All stories by Mark Shenton on BroadwayStars

Friday, March 17, 2017

Mark Shenton’s top 10 classical directors by Mark Shenton

David Hare recently railed against European directors who “distort” classic plays in a way that is beginning, he said, to infect British

SOURCE: The Stage Registration at 03:00AM
Thursday, March 16, 2017

The Frogs review at Jermyn Street Theatre, London – ‘considerable gusto and charm’ by Mark Shenton

Here’s a real musical rarity. Sondheim and Burt Shevelove had a big 1960s Broadway and West End hit with A Funny Thing

SOURCE: The Stage Registration at 06:00PM

Casting Announced for London Summer Revival of On the Town by Mark Shenton

Danny Mac, Fred Haig, and Jeremy Taylor will star as, respectively, Gabey, Chip, and Ozzie.

SOURCE: Playbill at 09:59AM

Pete Townshend Writes New Songs for U.K. Touring Production of The Who’s Tommy by Mark Shenton

The new production stars original cast member Peter Straker as the Acid Queen.

SOURCE: Playbill at 09:37AM

La Cage Aux Folles review, New Wimbledon Theatre, London – ‘blissful, razor-sharp choreography’ by Mark Shenton

This Broadway musical, based on a French stage farce, caused a revolution when it first premiered in 1983. A family entertainment that

SOURCE: The Stage Registration at 06:35AM

Mark Shenton: 14 unforgettable stage debuts by Mark Shenton

As The Stage Debut Awards launch, Mark Shenton looks back at those who made an immediate impression… Judi Dench (1957) Dench made her

SOURCE: The Stage Registration at 04:00AM

The Zellnik brothers: ‘Yank! is a rare example of a show saved by a critic’ by Mark Shenton

Musicals can take their time to reach an audience. Dreamgirls – a smash hit on Broadway when it premiered there in 1981

SOURCE: The Stage Registration at 03:00AM
Wednesday, March 15, 2017

Yank!
 review at Hope Mill Theatre, Manchester – ‘real sincerity’ by Mark Shenton

Manchester’s fast-rising Hope Mill Theatre has been open for a little over a year but has already lined up a transfer for

SOURCE: The Stage Registration at 06:00PM

Edinburgh International Festival Program for 2017 Announced by Mark Shenton

Zinnie Harris, Edinburgh playwright and novelist, is represented in three works.

SOURCE: Playbill at 09:58AM

New Alan Ayckbourn Play to Premiere at Edinburgh Ahead of London Transfer by Mark Shenton

The Divide will run August 8-20 at Edinburgh’s King’s Theatre.

SOURCE: Playbill at 09:06AM
Tuesday, March 14, 2017

Stepping Out review at the Vaudeville Theatre, London – ‘wit and warmth’ by Mark Shenton

Thirty-three years after it won an Evening Standard award for best comedy, Stepping Out is putting its frequently. if intentionally, uncertain foot

SOURCE: The Stage Registration at 07:00PM

Lost Without Words at National Theatre, London – ‘a daring theatrical experiment’ by Mark Shenton

There’s something both fearless and frightening about Lost Without Words, Improbable’s latest bold theatrical experiment in improvisatory performance. It sends five elderly

SOURCE: The Stage Registration at 08:04AM

Mark Shenton: Pulling Lyn Gardner’s blog is another nail in the coffin of arts journalism by Mark Shenton

I’ve often written about how endangered arts journalism is in mainstream national newspapers. As a supposedly niche interest (even if more people

SOURCE: The Stage Registration at 03:00AM
Monday, March 13, 2017

Honeymoon in Vegas review at London Palladium – ‘joyful and thrilling’ by Mark Shenton

The London Musical Theatre Orchestra, founded in June 2015, presents its most ambitious and revelatory work to date: the UK premiere for

SOURCE: The Stage Registration at 06:54AM

Mark Shenton’s week: Gang of snore and a Spamilton surprise by Mark Shenton

For once, the person snoring loudly behind me at a first night last week wasn’t a fellow critic, but the guest of

SOURCE: The Stage Registration at 03:00AM
Sunday, March 12, 2017

Come from Away review at Gerald Schoenfeld Theatre, New York – ‘daring and originality’ by Mark Shenton

This is the busiest Broadway season for musicals in recent memory. There are 10 new titles debuting there across the year, but

SOURCE: The Stage Registration at 11:00PM

The Miser review at Garrick Theatre, London – ‘over-cooked and under-nourished’ by Mark Shenton

One of life’s more resourceful misers might turn stale brioche loaves into chocolate brioche pudding, with a recipe stating “the staler the

SOURCE: The Stage Registration at 08:01PM
Saturday, March 11, 2017

What’s Hot in London: March 11–17 by Mark Shenton

How did critics review two stage classics, and who topped the Olivier nominations?

SOURCE: Playbill at 12:00AM
Friday, March 10, 2017

Olivier Awards to be Hosted by U.K. Stage and TV Comedian Jason Manford by Mark Shenton

The annual ceremony is set for April 9 at Royal Albert Hall.

SOURCE: Playbill at 11:17AM

Mark Shenton’s top 10 musicals based on Shakespeare by Mark Shenton

This week, Tom Stoppard’s Rosencrantz and Guildenstern Are Dead returned to the Old Vic, a month shy of 50 years since it

SOURCE: The Stage Registration at 02:00AM
Thursday, March 9, 2017

Who’s Afraid of Virginia Woolf? review starring Imelda Staunton at the Harold Pinter Theatre, London – ‘utterly heartbreaking’ by Mark Shenton

Nobody mines alternating notes of fury and desolation as Imelda Staunton does. Nor strikes such opposing forces of resilience and hopelessness. After

SOURCE: The Stage Registration at 06:53PM

Manchester International Festival Announces 2017 Slate of New Commissions and World Premieres by Mark Shenton

Season includes work by Jane Horrocks and Simon Stephens.

SOURCE: Playbill at 09:35AM

Mark Shenton: Arthur Darvill and Samantha Barks on their Honeymoon in London by Mark Shenton

Broadway is this year already sending two 2015 US musical hits, An American in Paris (now previewing at the Dominion Theatre before opening

SOURCE: The Stage Registration at 02:00AM
Tuesday, March 7, 2017

Rosencrantz and Guildenstern Are Dead starring Daniel Radcliffe – review at the Old Vic, London by Mark Shenton

Rosencrantz and Guildenstern are far from dead, but alive and well and back home at the Old Vic, where, just a month

SOURCE: The Stage Registration at 06:44PM

Brazilian Dance Musical Voices of the Amazon to Receive U.K. Premiere by Mark Shenton

Creators of the Grammy-nominated show INALA to present new dance show in London following run in Moscow.

SOURCE: Playbill at 11:47AM

Mark Shenton: Does the Oliviers’ judging process need a shake-up? by Mark Shenton

Complete objectivity is, of course, impossible to attain in any act of critical judgement, from reviews to awards. One person’s We Will

SOURCE: The Stage Registration at 06:41AM
Monday, March 6, 2017

Lauren Ward Will Join Sharon D. Clarke for Chichester’s Caroline, or Change by Mark Shenton

Casting has also been announced for Forty Years On.

SOURCE: Playbill at 09:34AM

Mikhail Baryshnikov to Bring One-Man Show to West End by Mark Shenton

The show will run at the Apollo Theatre in May.

SOURCE: Playbill at 09:27AM

Harry Potter and the Cursed Child Receives Record Olivier Nominations by Mark Shenton

Groundhog Day, Ed Harris, Cherry Jones, Glenn Close, Ian McKellen, and Dreamgirls star Amber Riley also nominated.

SOURCE: Playbill at 08:08AM
Saturday, March 4, 2017

Mark Shenton’s week: In Jake Gyllenhaal, a new musical star is born by Mark Shenton

I spent last week in New York, where the city has just begun what is undoubtedly the eight business weeks of the

SOURCE: The Stage Registration at 02:00AM

What’s Hot in London: March 4–10 by Mark Shenton

Olivier news, a cast album for Dreamgirls, and critics review Andrew Scott’s Hamlet and the U.K. debut of an Off-Broadway hit.

SOURCE: Playbill at 12:00AM