All stories by Gary Naylor on BroadwayStars

Saturday, May 27, 2017

BWW Review: JAM, Finborough Theatre by Gary Naylor

Jam, Matt Parvin's first play, shows promise but cannot overcome its structural and narrative problems to deliver its full potential.

SOURCE: BroadwayWorld at 05:46AM
Thursday, May 25, 2017

BWW Review: THE MIKADO, Richmond Theatre by Gary Naylor

The Mikado is as much as ever in this all male version that showcases the great songs with some fine voices.

SOURCE: BroadwayWorld at 02:25PM
Monday, May 22, 2017

FAVOURITE SONGS: 'Hello, Dolly!', HELLO, DOLLY! by Gary Naylor

Continuing our series of favourite musical theatre songs is Carol Channing's version of 'Hello, Dolly'

SOURCE: BroadwayWorld at 04:42AM
Saturday, May 20, 2017

BWW Review: OTHELLO, Wilton's Music Hall by Gary Naylor

Othello's extraordinary tapestry of human vulnerabilities, brilliantly woven in Richard Twyman's brutal production, remains as relevant today as ever.

SOURCE: BroadwayWorld at 06:36AM
Thursday, May 18, 2017

BWW Review: TEETH 'N' SMILES, Stockwell Playhouse by Gary Naylor

Teeth 'n' Smiles is an early work by Sir David Hare, tracking a punk band's disastrous night playing Jesus College Cambridge's 1978 May Ball.

SOURCE: BroadwayWorld at 12:44PM
Tuesday, May 16, 2017

BWW Review: RICHARD III, Arcola Theatre by Gary Naylor

Greg Hicks' Richard III twists and turns his evil until he's left with nobody to hate, screaming for a horse and escape.

SOURCE: BroadwayWorld at 08:33AM
Saturday, May 13, 2017

BWW Review: 110 IN THE SHADE, Ye Olde Rose and Crown Theatre by Gary Naylor

110 In The Shade is both old-fashioned and bang up to date, full of pleasing songs, fine performances and a heartwarming message of love and hope.

SOURCE: BroadwayWorld at 04:54AM
Wednesday, May 10, 2017

BWW Review: OCCUPATIONAL HAZARDS, Hampstead Theatre by Gary Naylor

Occupational Hazards portrays the chaos of post-Saddam Iraq through the eyes of Rory Stewart, who was there and who tried.

SOURCE: BroadwayWorld at 02:48PM
Saturday, May 6, 2017

BWW Review: COSMIC TRIGGER THE PLAY, Cockpit Theatre by Gary Naylor

Cosmic Trigger The Play is an exhilarating event that entertains and educates, full of fun but never losing the serious dimension to Robert Anton Wilson's work.

SOURCE: BroadwayWorld at 08:34AM
Thursday, May 4, 2017

BWW Review: VOICES FROM CHERNOBYL, Jack Studio Theatre by Gary Naylor

Voices From Chernobyl reminds us of a largely forgotten disaster and the terrible human cost, a price still being paid today.

SOURCE: BroadwayWorld at 06:06PM
Sunday, April 30, 2017

BWW Review: HOME TRUTHS, The Bunker Theatre by Gary Naylor

Home Truths nine plays paint a picture of chaotic and cruel housing policies that have shafted the poor for decades with little sign of any change coming - and it's also funny, warm and clev…

SOURCE: BroadwayWorld at 06:12AM
Saturday, April 29, 2017

BWW Review: DIVINE CHAOS OF STARRY THINGS, White Bear Theatre by Gary Naylor

Divine Chaos Of Starry Things is so concerned about the politics of revolution, colonialism and feminism that the stuff of drama is lost.

SOURCE: BroadwayWorld at 05:42AM
Tuesday, April 25, 2017

BWW Review: THE BRAILLE LEGACY, Charing Cross Theatre by Gary Naylor

The Braille Legacy tells the story of Louis Braille's fight for his system that allowed blind people to read by touch - music good, but book and lyrics lack excitement.

SOURCE: BroadwayWorld at 03:00PM
Monday, April 24, 2017

BWW Review: NUCLEAR WAR, Royal Court by Gary Naylor

Nuclear War comprises elements of drama, dance, mime and song to create a dystopian vision of an alienating present that seemed both overly familiar and hazily unfocused.

SOURCE: BroadwayWorld at 11:36AM
Sunday, April 23, 2017

BWW Review: NUCLEAR WAR, Jerwood Theatre Upstairs, The Royal Court by Gary Naylor

Nuclear War comprises elements of drama, dance, mime and song to create a dystopian vision of an alienating present that seemed both overly familiar and hazily unfocused.

SOURCE: BroadwayWorld at 07:54AM
Wednesday, April 19, 2017

BWW Review: WHISPER HOUSE, The Other Palace by Gary Naylor

Whisper House comprises some lovely songs beautifully sung, but lacks the narrative drive one expects in musical theatre.

