All stories by David Benedict on BroadwayStars

Friday, August 30, 2019

David Benedict: Make time for Sondheim – why Linklater’s 20-year Merrily is the reel deal by David Benedict

Musical theatre is good for your health. Look at Jule Styne, composer of Gentlemen Prefer Blondes, Gypsy and beyond. He was working

SOURCE: The Stage Registration at 01:18PM
Wednesday, August 28, 2019

David Benedict: How to avoid turning Romeo and Juliet into musical farce by David Benedict

Angela Lansbury, furiously lit up with self-belief, slaying the audience as she devoured Rose’s Turn in Gypsy; Elaine Stritch weaving seamlessly in

SOURCE: The Stage Registration at 02:18AM
Wednesday, August 21, 2019

David Benedict: Like Leicester Curve’s The Entertainer, some shows are ripe for reinvention by David Benedict

In the Olympics of Great Movie Taglines, I long ago declared a dead heat between the two horror pictures The Dentist 2

SOURCE: The Stage Registration at 02:00AM
Wednesday, August 14, 2019

David Benedict: Awards should bring in experts to illuminate the judges’ decisions by David Benedict

Anyone lucky enough to have seen Ian Rickson’s magnetic recent production of Duncan Macmillan’s version of Ibsen’s Rosmersholm at the Duke of

SOURCE: The Stage Registration at 02:00AM
Tuesday, August 6, 2019

David Benedict: Hal Prince was a theatre visionary when a producer really produced by David Benedict

Long before the current row about the Society of London Theatre possibly limiting the number of producers eligible for Olivier award statuettes,

SOURCE: The Stage Registration at 11:00AM
Wednesday, July 31, 2019

David Benedict: Star wars – why ratings should be banned from theatre reviews by David Benedict

At the risk of appearing pernickety (or, intriguingly, for American readers, persnickety) there are theatreland words and phrases I truly loathe. Jostling

SOURCE: The Stage Registration at 02:00AM
Wednesday, July 24, 2019

David Benedict: Tabby or not tabby – Cats trailer shows film lacks theatrical touch by David Benedict

“Everybody’s pickin’ up on that feline beat.” That was Floyd Huddleston and Al Rinker’s thinking in 1970 when they wrote the line

SOURCE: The Stage Registration at 02:00AM
Wednesday, July 17, 2019

David Benedict: Les Mis is not the only classic show to beat the vicissitudes of time by David Benedict

Regrets, as Frank Sinatra was given to singing, I’ve had a few, but then again is missing the musical Time among them?

SOURCE: The Stage Registration at 02:00AM
Wednesday, July 10, 2019

David Benedict: It’s not just shows, theatres thrive on imaginative reworkings too by David Benedict

While some musical theatre aficionados, myself included, know more than our fair share about queens, we know rather less about the Queen’s.

SOURCE: The Stage Registration at 02:00AM
Monday, July 8, 2019

West End musician Mike Davis: ‘In a theatre pit, virtually every player is a soloist’ by David Benedict

Multi-instrumentalist Mike Davis has played for shows from Follies and Gypsy to Grease and Everybody’s Talking About Jamie. He tells David Benedict

SOURCE: The Stage Registration at 06:00AM
Wednesday, July 3, 2019

David Benedict: Is gender-fluid casting finally going mainstream? by David Benedict

“Never does one understand so well the failure of women in art as when one sees them deliberately impersonating men upon the

SOURCE: The Stage Registration at 02:00AM
Wednesday, June 26, 2019

David Benedict: When it comes to musicals, the place is the thing by David Benedict

Over an eye-widening 32 seasons, Kirstie and Phil have consistently reminded us of the importance of location, location, location. What they have

SOURCE: The Stage Registration at 02:00AM
Wednesday, June 19, 2019

David Benedict: What’s in name? The key to a box office hit… by David Benedict

It was songwriter Irving Berlin who, in 1946 for his Annie Get Your Gun, taught the world that: “There’s no business like

SOURCE: The Stage Registration at 02:00AM
Wednesday, June 12, 2019

David Benedict: Going back in time is a complicated business by David Benedict

When someone buys me a theatrical time machine, the first place I shall travel to will be the opening of Harold Pinter’s

SOURCE: The Stage Registration at 02:00AM
Wednesday, June 5, 2019

David Benedict: Downton Abbey effect shows the highs and lows of star casting by David Benedict

Theatre, in days gone by, made its own stars. Neon lights shone with the names of actors whose careers had been made

SOURCE: The Stage Registration at 02:00AM
Wednesday, May 29, 2019

David Benedict: Theatre loves nothing more than a discovery – unless it’s a rediscovery by David Benedict

“Ladies, this is your final call.” Emilia, the rumbustious, fiercely feminist biographical drama of Shakespeare’s ‘dark lady of the sonnets’, closes on

SOURCE: The Stage Registration at 02:00AM
Wednesday, May 22, 2019

David Benedict: What makes a good musical? The book, the book, the book by David Benedict

Musical theatre quiz: hands up who knows the names and jobs of Roger Allers and Irene Mecchi. Hint: their work has been

SOURCE: The Stage Registration at 02:00AM
Wednesday, May 15, 2019

David Benedict: Did Arthur Miller’s Jewish identity inform many of his plays? by David Benedict

“I do not at any point, in any way whatsoever, think of myself as a Jewish writer, except that I happen to

SOURCE: The Stage Registration at 02:00AM
Wednesday, May 8, 2019

David Benedict: Musicals need great singers far more than they need stars by David Benedict

I’m guessing that not many of you know the name Ervin Drake, but he wrote Frank Sinatra’s regretful hit It Was a

SOURCE: The Stage Registration at 02:00AM
Wednesday, May 1, 2019

David Benedict: Did Three Sisters suffer from the critical hangover effect? by David Benedict

I’ve always considered it a shame that although one can emerge from the theatre disappointed, in the opposite circumstance one cannot say:

SOURCE: The Stage Registration at 02:00AM
Wednesday, April 24, 2019

David Benedict: Theatre should tune into BBC Proms for ways to boost accessibility by David Benedict

I was 11 years old, terrified in a strange building and I blame Antony Hopkins. No, not the one who played Hannibal

SOURCE: The Stage Registration at 02:00AM
Wednesday, April 17, 2019

David Benedict: Form matters as much as content by David Benedict

Nominated for the 1991 Booker prize, Reading Turgenev by the late, great Irish novelist William Trevor lost out to Ben Okri’s The

SOURCE: The Stage Registration at 02:00AM
Tuesday, April 9, 2019

David Benedict: Why is the Oliviers judging process so opaque? by David Benedict

“Who are the judges?” At least three high-profile nominees at Sunday’s Olivier awards asked me that question. They weren’t asking it out

SOURCE: The Stage Registration at 06:50AM
Thursday, April 4, 2019

Top Girls review at National Theatre, London – ‘underpowered revival of Caryl Churchill’s masterpiece’ by David Benedict

“I think the Eighties are going to be stupendous.” That’s the moment when the capital P political dimension of Caryl Churchill’s most

SOURCE: The Stage Registration at 06:20AM
Wednesday, April 3, 2019

David Benedict – ‘I’m with Sondheim – Why can’t they do the last night first?’ by David Benedict

Having caught the Lucinda Coxon adaptation of Harriet Lane’s novel Alys, Always during its final week at London’s Bridge Theatre – reader,

SOURCE: The Stage Registration at 02:00AM
Wednesday, March 27, 2019

David Benedict: Great musicals like Mamma Mia! confound the haters by David Benedict

“I hate musicals, I hate ’em.” So said Richard Hawley in an interview quoted last week on BBC Radio 4’s Front Row.

SOURCE: The Stage Registration at 03:00AM
Wednesday, August 29, 2018

Caryl Churchill at 80 – celebrating UK theatre’s ‘ultimate playwright’ by David Benedict

Leading theatremakers including Vicky Featherstone, Rufus Norris, Dominic Cooke and Maxine Peake tell David Benedict about the writer’s influence on their work

SOURCE: The Stage Registration at 06:08AM
Thursday, June 7, 2018

My Name is Lucy Barton, Bridge Theatre, review - Laura Linney is luminous in a flawless production by David Benedict

Stage adaptation of Elizabeth Strout's novel is a one-woman tour de forceIn Harold Pinter’s memory play Old Times, one of the women declares, “There are some things one remembers ev…

SOURCE: theartsdesk.com at 02:54AM
Wednesday, May 30, 2018

Consent, Harold Pinter Theatre review - exhilarating by David Benedict

The stakes are high in the West End transfer of Nina Raine's play about marriage, rape and the law Question: is Consent, transferred from the National to the West End, a sharp-tongued c…

SOURCE: theartsdesk.com at 04:12AM
Thursday, March 29, 2018

The Inheritance, Young Vic review - a long day’s journey into light by David Benedict

One part Angels in America to six parts Howards EndAbout a decade ago, theatre-makers started routinely describing themselves as being in the business of storytelling.

SOURCE: theartsdesk.com at 03:57AM
Sunday, February 11, 2018

'Why we understand each other': Peter Gill on The York Realist by David Benedict

The playwright-director reflects on his 1999 play, revived at the Donmar and Sheffield CrucibleFingers on buzzers… Question: What’s the connection between Days of Wine and Roses, Small C…

SOURCE: The Arts Desk at 09:00PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards