Thursday, October 17, 2019
Wednesday, October 16, 2019
Tuesday, October 15, 2019
Thursday, October 10, 2019
This inaugural offering from the Coop squeezes whimsy, character comedy and ecological allegory into one crowded play.
Linked From The New York Times Subscription at 11:42PMTuesday, October 8, 2019
Monday, October 7, 2019
Wednesday, October 2, 2019
Gay dads and their “woke genius” daughter face the limitations of life in a patchy new play by Jeff Augustin.
Linked From The New York Times Subscription at 10:06PMTuesday, October 1, 2019
Brian Cox plays Lyndon B. Johnson at the height of his powers, when history decided to bring him down.
Linked From The New York Times Subscription at 10:12PMBen Brantley and Jesse Green respond to readers curious about the Tony race, hungry for happy fare, and heading to London.
Linked From The New York Times Subscription at 10:42AMThursday, September 26, 2019
A new work from one of the indisputably great directors is partly a tribute to theater and partly a warning about theatricality.
Linked From The New York Times Subscription at 10:33PMWednesday, September 25, 2019
As a work of high drama, Jesse Green writes, the Trump-Zelensky script lacks stagecraft and subtlety.
Linked From The New York Times Subscription at 06:48PMTuesday, September 24, 2019
Florian Zeller’s tiresome new play features Jonathan Pryce and Eileen Atkins as a long-married couple, one of whom may be dead.
Linked From The New York Times Subscription at 10:18PMMonday, September 23, 2019
In ‘runboyrun’ and ‘In Old Age,’ the latest installments of Mfoniso Udofia’s nine-play cycle, America is no place to hide from the past.
Linked From The New York Times Subscription at 11:18PMThursday, September 19, 2019
The epicenter of New York’s AIDS epidemic, St. Vincent’s (1849-2010) is the subject of a memorial service that’s also a play.
Linked From The New York Times Subscription at 10:12PMSunday, September 8, 2019
A new play argues that no one knows more about Shakespeare’s great tragedy than a man “born black in America.”
Linked From The New York Times Subscription at 10:06PMWednesday, September 4, 2019
Seven of this season’s Broadway and Off Broadway shows come from an eight-week theatrical powerhouse in Williamstown, Mass.
Linked From The New York Times Subscription at 06:54AMA new musical about a Filipino faith healer bringing “psychic surgery” to America expands the frontiers of the form.
Linked From The New York Times Subscription at 12:33AMMonday, September 2, 2019
With shrewd casting and amateur performers joining professionals onstage, a middling 1997 animated Disney musical becomes a pageant of civic engagement.
Linked From The New York Times Subscription at 05:06PMThursday, August 15, 2019
Bess Wohl’s daring, mysterious new play is a comedy of underparenting and a tragedy of selfishness. Or is it the other way around?
Linked From The New York Times Subscription at 10:42PMTuesday, August 13, 2019
A sumptuous Ibsen revival starring Uma Thurman and a knockout premiere by Adam Bock close the Williamstown season with a metaphysical “boo!”
Linked From The New York Times Subscription at 09:18AMWednesday, August 7, 2019
How does who you are affect how you see this Pulitzer Prize-winning drama? Two critics finally have the talk.
Linked From The New York Times Subscription at 10:18AMWednesday, July 31, 2019
As a lowly apprentice on a notorious flop, I got to see how the “Dark Prince” achieved his effects and cut his losses.
Linked From The New York Times Subscription at 07:42PMMonday, July 29, 2019
Better known for its classics, the Stratford Festival has long presented fine-tuned versions of Broadway musicals. This year: “Billy Elliot” and “Little Shop of Horrors.”
Linked From The New York Times Subscription at 04:18PMFriday, July 26, 2019
A follow-up to the startling and divisive “Nanette” is just as startling and probably just as divisive.
Linked From The New York Times Subscription at 05:12PMThursday, July 25, 2019
An Encores! Off-Center revival reveals the tantalizing cleverness and intractable faults of the 1997 (and 1999, 2003, 2004 and 2008) musical.
Linked From The New York Times Subscription at 03:06PMTuesday, July 23, 2019
Monday, July 22, 2019
This season’s wide-ranging offerings, including Shakespeare and “Little Shop of Horrors,” reveal the surprising root of our longest-lasting stories.
Linked From The New York Times Subscription at 02:36PMThursday, July 18, 2019
Halley Feiffer’s “Moscow Moscow Moscow Moscow Moscow Moscow” turns the master’s refined Russians into “Mean Girls.”
Linked From The New York Times Subscription at 11:06PMWednesday, July 10, 2019
How did a lush throwback like “People Will Say We’re in Love” become the lean, sexy, countrified number being sung today? Follow along as we break it down.
Linked From The New York Times Subscription at 07:24PMHow did a lush throwback like “People Will Say We’re in Love” become the lean, sexy, countrified number being sung today? Follow along as we break it down.
Linked From The New York Times Subscription at 04:54PMFriday, July 5, 2019
A new work — and revivals of a classic play and musical — are having a conversation about different kinds of incarceration.
Linked From The New York Times Subscription at 01:36PM 