SOURCE: BroadwayWorld at 02:22PM
Thursday, April 13, 2017

BWW Review: 2 BECOME 1, King's Head Theatre by Gary Naylor

It's back to the 90s at the King's Head for a show brimming with that decade's biggest hits sung wonderfully well.

SOURCE: BroadwayWorld at 01:24PM
Sunday, April 9, 2017

BWW Review: MACBETH, Jack Studio Theatre by Gary Naylor

Macbeth's grim pursuit of power, with his Lady prompting and then agonising in the background, is brought to life in this low budget, committed production.

SOURCE: BroadwayWorld at 07:31AM
Sunday, April 2, 2017

BWW Review: HONK!, Union Theatre by Gary Naylor

Honk is a musical adaptation of Hans Christian Andersen's The Ugly Duckling with an important message about bullying gently sugar-coated with musical numbers and light comedy.

SOURCE: BroadwayWorld at 05:02AM
Saturday, April 1, 2017

BWW Review: THE MUTANT MAN, The Space Arts Centre by Gary Naylor

The Mutant Man is a fractured, multi-layered telling of a true story of a man who was born as a woman and how his treatment at the hands of an exploitative, unenlightened society led to trag…

SOURCE: BroadwayWorld at 11:02AM
Thursday, March 30, 2017

BWW Review: THE LIFE, Southwark Playouse by Gary Naylor

The Life is the story of two women living in New York in the 70s, one keen to get out of the sex workers' life, the other keen to get on, told through wonderful songs, beautifully sung.

SOURCE: BroadwayWorld at 11:36AM
Wednesday, March 29, 2017

BWW Review: ADAM & EVE... AND STEVE, King's Head Theatre by Gary Naylor

Adam amp Eve... and Steve has a bit of panto, a bit of the Edinburgh FRinge and a whole lot of great songs, but not quite the musical chops to reach its full potential.

SOURCE: BroadwayWorld at 11:22AM
Tuesday, March 28, 2017

BWW Review: THE WIPERS TIMES, Arts Theatre by Gary Naylor

The Wipers Times tells the story of an underground magazine, written on the Western Front by soldiers for soldiers, the articles packed with good humour and a touch of irreverence.

SOURCE: BroadwayWorld at 12:18PM
Thursday, March 23, 2017

BWW Review: DARK VANILLA JUNGLE, Theatre N16 by Gary Naylor

Philip Ridley's dystopian nightmare has moments of poetry and humour but is ultimately just too relentlessly grim and must be endured rather than enjoyed.

SOURCE: BroadwayWorld at 11:36AM
Monday, March 20, 2017

BWW Review: MY BRILLIANT FRIEND PARTS 1 & 2, Rose Theatre by Gary Naylor

Naples is brought to London, as we track the extraordinary lives of Lila and Lenu in an adaptation of Elena Ferrante's Neapolitan novels that overreaches itself.

SOURCE: BroadwayWorld at 04:18PM
Sunday, March 19, 2017

BWW Review: THREESOME, UNION Theatre by Gary Naylor

Threesome is often crude, sometimes boldly empowering and occasionally shows a glimpse of something more sophisticated emerging, but ultimately falls a little short on laughs.

SOURCE: BroadwayWorld at 02:36PM
Saturday, March 18, 2017

BWW Review: ROMAN TRAGEDIES, Barbican Theatre by Gary Naylor

Extraordinary, astonishing, unmissable five star production that brings three of Shakespeare's plays up to date in an electrifying production that should not be missed.

SOURCE: BroadwayWorld at 03:32AM
Thursday, March 16, 2017

BWW Review: AFTER PARTY, Pleasance Theatre by Gary Naylor

After Party sees tensions, long since buried, bubble to the surface, as one of the old gang returns from prison to settle old scores and reclaim what he believes to be his.

SOURCE: BroadwayWorld at 08:45PM
Wednesday, March 15, 2017

BWW Review: SEVENTEEN, Lyric Hammersmith by Gary Naylor

Seventeen captures a cathartic moment in young people's lives - the last day at school - but does not reach its potential due to a largely lacklustre script.

SOURCE: BroadwayWorld at 11:42AM
Tuesday, March 14, 2017

BWW Review: LIMEHOUSE, Donmar Warehouse by Gary Naylor

Limehouse focuses on the events concerning the founding of the Social Democratic Party the SDP and the drafting of the Limehouse Declaration that led to it. Many, many parallels with today's…

SOURCE: BroadwayWorld at 09:42AM
Monday, March 13, 2017

BWW Review: OVERTRUE LIVE - THE MUSIC OF DANIEL AND LAURA CURTIS, The Hippodrome by Gary Naylor

Daniel and Laura Curtis showcase their current album, Overture, and give us a glimpse or two of emerging work, the songs belted out by A list West End performers.

SOURCE: BroadwayWorld at 08:48AM

All that Chat