
Nell Leyshon's play-with-music asks questions of a legacy Cecil Sharp, heritage hero or imperialist appropriator? If you attended school in the first half of the 19th century, you would have…
SOURCE: The Arts Desk at 07:18AMA triumphant musical about teenage angst When Berliners sat down to watch Franz Wedekind’s debut play Fruhlings Erwachen – Spring Awakening – in 1906, they had little inkling of the k…
SOURCE: The Arts Desk at 01:06PMHas director Patrick Marber boobed this time? In his 1973 play Habeas Corpus, now revived at the Menier Chocolate Factory under the direction of Patrick Marber, Alan Bennett had his way with…
SOURCE: The Arts Desk at 05:03AMHilarious and probing satire from Young Jean Lee The Korean-American writer Young Jean Lee’s Straight White Men, currently enjoying its UK debut at Southwark Playhouse, is presented with…
SOURCE: The Arts Desk at 08:54AMKatie Mitchell hits a new career high Katie Mitchell’s desire to bust the boundaries of theatre has taken a brilliant turn. Over her long and distinguished career as a director she has be…
SOURCE: The Arts Desk at 01:03PMThe Menier opens its new second stage with this podcast-turned-play What counts as offensive in these days of cancel culture? Ham-fisted pronoun usage? Culturally appropriated hairstyles? To…
SOURCE: The Arts Desk at 07:24AMMartin McDonagh's breakthrough play dazzles anew “You can’t kick a cow in Leenane without some bastard holding a grudge for 20 years,” sighs Pato Dooley (Adam Best) prophetically; he h…
SOURCE: The Arts Desk at 03:12AMCan a runaway slave help a black actress love the theatre more? Jasmine Lee-Jones has a hard act to follow - namely, herself. Her award-winning 2019 debut play, seven methods of killing kyli…
SOURCE: The Arts Desk at 11:36PMDebut work from Benedict Lombe is a red-hot poem of protest What’s in a name? In Benedict Lombe’s incendiary debut play at the Bush Theatre, the answer to this question encompasses a wh…
SOURCE: The Arts Desk at 06:32AMIntriguing, inventive play from Jack Thorne and Headlong Limbo, in Jack Thorne’s latest play, is a room lined ceiling-high with drawers, a sort of morgue rebooted as a vast filing system. …
SOURCE: The Arts Desk at 04:24AM

