All stories by Fergus Morgan on BroadwayStars

Friday, August 23, 2019

Four Woke Baes review at Underbelly Cowgate, Edinburgh – ‘playful and provocative’ by Fergus Morgan

Don’t go and see this with your significant other. American writer Jonathan Caren’s five-handed comedy, set during a stag-do – sorry, bachelor

SOURCE: The Stage Registration at 08:23AM

Birth review at Pleasance Courtyard, Edinburgh – ‘a transporting, time-travelling show by Fergus Morgan

Theatre Re celebrates its 10th anniversary this year. In that time, thanks largely to 2014’s Blind Man’s Song and 2017’s The Nature

SOURCE: The Stage Registration at 07:20AM

Civilisation review at Underbelly Cowgate, Edinburgh – ‘sensitive but indulgent’ by Fergus Morgan

Barely a word is spoken in Civilisation, the bold new collaboration between Antler Theatre’s Jaz Woodcock-Stewart and choreographer Morgann Runacre-Temple. A woman

SOURCE: The Stage Registration at 06:52AM

America is Hard to See review at Underbelly Cowgate, Edinburgh – ‘compelling and well-crafted’ by Fergus Morgan

Miracle Village is a community in Florida’s Palm Beach County, somewhere deep in sugarcane country – a community for registered sex offenders.

SOURCE: The Stage Registration at 06:05AM
Thursday, August 22, 2019

Beep Boop review at Assembly George Square Studios, Edinburgh – ‘slick but slightly repetitive’ by Fergus Morgan

Beep boop. That’s the noise of the phone in your pocket, or the iPad in your bag, or the laptop on your

SOURCE: The Stage Registration at 01:03PM
Wednesday, August 21, 2019

Julius ‘Call Me Caesar’ Caesar review at Gilded Balloon, Edinburgh – ‘rough-and-ready reimagining of Shakespeare’ by Fergus Morgan

You don’t get much Shakespeare at the fringe – something about five-act tragedies not quite fitting into the average hour-long slot –

SOURCE: The Stage Registration at 08:09AM
Tuesday, August 20, 2019

When the Birds Come review at Underbelly Cowgate, Edinburgh – ‘sensitive but slightly clunky’ by Fergus Morgan

Tallulah Brown had a mini-hit last year with Songlines, a soulful slice of gig-theatre storytelling set on the Suffolk coast. For When

SOURCE: The Stage Registration at 12:48PM

The Ocean After All review at Underbelly Bristo Square, Edinburgh – ‘a slippery, skilfully told story’ by Fergus Morgan

Amiable Australian yarn-spinner Wil Greenway is a fixture at the fringe. His beautifully titled shows – The Way the City Ate the

SOURCE: The Stage Registration at 11:58AM
Friday, August 16, 2019

Fake News review at Assembly George Square – ‘fails on every level’ by Fergus Morgan

Here’s a headline you can trust: Fake News is a full-on failure. Osman Baig’s one-man show attempts to craft a cautionary tale

SOURCE: The Stage Registration at 01:09PM

How to Save a Rock review at Pleasance Pop-Up, Dynamic Earth, Edinburgh – ‘likeably lo-fi’ by Fergus Morgan

Throughout the Edinburgh Festival Fringe, the Pleasance has been running an eco-friendly pop-up theatre at Dynamic Earth, near Holyrood. Inside the science

SOURCE: The Stage Registration at 08:55AM

For All I Care review at Summerhall, Edinburgh – ‘underwhelming show about mental health care’ by Fergus Morgan

Alan Harris is an uncompromising writer – his plays slip and stumble along, often with a healthy dose of hectic surrealism stuffed

SOURCE: The Stage Registration at 08:42AM

A Rock‘n’Roll Suicide! review at Zoo Southside, Edinburgh – ‘imaginatively staged and anarchic’ by Fergus Morgan

“Just a quick warning,” says Lee Mark Jones, poking his head out from behind the curtain. “Things will fuck up.” And they

SOURCE: The Stage Registration at 08:33AM
Thursday, August 15, 2019

Shine review at Zoo Southside – ‘fragmented show, experienced via binaural headphones’ by Fergus Morgan

Simon McBurney has a lot to answer for. Ever since his smash-hit solo show The Encounter premiered in 2015, theatremakers have been

SOURCE: The Stage Registration at 12:59PM

The Nights review at the Gilded Balloon Teviot, Edinburgh – ‘ambitious but awkward’ by Fergus Morgan

Henry Naylor has been doing this for a while – writing swift, short plays about geo-political topics and putting them on at

SOURCE: The Stage Registration at 12:40PM

Have I Told You I’m Writing A Play About My Vagina? review at Paradise in Augustines, Edinburgh – ‘funny and frank’ by Fergus Morgan

In 2016, Isley Lynn wrote the widely praised Skin a Cat, a play about her struggle to have sex because she had

SOURCE: The Stage Registration at 10:38AM

The Land of My Fathers and Mothers and Some Other People review at the Pleasance, Edinburgh – ‘emotional and enraging’ by Fergus Morgan

