trophy in front of a television audience of millions. Having

SOURCE: The Stage Registration at 11:49AM
Monday, December 18, 2017

The Wolves of Willoughby Chase review, Jack Studio Theatre, London – ‘mischievous sense of humour’ by Julia Rank

Joan Aiken’s The Wolves of Willoughby Chase (first published in 1962) is a tale that has it all: intrepid orphans, a manor

SOURCE: The Stage Registration at 04:53AM
Monday, December 11, 2017

The Hounds of the Baskervilles review at Jermyn Street Theatre, London – ‘a masterclass in madcap energy’ by Julia Rank

In his memoirs, Arthur Conan Doyle expressed regret for not granting Dr Watson any sense of humour. This unabashedly comic adaptation of

SOURCE: The Stage Registration at 06:54AM
Monday, December 4, 2017

Curtain Call review at White Bear Theatre, London – ‘a crass tragicomedy’ by Julia Rank

In his crass and unfunny play Curtain Call, Simon Bradbury also takes the lead role of Stanley Shenton, a once distinguished classical

SOURCE: The Stage Registration at 08:08AM
Monday, November 27, 2017

Privates on Parade review at Union Theatre, London – ‘an engaging ensemble’ by Julia Rank

Charting the Malay Emergency of 1948, Peter Nichols’ play with songs Privates on Parade is a curious cross between a pantomime and

SOURCE: The Stage Registration at 12:54PM
Monday, October 16, 2017

Promise and Promiscuity review at Greenwich Theatre, London – ‘predictable Austen pastiche’ by Julia Rank

New Zealand performer Penny Ashton has a personal connection with the lady on the new £10 note, being a fifth great niece

SOURCE: The Stage Registration at 08:05AM
Monday, October 9, 2017

Laika review at Unicorn Theatre, London – ’emotionally charged’ by Julia Rank

In 1957, Moscow street dog Laika was selected by the Soviet space programme as their canine guinea pig. Poor Laika had no

SOURCE: The Stage Registration at 11:45AM
Friday, September 29, 2017

Frankenstein review at Jack Studio Theatre, London – ‘interesting performances’ by Julia Rank

Mary Shelley’s Frankenstein (celebrating its bicentenary this year) is a messy, straggly, unapologetically raw novel that opens out like a series of

SOURCE: The Stage Registration at 06:32AM
Monday, September 11, 2017

The Provoked Wife review at the Hope Theatre, London – ‘energetically modernised Restoration comedy’ by Julia Rank

When he wasn’t designing architectural masterpieces such as Blenheim Palace and Castle Howard, polymath John Vanbrugh had a side line as a

SOURCE: The Stage Registration at 06:56AM
Thursday, August 17, 2017

Blue Stockings review at the Yard, London – ‘highly likeable’ by Julia Rank

In 1897, the women of Girton College Cambridge were warned. They were given an explanation. Nevertheless, they persisted until women were finally

SOURCE: The Stage Registration at 06:49AM
Monday, August 14, 2017

Catastrophists review the White Bear Theatre, London – ‘over-reliance on caricature’ by Julia Rank

Jack Stanley’s apocalyptic comedy of manners Catastrophists is rooted in Alan Ayckbourn territory. Obnoxious young professionals Raf and Harry host a dinner

SOURCE: The Stage Registration at 05:33AM
Monday, July 31, 2017

Just to Get Married review at Finborough Theatre, London – ‘a welcome rediscovery’ by Julia Rank

Committed suffragette Cicely Hamilton had a remarkable career using drama, journalism and novels to promote women’s rights. Her 1911 play Just to

SOURCE: The Stage Registration at 12:09PM
Friday, July 28, 2017

Treating Odette review at Upstairs at the Gatehouse, London – ‘warm and witty’ by Julia Rank

Jennifer Selway’s three-hander Treating Odette is a treat to watch. Inspired by her friend Patricia Law who worked in an exclusive Mayfair

SOURCE: The Stage Registration at 04:54AM
Monday, July 24, 2017

The Hired Man review at Union Theatre, London – ‘heartfelt but patchy’ by Julia Rank

Based on the novel by Melvyn Bragg, Howard Goodall’s first musical The Hired Man is a depiction of working-class northern life in

SOURCE: The Stage Registration at 11:17AM
Monday, June 26, 2017

Food review at Finborough Theatre, London – ‘underseasoned brew’ by Julia Rank

Steve Rodgers’s 2012 play Food (receiving its first production outside Australia) is an abrasive affair, more of a haphazard buffet than a

SOURCE: The Stage Registration at 05:39AM
Monday, June 12, 2017

Kiss Me review at Trafalgar Studios, London – ‘beautifully acted’ by Julia Rank

Richard Bean’s bittersweet two-hander stands in marked contrast to the brassier style he is known for, in plays including One Man Two

SOURCE: The Stage Registration at 06:54AM
Thursday, April 13, 2017

Ready or Not review at the Arcola Theatre, London – ‘a meandering thriller’ by Julia Rank

Few things are more relevant or chilling at present than alternative facts. In Naylah Ahmed’s new play Ready or Not, the toxic

SOURCE: The Stage Registration at 11:01AM
Tuesday, April 4, 2017

The Lottery of Love review at Orange Tree Theatre, London – ‘light, bright, slight’ by Julia Rank

“Happiness in marriage is entirely a matter of chance”, Charlotte Lucas informs Elizabeth Bennet in Pride and Prejudice. While the pragmatic Charlotte

SOURCE: The Stage Registration at 07:09AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards