Thursday, June 20, 2019
April Matthis’s sensational performance anchors Lydia R. Diamond’s play about the first woman of any race to appear in a professional baseball game.
Linked From The New York Times Subscription at 11:42PMThursday, June 13, 2019
Despite its top creative team, an adaptation of the popular Sue Monk Kidd novel feels like a first draft.
Linked From The New York Times Subscription at 10:48PMTuesday, June 11, 2019
A delicious production of the great Shakespearean comedy starring Danielle Brooks and set squarely in our #MeToo and Black Lives Matter moment.
Linked From The New York Times Subscription at 10:54PMMonday, June 10, 2019
Swinging lights. Broadway beefs. Words of wisdom. And a restroom serenade. If only some of the highlights were on TV.
Linked From The New York Times Subscription at 01:12PMSunday, June 9, 2019
For decades, our photographers have gotten intimate access backstage. Peek in as they capture stars, before the show and before the mirror.
Linked From The New York Times Subscription at 09:12PMTuesday, June 4, 2019
Based on real events, the Steppenwolf Theater Company’s new play tells the story of a Chicago drag queen who throws her fabulous hat into the ring.
Linked From The New York Times Subscription at 05:36PMSunday, June 2, 2019
Working opposite ends of the volume spectrum, two musicals, the new “Six” and a reinterpreted “Next to Normal,” find their levels.
Linked From The New York Times Subscription at 01:12PMThursday, May 30, 2019
Audra McDonald and Michael Shannon star in a touching revival of Terrence McNally’s play about first and last chances.
Linked From The New York Times Subscription at 10:48PMTuesday, May 28, 2019
There’s plenty to enjoy in this adaptation of a 1984 movie set at a Long Island beach club. But plenty to fix, as well.
Linked From The New York Times Subscription at 06:24PMSunday, May 26, 2019
A new adaptation of “The Oresteia” reminds us that a 2,400-year-old work can still feel appallingly familiar.
Linked From The New York Times Subscription at 03:48PMThursday, May 23, 2019
Tuesday, May 21, 2019
Tuesday, May 14, 2019
At the center of Chisa Hutchinson’s one-woman play, written for Audible, is a love triangle with just one side in view.
Linked From The New York Times Subscription at 10:48PMAdventurous directors and galvanizing performances made for unexpected — and very welcome — departures on what once felt like the Staid White Way.
Linked From The New York Times Subscription at 08:54AMThe chief theater critics for The Times choose who they think should win and who should have been nominated.
Linked From The New York Times Subscription at 04:36AMFriday, May 10, 2019
Merciless comedy shades to delicate tragedy in a terrific playwriting debut from the poet and performer Aziza Barnes.
Linked From The New York Times Subscription at 01:04AMMonday, May 6, 2019
Women on the front lines of danger in 1963 were often pushed to the backbench of the civil rights movement. A new play gives them their due.
Linked From The New York Times Subscription at 06:36PMWednesday, May 1, 2019
A flamboyant artiste who danced nearly naked into his 80s gives one last performance in a new play from the Civilians.
Linked From The New York Times Subscription at 10:48PMTuesday, April 30, 2019
New York Times theater critics on a Tonys roster that highlighted originality, if not diversity, and made room for some welcome surprises.
Linked From The New York Times Subscription at 01:06PMThursday, April 25, 2019
Tuesday, April 23, 2019
Monday, April 22, 2019
Sunday, April 21, 2019
This comedic sequel to “Titus Andronicus” finds Nathan Lane and Kristine Nielsen cleaning up after a Shakespearean blood bath.
Linked From The New York Times Subscription at 09:45PMWednesday, April 17, 2019
After a downtown stop, a concept album based on Greek myths has become a full-scale Broadway entertainment.
Linked From The New York Times Subscription at 09:45PMMonday, April 8, 2019
The latest play from the Mad Ones finds the seeds of momentous social change in a 1979 focus group about a kids’ television show.
Linked From The New York Times Subscription at 09:45PMThursday, April 4, 2019
If the nuance-free singing doesn’t turn you against this revue of songs with lyrics by Oscar Hammerstein, perhaps his holographic ghost will do the trick.
Linked From The New York Times Subscription at 08:00PMWednesday, April 3, 2019
A revival of the Marc Blitzstein “play in music” about unions and kleptocrats is too wan to make much of the material’s contradictions.
Linked From The New York Times Subscription at 09:45PMSunday, March 31, 2019
“What the Constitution Means to Me,” the best new play of the Broadway season so far, rivetingly combines personal history and civic engagement.
Linked From The New York Times Subscription at 09:45PMWednesday, March 27, 2019
What if black people, sick of injustice, picked up and left the United States? An outrageous satire by Jordan E. Cooper imagines the possibility, and the loss.
Linked From The New York Times Subscription at 10:21PMMonday, March 25, 2019
What happens when the husband you thought you knew is discovered harboring a terrible secret? Maddie Corman learned the hard way.
Linked From The New York Times Subscription at 09:45PMThursday, March 21, 2019
How should we look at an old show with objectionable gender politics? As a historical curio, or as the next item on the cancel culture agenda?
Linked From The New York Times Subscription at 01:55PM 
