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Today’s top culinary stars view a past master on PBS’s ‘Dishing with Julia Child.’ Gail Obenreder reviews.
Who knew hues could be so riveting? Gail Obenreder reviews Kassia St. Clair’s colorful book.
Irish director Ben Barnes takes on American troubles with REP’s ‘Crucible.’ Gail Obenreder reviews.
The Crossing mixes it up to kick off #GLASSFEST, with the premiere of ‘Knee Plays,’ drawn from the music of Philip Glass and David Byrne. Gail Obenreder reviews.
Delaware Symphony players meet the Mendelssohns and Caroline Shaw with virtuosic joie di vivre. Gail Obenreder reviews.
The Mélomanie ensemble makes a chamber-music visit to Persia. Gail Obenreder reviews.
The Delaware Contemporary marks the centennial of the 19th Amendment in its own style, with an eye on women’s lenses in ‘Focal Points: Women Advancing the Aperture.’ Gail Obenreder rev…
The Chamber Orchestra of Philadelphia hails the glass harmonica to revive the Enlightenment—an appropriate sound for Philadelphia’s history. Gail Obenreder reviews.
Delaware Symphony plays works by Borodin, Elgar, and Rachmaninoff that had difficult premieres in their own times. Gail Obenreder reviews.
The Resident Ensemble Players take on the troubles of America in Michael Gotch’s latest play. Gail Obenreder reviews.
Fairy tales always have more going on under the surface, and a new exhibition at the Brandywine River Museum offers fresh, multicultural takes on three of our favorites. Gail Obenreder revie…
The first woman director of the National Gallery of Art has already been shaking up the field around the country. Kaywin Feldman offered a vision for museums of the future in a special lectu…
Climb aboard REP’s ‘Orient Express’ for a fabulous journey. Gail Obenreder reviews.
‘One November Yankee’ gets a bumpy landing at Delaware Theatre Company. Gail Obenreder reviews.
Victorian noir meets comic mayhem in DTC’s ‘Hound of the Baskervilles.’ Gail Obenreder reviews.
Mimi Lien and Pig Iron venture into society’s anomie with the curated Fringe’s ‘Superterranean.’ Gail Obenreder reviews.
‘Dead Man Walking’ is a moving, disturbing, gorgeous, and inspiring experience at OperaDelaware. Gail Obenreder reviews.
Family-friendly, but more than a kids' show, 'Honk!' paddles swimmingly into Delaware. Gail Obenreder reviews.
Does 'Inherit the Wind,' now staged with Newark’s REP, take us back to the future? Gail Obenreder reviews.
Contemporary playwright Chelsea Marcantel assays the great George Bernard Shaw for ‘Saint Joan,’ now onstage at Delaware Theatre Company. Gail Obenreder reviews.
Into the 21st-century woods we go with the Resident Ensemble Players' premiere of ‘Minor Fantastical Kingdoms’ at the University of Delaware. Gail Obenreder reviews.
It’s a long way back to the 1960s with 'A Sign of the Times," and DTC makes it a tuneful trip. Gail Obenreder reviews.
Walnut Street Theatre's holiday treat, 'Matilda the Musical,' features fine performances and agile direction. Gail Obenreder reviews.
All the elements combine to make REP's production of Alan Ayckbourn's 'Woman in Mind' a fantastic evening of theater. Gail Obenreder reviews.
It's quite a moment to be mounting a production of Shakespeare's 'The Merchant of Venice,' but Delaware Shakespeare did — and took it on the road. Gail Obenreder reviews.
At Delaware Theatre Company, 'Fully Committed,' gets the full commitment of actor Kraig Swartz in a zippy, hilarious solo performance. Gail Obenreder reviews.
Dysfunctional group dynamics are on full display in Villanova Theatre's 'The Book Club Play.' Gail Obenreder reviews.
The Resident Ensemble Players bring a first-rate production of Conor McPherson's 'The Seafarer' to Delaware. Gail Obenreder reviews.
Bruce Graham's world premiere 'Sanctions' at Delaware Theatre Company tackles college sports and campus sexual assault in a strong production. Gail Obenreder reviews.
University of Delaware's Resident Ensemble Players bring back the old chestnut 'Lettice and Lovage' and find it's still pretty tasty. Gail Obenreder reviews.
What do inanimate objects demand for themselves? This performative installation in the Curated Fringe lets them speak. Gail Obenreder reviews.