Rhys Slade-Jones is extremely Welsh. He grew up in Treherbert, a small town in The Valleys, just like his parents before him,

SOURCE: The Stage Registration at 09:16AM
Wednesday, August 14, 2019

From Hollywood to Holyrood: how US star Lyndsy Fonseca is making her stage debut at the fringe by Fergus Morgan

US star Lyndsy Fonseca, known for her roles in films and TV shows including Kick-Ass, Desperate Housewives and How I Met Your

SOURCE: The Stage Registration at 12:16PM

Illegal review at Underbelly Cowgate, Edinburgh – ‘fundamentally flawed two-hander’ by Fergus Morgan

Jessica Phillippi’s Illegal offers two stories in one, both based on true stories. The first is a semi-autobiographical account of Phillipi’s battle

SOURCE: The Stage Registration at 10:15AM

Tricky Second Album review at Pleasance Dome, Edinburgh – ‘anarchic hour of performance art’ by Fergus Morgan

In 1994, avant-garde electronica band The KLF burned one million pounds. And no one, including its members, really knows why. Now, it’s

SOURCE: The Stage Registration at 06:39AM

Pops review at Assembly Roxy, Edinburgh – ‘devastatingly downbeat’ by Fergus Morgan

Charlotte Josephine’s new play, Pops, hits you like a train. It’s a poleaxing, two-handed depiction of a dysfunctional father-daughter relationship, driven by

SOURCE: The Stage Registration at 06:12AM
Tuesday, August 13, 2019

E8 review at Pleasance Dome, Edinburgh – ‘authentic but awkward’ by Fergus Morgan

There’s an urgency and intensity to Marika Mckennell’s E8, but there’s a clumsiness and a clunkiness, too. Developed by Oxford’s North Wall

SOURCE: The Stage Registration at 05:38AM
Monday, August 12, 2019

The Incident Room review at the Pleasance, Edinburgh – ‘intelligent and compelling’ by Fergus Morgan

Peter William Sutcliffe. The Yorkshire Ripper. The man who murdered 13 women in Yorkshire and Greater Manchester in the late 1970s. The

SOURCE: The Stage Registration at 10:30AM
Friday, August 9, 2019

It’ll Be Alt-Right On The Night review at Pleasance Courtyard, Edinburgh – ‘markedly mature’ by Fergus Morgan

Wound Up Theatre had a hit back in 2015 with Bismillah!, a tragi-comic two-hander featuring a friendship between an imprisoned British soldier

SOURCE: The Stage Registration at 06:44AM
Thursday, August 8, 2019

Bost-Uni Plues review Greenside, Infirmary Street, Edinburgh – ‘riotously fun, clown show’ by Fergus Morgan

The best three years of your life. That’s what people ceaselessly say about university. What they don’t mention is the anxiety, loneliness

SOURCE: The Stage Registration at 09:59AM

How To Be Brave review at Roundabout, Summerhall, Edinburgh – ‘fun but scrappy one-woman play’ by Fergus Morgan

Two years ago, Welsh company Dirty Protest Theatre brought Alan Harris’ one-man play Sugar Baby to the Paines Plough Roundabout. It was

SOURCE: The Stage Registration at 08:15AM

Community Circle review at Summerhall, Edinburgh – ‘warm but woolly social experiment’ by Fergus Morgan

Community Circle isn’t really a show. Or rather, it is a show – of course, it is – but it’s a show

SOURCE: The Stage Registration at 07:08AM
Wednesday, August 7, 2019

Art Heist review at Underbelly Cowgate, Edinburgh – ‘experimental comedy caper’ by Fergus Morgan

Art theft has long had a glamorous allure. Think of Vicenzo Peruggia making off with the Mona Lisa in 1911, or the

SOURCE: The Stage Registration at 06:47AM

Hyde and Seek review at Underbelly Cowgate, Edinburgh – ‘a hit-and-miss one-man adaptation’ by Fergus Morgan

There are several adaptations of Robert Louis Stevenson’s Dr Jekyll and Mr Hyde at this year’s festival – a musical version, a

SOURCE: The Stage Registration at 06:04AM
Tuesday, August 6, 2019

Who Cares review at Summerhall, Edinburgh – ‘tear-jerking throughout’ by Fergus Morgan

Long live Lung. The verbatim theatre company have carved a niche for themselves making vital, vibrant shows about pressing political issues. Trojan

SOURCE: The Stage Registration at 11:44AM

Boar review at Pleasance Courtyard, Edinburgh – ‘playful fantasy-adventure’ by Fergus Morgan

This is the second one-man work from Lewis Doherty. The first, last year’s Wolf, was a playful, cinematic, mime-heavy parody of a

SOURCE: The Stage Registration at 05:09AM
Monday, August 5, 2019

Pizza Shop Heroes review at Summerhall, Edinburgh – ‘energetic, knockabout ensemble’ by Fergus Morgan

Founded in 2015, Phosphorus Theatre has made a name for itself with a set of autobiographical shows created and performed by child

SOURCE: The Stage Registration at 12:16PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards