All stories by George Hall on BroadwayStars

Wednesday, September 18, 2019

Werther review at Royal Opera House, London – ‘fails to catch fire’ by George Hall

Now in his mid-40s, Peruvian star tenor Juan Diego Flórez has enjoyed a brilliant career specialising in bel canto roles and especially

SOURCE: The Stage Registration at 06:52AM
Tuesday, September 17, 2019

Don Giovanni review at Royal Opera House, London – ‘an unforgettable performance by Erwin Schrott’ by George Hall

Kasper Holten’s legacy to the Royal Opera includes this 2014 production of Mozart’s dark comedy, which had a pretty mixed reception first

SOURCE: The Stage Registration at 06:25AM
Tuesday, September 3, 2019

Opera North: The Leeds-based company offering sanctuary to refugees by George Hall

For more than 40 years, Opera North has striven for artistic excellence while reaching out to new audiences. As the company prepares

SOURCE: The Stage Registration at 07:30AM
Monday, September 2, 2019

Scoring a Century review at Peacock Theatre, London – ‘a talented young cast’ by George Hall

Operatically speaking, David Blake is best known for two substantial works premiered by English National Opera: Toussaint in 1976 and The Plumber’s

SOURCE: The Stage Registration at 12:45PM
Friday, August 30, 2019

Cabildo review at Arcola Theatre, London – ‘thrillingly sung’ by George Hall

Originally the name of a Spanish colonial council, the word ‘cabildo’ also denotes the buildings in which such institutions carried out their

SOURCE: The Stage Registration at 07:59AM
Thursday, August 29, 2019

HMS Pinafore review at Wilton’s Music Hall, London – ‘hits the spot’ by George Hall

Over its 25 years of existence Opera della Luna has given nearly 500 performances of the indestructible Gilbert and Sullivan comic opera,

SOURCE: The Stage Registration at 06:26AM
Wednesday, August 28, 2019

Treemonisha review at Arcola Theatre, London – ‘Scott Joplin’s rediscovered opera’ by George Hall

Of Scott Joplin’s two operas, one is entirely lost and the other, Treemonisha, exists only in vocal score. Despite the composer having

SOURCE: The Stage Registration at 08:45AM
Thursday, August 22, 2019

Breaking the Waves review at King’s Theatre, Edinburgh – ‘troubling opera based on Lars von Trier’s film’ by George Hall

Lars von Trier’s 1996 film Breaking the Waves remains a controversial work. The narrative, and in particular its treatment of the central

SOURCE: The Stage Registration at 05:28AM
Wednesday, August 21, 2019

Caccia Lontana review at Bridewell Theatre, London – ‘little drama, though the music is undeniably lyrical’ by George Hall

Opera in the City Festival opens its third season with what must be a UK premiere, and a great rarity anywhere: a

SOURCE: The Stage Registration at 10:38AM
Friday, August 9, 2019

Rinaldo review at Glyndebourne, Lewes – ‘exceptional cast and conductor’ by George Hall

We no longer view the events of the First Crusade (1095-99) in the way Handel and his audiences did. Set during that

SOURCE: The Stage Registration at 05:44AM
Tuesday, July 30, 2019

The Magic Flute review at Waterperry Opera Festival, Oxfordshire – ‘thoughtful and engaging’ by George Hall

Mozart and his librettist Schikaneder’s 1791 opera is a defence of their shared involvement with freemasonry. Its unique blend of the fantastical,

SOURCE: The Stage Registration at 05:23AM
Friday, July 26, 2019

Lucia di Lammermoor review at Dorset Festival Opera – ‘unpardonably silly’ by George Hall

In Flaubert’s novel Madame Bovary, the unhappily married heroine is inspired by a performance of Donizetti’s Lucia di Lammermoor to reflect on

SOURCE: The Stage Registration at 10:07AM
Thursday, July 25, 2019

Nabucco review at Dorset Opera Festival – ‘a mystifyingly vague staging’ by George Hall

The printed synopsis of Verdi’s Nabucco as staged by Peter Relton for Dorset Opera is unusually imprecise in terms of both period

SOURCE: The Stage Registration at 08:51AM
Tuesday, July 23, 2019

Il Segreto di Susanna / Iolanta review at Opera Holland Park – ‘an exceptional double bill’ by George Hall

The last of Opera Holland Park’s stagings this summer is this double bill of unusual titles: Wolf-Ferrari’s clever little comedy of marital

SOURCE: The Stage Registration at 06:09AM
Monday, July 22, 2019

Opera della Luna’s Jeff Clarke: ‘If you try to be funny in comic opera, you’ll fall flat on your face; play the truth in it, then it’ll be fun by George Hall

Jeff Clarke set up Opera della Luna in 1994 to stage the neglected repertoire of comic operas and operettas. He tells George

SOURCE: The Stage Registration at 07:37AM
Friday, July 19, 2019

Die Zauberflöte review at Glyndebourne, Lewes – ‘a trivial staging of Mozart’s comedy’ by George Hall

An Enlightenment tract, Mozart’s The Magic Flute is equally a reminder of the limitations of that movement in terms of its views

SOURCE: The Stage Registration at 08:48AM
Friday, July 12, 2019

La Fille du Régiment review at Royal Opera House, London – ‘takes a while to warm up’ by George Hall

First seen in 2007 and here revived for the fourth time, Laurent Pelly’s amiable production of Donizetti’s light comedy The Daughter of

SOURCE: The Stage Registration at 05:57AM
Wednesday, July 10, 2019

Lucio Papirio Dittatore review at Opera House, Buxton – ‘rare revival of Caldara’s opera’ by George Hall

Even at a time when Baroque operas are being endlessly revived, the 40 surviving examples by Antonio Caldara haven’t had much of

SOURCE: The Stage Registration at 11:56AM
Tuesday, July 9, 2019

Georgiana review at Opera House, Buxton – ‘celebratory pasticcio’ by George Hall

The Italian word pasticcio can mean a number of things, but to 18th-century audiences it meant a sort of musical pudding made

SOURCE: The Stage Registration at 12:43PM
Monday, July 8, 2019

Eugene Onegin review at Opera House, Buxton – ‘musically impassioned’ by George Hall

Buxton’s new regime launches with a visually intriguing and musically impassioned account of Tchaikovsky’s opera, set in mid-19th-century Russia and sung in

SOURCE: The Stage Registration at 11:17AM
Thursday, July 4, 2019

Noye’s Fludde review at Theatre Royal Stratford East , London – ‘enchanting’ by George Hall

Written in 1958, Britten’s opera brings together professionals and amateurs, adults and children to tell the tale of Noah’s Flood – to

SOURCE: The Stage Registration at 10:06AM
Monday, July 1, 2019

Le Nozze di Figaro review at Royal Opera House, London – ‘a lively and imaginative revival’ by George Hall

David McVicar’s 2006 production comes up vividly in this imaginative revival overseen by Thomas Guthrie. This is a Marriage of Figaro moved

SOURCE: The Stage Registration at 10:24AM
Friday, June 28, 2019

The Cunning Little Vixen review at Barbican Hall, London – ‘enchanting and sumptuous’ by George Hall

The London Symphony Orchestra closes its Barbican season with this semi-staging of Janacek’s opera about the relationship between humans and the animal

SOURCE: The Stage Registration at 09:42AM
Thursday, June 27, 2019

Cosi Fan Tutte review at Nevill Holt Opera – ‘stylish and entertaining’ by George Hall

Director Adele Thomas’ grandfather was a film projectionist in the 1930s, she tells us, and her formative years were spent watching the

SOURCE: The Stage Registration at 09:31AM
Monday, June 24, 2019

Hansel und Gretel review at Grange Park opera, West Horsley – ‘musically strong, with some puzzling staging’ by George Hall

Immediately the ENO and Regent’s Park co-production of Humperdinck’s fairytale opera closes, Grange Park opens its own version. There are a number

SOURCE: The Stage Registration at 11:41AM
Friday, June 21, 2019

Belshazzar review at the Grange Festival, Hampshire – ‘rarely comes to life’ by George Hall

When Handel wanted to produce his oratorio Esther in London in 1732, the Bishop of London responded with a ban on staged

SOURCE: The Stage Registration at 06:13AM
Thursday, June 20, 2019

Bryn Terfel in Boris Godunov review at Royal Opera House, London – ‘extraordinary and thrilling’ by George Hall

Richard Jones’ production of Musorgsky’s psychologically probing study of the individual at the centre of a troubled epoch in Russian history plays

SOURCE: The Stage Registration at 06:12AM
Tuesday, June 18, 2019

Hansel and Gretel review at Open Air Theatre, London – ‘an energetic, feel-good production’ by George Hall

In Operaland, Hansel and Gretel is not just for Christmas – hence this midsummer co-production by English National Opera at Regent’s Park,

SOURCE: The Stage Registration at 06:20AM
Friday, June 14, 2019

A Midsummer Night’s Dream review at Nevill Holt Opera – ‘an enchanting evening’ by George Hall

Thus far, the 2019 country-house season has been partially stymied by the weather, which remains doggedly uncongenial for pastoral picnics or parkland

SOURCE: The Stage Registration at 08:50AM
Monday, June 10, 2019

Le Nozze di Figaro review at The Grange, Northington – ‘a visually elegant and clearly directed production’ by George Hall

It’s refreshing to encounter a Marriage of Figaro set in period and – even more precisely – in Seville. Designer Tim Reed

SOURCE: The Stage Registration at 10:08AM

Cendrillon review at Glyndebourne, Lewes – ‘a performance of pure magic’ by George Hall

Massenet’s fairytale opera entered Glyndebourne via the company’s 2018 tour. Fiona Shaw’s production didn’t quite work on that occasion, and is now

SOURCE: The Stage Registration at 07:50AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards