The Kingdom of the Shades, in Act III of La Bayadere, is one of classical ballet’s most famous corps scenes. In the
SOURCE: The Stage Registration at 05:24AMFrom samba-inspired workshops to dancing naked: Rachel Elderkin reviews a selection of the dance line up at Wilderness 2017. The post Round up: Dance at Wilderness 2017 appeared first on Exe…
SOURCE: exeuntmagazine.com at 06:19AMRachel Elderkin talks us through the dance shows being performed at this year's Wilderness festival. The post Wilderness 2017 appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 09:36AMThe bodies of three horses lie in a pile on the stage. Nine performers – eight men, one woman – stand over
SOURCE: The Stage Registration at 04:17AMLively and refreshing: Rachel Elderkin reviews the New English Ballet Theatre performing The Four Seasons and Other Modern Ballets. The post Review: New English Ballet Theatre at SadlerR…
SOURCE: exeuntmagazine.com at 08:13AMEight minutes is the time it takes for a photon – the fundamental particle of visible light – to travel from the
SOURCE: The Stage Registration at 10:24AMRichard Alston Dance Company’s latest programme sees the return of Alston’s 2004 work Gypsy Mixture alongside the recently created Chacony – but
SOURCE: The Stage Registration at 11:51AMCreated in 2001, Anne Teresa de Keersmaeker’s Rain has become one of her signature works. It’s set to Steve Reich’s Music for
SOURCE: The Stage Registration at 09:04AMJohn Boyne’s 2006 novel, The Boy in the Striped Pyjamas, about a young boy’s experiences in a concentration camp, met with criticism
SOURCE: The Stage Registration at 07:40AMChoreographer, sound and visual artist Darren Johnston aims to create immersive environments for his audience. As such, he has developed a virtual
SOURCE: The Stage Registration at 05:17AMAs night falls, a group of people gather under the concrete roof of a site near an east London car park. Come
SOURCE: The Stage Registration at 07:16AMChoreographer Sidi Larbi Cherkaoui is well known for his collaborative approach to dance and ongoing explorations of various styles. For Milonga, first
SOURCE: The Stage Registration at 06:44AMThis rousing mixed bill from the Royal Ballet opens with William Forsythe’s notoriously demanding work The Vertiginous Thrill of Exactitude. From the
SOURCE: The Stage Registration at 04:22AMWe are handed a small black envelope and asked to place any timekeeping devices inside – this includes phones. In silence we
SOURCE: The Stage Registration at 11:45AMJose Agudo initially performed as a flamenco dancer before training in contemporary and Kathak dance. Silk Road, the first full length production
SOURCE: The Stage Registration at 06:15AMAn space for imaginations to wander: James Thierree's surreal dance show is full of delights and enchantment. The post Review: The Toad Knew at Sadler’s Wells appeared first on Exeunt …
SOURCE: exeuntmagazine.com at 03:57AMMotionhouse makes highly physical and daring dance work, often performed outdoors. The set always plays a major role in the company’s work,
SOURCE: The Stage Registration at 11:03AMEar plugs are being offered to the audience on the way in. Brewband, part gig, part dance piece, is the work of
SOURCE: The Stage Registration at 11:22AMA series of hunched forms are draped in grey cloaks. They look like a landscape. A palpable tension runs through the figures
SOURCE: The Stage Registration at 11:01AMRosie Kay is known for the extensive research she conducts for her projects. Previous piece 5 Soldiers saw her dancers undertake training
SOURCE: The Stage Registration at 10:09AMDance company Aracaladanza has been a regular part of the Sadler’s Wells family weekend since 2008. The two-day event sees the building
SOURCE: The Stage Registration at 08:43AMMen and Girls Dance is undoubtedly a provocative title. But then this is a piece designed to challenge the preconceptions of its
SOURCE: The Stage Registration at 06:20AMAdrenalin-fuelled, beguiling, and vaguely Dionyisian: Rebecca Elderkin is frustrated by 2Faced Dance's uneven triple-bill. The post Review: RUN at The Place appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 09:30AMIt’s a decade since Jewels first entered the Royal Ballet’s repertoire as a full work and, in the year that sees the
SOURCE: The Stage Registration at 09:47AMTamara Rojo has created an ambitious programme. Featuring signature works of Pina Bausch, William Forsythe and Hans van Manen, it’s a triple
SOURCE: The Stage Registration at 07:48AMWayne McGregor’s Tree of Codes, a work which sees his company perform alongside dancers of the Paris Opera Ballet, is based upon
SOURCE: The Stage Registration at 07:09AMArthur Pita’s fairytale double-bill revels in the dark side of human nature. A macabre medley of fairytales, Stepmother features the petite, innocent-looking
SOURCE: The Stage Registration at 08:47AMDavid Bintley’s production of Cinderella for Birmingham Royal Ballet is, for the most part, a sparkling version of the traditional tale. But
SOURCE: The Stage Registration at 11:15AMAfter winning the International Award for his company’s touring work at The Stage Awards 2017, Early Adventures sees Matthew Bourne return to
SOURCE: The Stage Registration at 10:14AMThroughout 2016, choreographer Jonathan Burrows, composer Matteo Fargion and video maker Hugo Glendinning released a weekly video portrait of a selected dance
SOURCE: The Stage Registration at 08:19AMThis is the 28th edition of Resolution, the Place’s annual festival for contemporary dance. Showing three pieces a night across the six
SOURCE: The Stage Registration at 10:37AM
