All stories by David Pollock on BroadwayStars

Wednesday, August 14, 2019

Superstar review at Underbelly, Edinburgh – ‘entertainingly watchable’ by David Pollock

In many ways, this one-woman play by Nicola Wren fulfils many of the stereotypes of low-budget, solo theatre at the Edinburgh Festival

SOURCE: The Stage Registration at 10:46AM
Tuesday, August 13, 2019

Catching Comets review at Pleasance Courtyard, Edinburgh – ‘smart action-movie spoof’ by David Pollock

Amusingly pitched as “a disaster movie about falling in love”, this new show from writer and director Piers Black ties two separate

SOURCE: The Stage Registration at 06:12AM
Thursday, August 8, 2019

Working on my Night Moves review at Summerhall, Edinburgh – ‘dynamic and mesmerising performance art’ by David Pollock

With appropriate safety warnings dispensed outside, the audience are ushered into a corner of the stage. The theatre is darkened and a

SOURCE: The Stage Registration at 06:41AM
Tuesday, August 6, 2019

Playwright Stef Smith: ‘I tread a thin line between darkness and light’ by David Pollock

The Edinburgh Fringe has historically been successful for Stef Smith, who won a host of awards for Roadkill in 2010. This year

SOURCE: The Stage Registration at 03:00AM
Monday, August 5, 2019

Like Animals review at Summerhall, Edinburgh – ‘witty, poignant and very watchable’ by David Pollock

In the 1960s, a scientist named Margaret Lovatt attempts on behalf of NASA to teach a dolphin called Peter to speak, in

SOURCE: The Stage Registration at 12:54PM
Sunday, August 4, 2019

Tartuffe review at Assembly Rooms, Edinburgh – ‘delightful update of Moliere into Scots’ by David Pollock

“Ah’m nae angel,” sneers Andy Clark’s Tartuffe, one of theatre’s great con artists, as he attempts to downplay his own manipulative awfulness

SOURCE: The Stage Registration at 10:20AM

The Crucible review at Edinburgh Playhouse – ‘triumphant and elemental’ by David Pollock

It’s sad to note that Arthur Miller’s 1953 conflation of the Salem witch trials and the McCarthy hearings of the playwright’s own

SOURCE: The Stage Registration at 06:49AM
Friday, July 19, 2019

Theatremaker Kieran Hurley: ‘Anything I write is a story about people and love, in some way’ by David Pollock

Kieran Hurley tells David Pollock how class consciousness and Glasgow’s Arches theatre helped shape his award-winning writing about human relations, masculinity and

SOURCE: The Stage Registration at 10:00AM
Wednesday, July 3, 2019

The Crucible review at Pitlochry Festival Theatre – ‘tense and evocative’ by David Pollock

While other shows in Elizabeth Newman’s inaugural repertory season have  emphasised nostalgic musical theatre and light comedy, Newman’s only entirely self-directed piece

SOURCE: The Stage Registration at 06:19AM
Friday, June 28, 2019

Blonde Bombshells of 1943 review at Pitlochry Festival Theatre – ‘gorgeous music’ by David Pollock

“Music is about the only clean thing left in this awful world,” is the delicately-freighted message of this revival of Alan Plater’s

SOURCE: The Stage Registration at 11:36AM

Blithe Spirit review at Pitlochry Festival Theatre – ‘an energetic revival’ by David Pollock

In a white-walled luxury apartment, two well-to-do couples engage in a séance for a bit of diverting fun. Their invited host for

SOURCE: The Stage Registration at 08:01AM
Thursday, June 13, 2019

LJ Findlay-Walsh: ‘Work that shakes the foundations excites me’ by David Pollock

The artistic director of the Glasgow performing arts festival tells David Pollock about presenting the best of Scottish artists, cutting her teeth

SOURCE: The Stage Registration at 09:10AM
Tuesday, June 4, 2019

A-Z of Dundee review at Reid Hall, Forfar – ‘lively community theatre’ by David Pollock

As well as having its own building in the heart of the city, the Dundee Rep Ensemble has also created a strong

SOURCE: The Stage Registration at 08:45AM
Monday, June 3, 2019

Summer Holiday review at Pitlochry Festival Theatre – ‘a vibrant crowd-pleaser’ by David Pollock

The distinctive nature of Pitlochry Festival Theatre’s intensive, summer-only repertory system means that this is the first taste of Elizabeth Newman’s debut

SOURCE: The Stage Registration at 10:15AM
Tuesday, May 21, 2019

Pitlochry artistic director Elizabeth Newman: ‘Open every window and door – let everyone in’ by David Pollock

Elizabeth Newman has been brought in to connect rural Pitlochry Festival Theatre to the rest of  Scotland and the globe. David Pollock

SOURCE: The Stage Registration at 03:00AM
Friday, May 17, 2019

This Girl Laughs, This Girl Cries, This Girl Does Nothing review at Adam Smith Theatre, Kirkcaldy – ‘swashbuckling energy’ by David Pollock

