Thursday, December 6, 2018
INTERVIEW: BREACH THEATRE. One of the smartest emerging companies in British theatre, Breach Theatre are interrogating the nature of veracity on stage. Against the backdrop of the post-truth…
SOURCE: Theatre Voice at 10:08AMThursday, November 29, 2018
ARCHIVE INTERVIEW: KEN CAMPBELL. Back in 2004, the legendary eccentric of British theatre spoke to Dominic Cavendish about his life and work. In the course of a delirious and rambling conver…
SOURCE: Theatre Voice at 07:10AMThursday, November 22, 2018
INTERVIEW: RACHEL CHAVKIN. As Anais Mitchell’s contemporary folk opera Hadestown continues at the National Theatre ahead of its Broadway run, director Rachel Chavkin talks to Matt Trueman …
SOURCE: Theatre Voice at 09:02AMThursday, November 15, 2018
INTERVIEW: MICHAEL BOYD. Belfast-born director Michael Boyd ran the Royal Shakespeare Company from 2003 and 2012, during which time he stabilised its finances, restored its reputation, overs…
SOURCE: Theatre Voice at 07:59AMThursday, November 8, 2018
INTERVIEW: ALAN LANE. Slung Low’s artistic director tells Catherine Love about the company’s radical transformation over the last decade, from an independent experimental company to a so…
SOURCE: Theatre Voice at 08:21AMThursday, November 1, 2018
ARCHIVE INTERVIEW: SONIA FRIEDMAN. In October 2003, producer Sonia Friedman sat down to discuss the state of the West End with critic Dominic Cavendish. The picture wasn’t rosy: the war on…
SOURCE: Theatre Voice at 06:19AMThursday, October 25, 2018
INTERVIEW: NEIL AUSTIN. The celebrated British lighting designer tells Luke Jones about the tricks of his trade and touches on a rich variety of shows including Albion at the Almeida Theatre…
SOURCE: Theatre Voice at 07:35AMSaturday, October 20, 2018
Nowadays I’m less interested in causing maybe a huge stir or making something achingly beautiful on the whole. Now it’s more like: take a sizable hunk out of the corner somewhere and mad…
SOURCE: Culture Bot at 11:32AMThursday, October 18, 2018
INTERVIEW: JONATHAN PRYCE. Jonathan Pryce talks about appearing in Florian Zeller’s The Height of the Storm, in which he plays a novelist who may or may not be grieving for his wife of m…
SOURCE: Theatre Voice at 12:36PMMonday, September 10, 2018
What, for the theater, are our tablecloths, forks, spoons, plates and bowls that maybe aren't actually serving us anymore? Is how we are making theater and performance the best way it could…
SOURCE: Culture Bot at 11:42AMWednesday, September 5, 2018
I grew up in a yellow house in West Seneca, NY, a suburb of Buffalo. My bedroom window was on the second floor in between the windows of my sisters, though I am the youngest, with a huge map…
SOURCE: Culture Bot at 11:18AMThursday, January 25, 2018
“Money is not the root of all evil. The love of money is the root of all evil.” We need money, but money is not the only way to define our value.
SOURCE: Culture Bot at 09:37AMWednesday, November 8, 2017
Jeremy M. Barker and Matthew Goulish discuss Every house has a door's "The Three Matadores"
SOURCE: Culture Bot at 03:33PMMonday, November 21, 2016
Aw man. I wish I was a kick ass Trumpet player or something.
SOURCE: Culture Bot at 12:18PMTuesday, September 27, 2016
Editors Note: We caught up with Alice Pencavel, who has written a few wonderful pieces for this very publication and now has a show coming up in the United Solo Festival on Tuesday, October …
SOURCE: Culture Bot at 10:56AMFriday, September 23, 2016
"I really wish I knew how to drive." - Jess Barbagallo responds to FIVE QUESTIONS
SOURCE: Culture Bot at 11:30AMFriday, April 29, 2016
Alexandra Beller and Ivan Talijančić in conversation about choice-making, dramaturgy, and building Mindflock.
SOURCE: Culture Bot at 09:44AMMonday, January 11, 2016
Join us for Community of Practice Season 2: January 23, February 20, March 19
SOURCE: Culture Bot at 01:13PMTuesday, January 15, 2013
The NY-based director discusses her collaboration with choreographer/dancer Anne Juren, part of PS 122's 2013 COIL Festival
SOURCE: Culturebot at 05:41PM 
