Thursday, December 12, 2019
“You into words?” Jamie Lloyd’s magnificent treatment of Cyrano de Bergerac very much is. Refracted through Lloyd’s modestly masterful staging, Martin Crimp’s vigorous, insightful …
SOURCE: thetheatretimes.com at 02:43AMTuesday, December 10, 2019
Based on Antoine de Saint-Exupery’s beloved classic The Little Prince, this year’s festive show at the Omnibus Theatre promises a joyously sparkling
SOURCE: The Stage Registration at 04:34AMSunday, December 8, 2019
Fairview is a scorching minefield that looks like a green meadow. At long last, London audiences can enter the beguiling terrain of Jackie Sibblies Drury’s 2018 play in a flawless Young Vi…
SOURCE: thetheatretimes.com at 02:55AMFriday, December 6, 2019
Written and directed by Peter Rowe, New Wolsey Theatre’s “rockin’ panto” Cinderella lands in North Finchley with a glittery, flaming bouquet of
SOURCE: The Stage Registration at 09:49AMThursday, December 5, 2019
’Tis the season for Christmas pantos across the UK, and there could not be a more ideal opener to this mad tradition than Lyric Hammersmith’s joyously woke Cinderella. Written by Jude Ch…
SOURCE: thetheatretimes.com at 09:52PMMonday, December 2, 2019
First performed in 1945, Emlyn Williams’ play The Wind of Heaven depicts a Welsh village caught in spiritual turmoil in the wake
SOURCE: The Stage Registration at 05:10AMThursday, November 28, 2019
Adapting novels for the stage is a tricky business. When the novel in question happens to be wildly popular and epically proportioned, the challenges faced by the adapter can escalate withou…
SOURCE: thetheatretimes.com at 11:59PMTuesday, November 26, 2019
Founded in 2001, the Dramaturgs’ Network is the only organization in the United Kingdom solely dedicated to supporting dramaturgs and promoting the practice and theory of dramaturgy. Among…
SOURCE: thetheatretimes.com at 03:17AMSunday, November 24, 2019
What’s the use of thinking about the future? What’s the use of thinking about the future in a theatre? Created by the Copenhagen-based theatre company Fix&Foxy, Tue Biering’s one-w…
SOURCE: thetheatretimes.com at 12:33AMFriday, November 8, 2019
Isabel Allende’s 1982 novel The House of the Spirits is not an easy work to bring to the stage. An ambitious family
SOURCE: The Stage Registration at 12:35PMThursday, November 7, 2019
The winner of the 2019 Papatango New Writing Prize, Shook by Samuel Bailey offers a glimpse into an unexpected corner of the criminal justice system. It is set in a classroom, but not in a s…
SOURCE: thetheatretimes.com at 07:47PMPerformed in Norwegian with English surtitles, Jon Fosse’s play Shadows has a conceptual premise that depends on a disjuncture between the actor
SOURCE: The Stage Registration at 09:47AMTuesday, November 5, 2019
Grief can be a blinding experience, but it can also give clarity of sight. This is what happens to Sal, the bereaving
SOURCE: The Stage Registration at 10:37AMFriday, November 1, 2019
She suffers from chronic depression; he from unipolar mania. She cannot get out of bed; he cannot stay put. She thinks mental
SOURCE: The Stage Registration at 08:59AMThursday, October 10, 2019
James Mannion’s new play Mites is a shape-shifter. It begins on an absurdist register but gradually disrobes itself, shifting towards what it
SOURCE: The Stage Registration at 09:51AMTuesday, September 24, 2019
One could do worse than turn to a classroom to find the microcosm of a society. Christopher Hampton’s stage adaptation of Ödön
SOURCE: The Stage Registration at 06:35AMThursday, August 29, 2019
Rhodesia, 1978. Two visits coincide on the premises of Lady L’s estate: Gordon and Oonagh have arrived to celebrate their mother’s 60th
SOURCE: The Stage Registration at 11:57AM 
