All stories by Cameron Kelsall on BroadwayStars

Tuesday, November 22, 2022

The Philadelphia Orchestra presents Gustav Holst’s The Planets by Cameron Kelsall

The Philadelphia Orchestra summoned the majesty of Gustav Holst’s The Planets, while remembering the legacy of a departed friend. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 07:32PM
Tuesday, November 15, 2022

Review: Downstate at Playwrights Horizons by Cameron Kelsall

Bruce Norris, "a brilliant button-pusher", wades into murky moral water with his latest play. Cameron Kelsall reviews. The post Review: Downstate at Playwrights Horizons appeared first on E…

SOURCE: exeuntnyc.com at 09:30PM
Tuesday, November 8, 2022

Wilma Theater presents Milo Cramer's School Pictures by Cameron Kelsall

Playwright and performer Milo Cramer offers an endearing portrait of the modern education system in School Pictures at the Wilma Theater. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 02:39PM
Monday, November 7, 2022

Theatre Exile presents Hansol Jung’s Wolf Play by Cameron Kelsall

Room to make inner feelings known: (L to R) Makoto Hirano, Matteo Scammell, and Keith Conallen in Theatre Exile’s ‘Wolf Play.’ (Photo by Paola Nogueras.)

SOURCE: Broad Street Review at 10:26AM
Monday, October 31, 2022

Curio Theatre Company presents Johnna Adams’s Gidion’s Knot by Cameron Kelsall

Sensitive subjects get short shrift in Gidion’s Knot, which opens the season at Curio Theatre Company. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 12:09PM
Thursday, October 27, 2022

Inis Nua Theatre Company presents Yasmine Akram’s 10 Dates With Mad Mary by Cameron Kelsall

Inis Nua’s Pop-Up Play in a Pub series returns with new leadership, and the lively American premiere of 10 Dates With Mad Mary. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 05:40PM
Monday, October 24, 2022

Arden Theatre Company presents Tennessee Willliams’s The Glass Menagerie by Cameron Kelsall

The Glass Menagerie is a delicate masterpiece, but falls flat due to misunderstanding in the Arden’s season opener production. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 11:55AM
Tuesday, October 4, 2022

The Philadelphia Orchestra presents Daniil Trifonov in its 2022-23 season opener by Cameron Kelsall

The dynamic pianist Daniil Trifonov headlined the Philadelphia Orchestra’s musically diverse and satisfying opening weekend concerts. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 11:21AM
Monday, September 19, 2022

Lantern Theater Company presents Travesties by Cameron Kelsall

Slack pacing and a dire piece of miscasting sink the Lantern’s season-opening production of Tom Stoppard’s Travesties. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 05:14PM
Monday, September 12, 2022

Philly Fringe 2022: IHT presents Dermot Bolger’s In High Germany and The Parting Glass by Cameron Kelsall

With In High Germany and The Parting Glass, a pair of plays by Dermot Bolger, Irish Heritage Theatre explores Ireland’s lost generation and one man’s enduring fealty to soccer. Cameron K…

SOURCE: Broad Street Review at 12:28PM
Saturday, September 10, 2022

Philly Fringe 2022: IRC presents Tennessee Williams’s The Two-Character Play by Cameron Kelsall

Idiopathic Ridiculopathy Consortium dives into the weird and wonderful world of Tennesse Williams’s The Two-Character Play as part of the Fringe Festival. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 12:38PM
Monday, August 22, 2022

Following the Philadelphia Orchestra to its summer residency in Saratoga Springs, NY by Cameron Kelsall

After a season of covering the Philadelphia Orchestra at Verizon Hall, music critic Cameron Kelsall followed it to Saratoga Springs, New York. Programs spanning Beethoven to Barber and Valer…

SOURCE: Broad Street Review at 02:21PM
Thursday, August 18, 2022

The Kimmel Cultural Campus presents the national tour of Dear Evan Hansen by Cameron Kelsall

Once a cultural phenomenon, Dear Evan Hansen now feels manipulative and misguided as its national tour plays Philadelphia. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 03:33PM
Monday, August 15, 2022

People’s Light presents Bess Wohl’s Grand Horizons by Cameron Kelsall

Grand Horizons at People’s Light explores the fallout from the end of a long marriage, but Bess Wohl’s boulevard comedy chooses cheap laughs over high stakes. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 01:51PM
Monday, June 20, 2022

EgoPo Classic Theater presents Sam Shepard’s Curse of the Starving Class by Cameron Kelsall

EgoPo Classic Theater finally concludes its survey of Sam Shepard with his brutal, bitingly funny Curse of the Starving Class. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 02:47PM
Friday, June 10, 2022

Quintessence Theatre Group presents Alexandre Dumas fils’s Camille by Cameron Kelsall

Despite a stylish physical production, Quintessence Theatre’s Camille lacks the passion of traditional melodrama and the perspective needed for a contemporary reinvention. Cameron Kelsall …

SOURCE: Broad Street Review at 04:14PM
Thursday, June 9, 2022

Arden Theatre Company presents Stephen Sondheim and James Lapine’s Into the Woods by Cameron Kelsall

The Arden takes another trip Into the Woods, with delightful and poignant results. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 03:03PM
Thursday, May 26, 2022

Theatre Horizon presents Gracie Gardner’s Athena by Cameron Kelsall

Fencing and friendship are equally dangerous sports in Athena, a razor-sharp coming-of-age comedy at Theatre Horizon. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 04:35PM
Tuesday, May 10, 2022

Review: Which Way to the Stage at MCC by Cameron Kelsall

Ana Nogueira pens "a love letter to the geeks, queerdos, and obsessives" and their complicated relationship with musical theatre and each other. Cameron Kelsall reviews. The post Review: Wh…

SOURCE: exeuntnyc.com at 08:00PM
Monday, May 2, 2022

The Philadelphia Orchestra presents Gil Shaham playing Vivaldi's Four Seasons by Cameron Kelsall

The Philadelphia Orchestra’s string players took the spotlight in a performance anchored by Vivaldi’s The Four Seasons, with guest soloist Gil Shaham. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 12:45PM
Monday, April 25, 2022

Review: The Skin of Our Teeth at the Vivian Beaumont Theater by Cameron Kelsall

Thornton Wilder's ever-relevant play returns in a powerful, but inconsistent revival at Lincoln Center. Cameron Kelsall reviews. The post Review: The Skin of Our Teeth at the Vivian Beaumon…

SOURCE: exeuntnyc.com at 10:00PM

Philadelphia Theatre Company presents Madeline Sayet’s Where We Belong by Cameron Kelsall

In Where We Belong, a compelling but uneven solo work at Philadelphia Theatre Company, Madeline Sayet explores what it means to study Shakespeare from an Indigenous perspective. Cameron Kels…

SOURCE: Broad Street Review at 01:41PM

Review: Lucia di Lammermoor at the Metropolitan Opera by Cameron Kelsall

The Met premieres another new production of Donizetti's opera, this time in the hands of Australian auteur Simon Stone. Cameron Kelsall reviews. The post Review: Lucia di Lammermoor at the …

SOURCE: exeuntnyc.com at 12:58PM
Thursday, March 24, 2022

Curio Theatre Company presents Lanie Robertson’s Lady Day at Emerson’s Bar and Grill by Cameron Kelsall

Lady Day at Emerson’s Bar and Grill at Curio Theatre offers a complex, entertaining portrait of Billie Holiday’s final Philadelphia performance. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 12:21PM
Friday, March 11, 2022

Arden Theatre Company presents R. Eric Thomas’s Backing Track by Cameron Kelsall

In Backing Track, a world premiere at the Arden, R. Eric Thomas offers a warm, witty portrait of a multigenerational Black queer family. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 01:59PM
Tuesday, March 8, 2022

Theatre Horizon presents James Ijames’s TJ Loves Sally 4 Ever by Cameron Kelsall

TJ Loves Sally 4 Ever, a world premiere from James Ijames at Theatre Horizon, asks its characters, and its audience, to wrestle with the complicated concept of inheritance. Cameron Kelsall r…

SOURCE: Broad Street Review at 03:15PM
Monday, March 7, 2022

Isis Productions presents Marsha Norman’s ’Night, Mother by Cameron Kelsall

Despite strong performances, Marsha Norman’s ’Night, Mother shows its age in a staging from Isis Productions. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 03:10PM
Monday, February 21, 2022

The Chamber Orchestra of Philadelphia presents Brandenburg & the Baroque by Cameron Kelsall

Conductor Jeffrey Brillhart and the Chamber Orchestra of Philadelphia highlighted the diversity of early modern music, showing how much vigor still resides in these oft-dismissed composition…

SOURCE: Broad Street Review at 06:11PM
Friday, February 11, 2022

The Kimmel Cultural Campus presents the national tour of Hadestown by Cameron Kelsall

The touring production of Hadestown, a wildly popular retelling of the Orpheus and Eurydice myth, arrives at the Academy of Music with energy and verve. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 12:43PM
Friday, February 4, 2022

Quintessence Theatre Group presents Seamus Heaney’s The Cure at Troy by Cameron Kelsall

Quintessence Theatre offers a modern, vibrant riff on Sophocles with Seamus Heaney’s The Cure at Troy. Cameron Kelsall reviews.

SOURCE: Broad Street Review at 01:27PM
Monday, January 31, 2022

The Philadelphia Orchestra presents Daniele Rustioni by Cameron Kelsall

Mussorgsky’s vivid Pictures at an Exhibition and a remarkable concerto by local composer Ke-Chia Chen enlivened the Philadelphia Orchestra’s most recent concerts, led by debuting conduct…

SOURCE: Broad Street Review at 03:51PM

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