Finegan Kruckemeyer’s children’s fable tells the story of three triplet sisters who are reluctantly abandoned by their father in the forest and

SOURCE: The Stage Registration at 12:10PM
Friday, May 10, 2019

Low Pay? Don’t Pay! review at Tron Theatre, Glasgow – ‘an energetic riot’ by David Pollock

Low Pay? Don’t Pay! is a 2010 translation of Dario Fo’s post-banking crisis update of his 1974 Marxist satire Can’t Pay? Won’t

SOURCE: The Stage Registration at 10:15AM
Tuesday, May 7, 2019

The Mistress Contract review at Tron Theatre, Glasgow – ‘an engagingly performed revival’ by David Pollock

In the hermetically sealed environment of a Los Angeles beach house, an experiment unfolds from 1981 until more or less the present

SOURCE: The Stage Registration at 11:33AM
Friday, May 3, 2019

Lost at Sea review at Perth Theatre – ‘evocative, atmospheric, mesmerising’ by David Pollock

Although broadly a work of fiction, Morna Young’s play about the fishing communities of the North-East of Scotland contains a rich documentary

SOURCE: The Stage Registration at 04:25PM
Monday, April 22, 2019

NTS technical director Gemma Swallow: ‘The biggest buzz is finding unusual places for shows’ by David Pollock

Maintaining the National Theatre of Scotland’s ethos as a ‘theatre without walls’ is a complex challenge but, for its technical director, it

SOURCE: The Stage Registration at 12:00PM
Monday, April 8, 2019

Spring! review at Theatre Royal, Glasgow – ‘fun and relevant 50th anniversary double bill’ by David Pollock

A fusion of old and new is on the menu at this first celebratory presentation of Scottish Ballet’s 50th anniversary, which is

SOURCE: The Stage Registration at 07:43AM
Monday, April 1, 2019

Marie review at Perth Theatre – ‘a punchy piece of solo storytelling’ by David Pollock

Wide-eyed and excited, a young actor from Edinburgh named Marie arrives in London with dreams of making her name and career in

SOURCE: The Stage Registration at 12:25PM
Thursday, March 21, 2019

Nora: A Doll’s House review at Tramway, Glasgow – ‘a thoughtful update of Ibsen’ by David Pollock

Presented as part of the Citizens Women series, Stef Smith’s updating of Ibsen’s play uses a structurally impressive motif to tell the

SOURCE: The Stage Registration at 12:29PM
Wednesday, March 13, 2019

Edinburgh Lyceum artistic director David Greig: ‘Scottish theatre has given me a lot – I want to help it flourish’ by David Pollock

As well as writing hit shows including Charlie and the Chocolate Factory in the West End, David Greig has been artistic director

SOURCE: The Stage Registration at 07:17AM
Monday, February 18, 2019

Miss Julie review at Perth Theatre – ‘power and precision’ by David Pollock

Directed by up-and-coming young Scottish-based director Shilpa T-Hyland, who is under 30 and engaged on the project through winning Perth Theatre’s first

SOURCE: The Stage Registration at 11:48AM
Monday, December 17, 2018

Sleeping Beauty review at Beacon Arts Centre, Greenock – ‘a quality cast’ by David Pollock

A modern arts space on the banks of the River Clyde which opened five years ago, Beacon Arts Centre shares much in

SOURCE: The Stage Registration at 06:58AM
Wednesday, December 12, 2018

Sleeping Beauty review at the Alhambra Theatre, Dunfermline – ‘winningly anarchic’ by David Pollock

The sense of anarchic silliness at Dunfermline’s Alhambra goes hand in hand with the decidedly old-school flavour of this year’s Christmas panto.

SOURCE: The Stage Registration at 12:07PM
Thursday, December 6, 2018

Mouthpiece review at the Traverse Theatre, Edinburgh – ‘a gripping, truthful play for our times’ by David Pollock

Following a final Edinburgh Festival Fringe run as artistic director at the Traverse during which the company’s two produced plays were showered

SOURCE: The Stage Registration at 11:02AM

Snow White and the Seven Dames review at Perth Theatre – ‘Sharp and contemporary’ by David Pollock

For a stage with a more rural constituency than those in Scotland’s larger cities, Perth Theatre – under the artistic direction of

SOURCE: The Stage Registration at 05:49AM
Tuesday, December 4, 2018

Outgoing Traverse head Orla O’Loughlin: ‘At Guildhall, I’ll re-imagine theatre training for the 21st century’ by David Pollock

After seven years as artistic director of the Traverse Theatre in Edinburgh, Orla O’Loughlin is moving on. She tells David Pollock about

SOURCE: The Stage Registration at 12:31PM
Monday, December 3, 2018

The Snow Queen review at Dundee Rep Theatre – ‘a Christmas tale for our times’ by David Pollock

Working in tandem with Scottish writers and composers of contemporary musical theatre Noisemaker (Scott Gilmour and Claire McKenzie), Dundee Rep Ensemble and

SOURCE: The Stage Registration at 11:00AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards