Monday, August 22, 2022
Sophie McIntosh’s new play gathers five women in a college production for an exercise in youthful ambition and the corrupting clashing of egos.
SOURCE: The New York Times Subscription at 03:33PMSunday, August 7, 2022
On the eve of a concert with three of the flop musical’s talented stars, time to celebrate a production that thrilled loyal fans — and at least one critic.
SOURCE: The New York Times Subscription at 10:07AMSunday, July 31, 2022
The Ruth Stage’s production understands the violence and identity crisis at the core of Brick’s character, but other elements fail to cohere.
SOURCE: The New York Times Subscription at 01:42PMMonday, July 25, 2022
Two Robert Icke productions have endured illnesses and last-minute casting changes. Now they have finally settled into a repertory groove.
SOURCE: The New York Times Subscription at 02:54PMTuesday, June 28, 2022
The British actor shares what helped him transform into the doomed Danish prince: French poetry, “Pandemonium,” and postcard art (with breaks for lemon cake).
SOURCE: The New York Times Subscription at 10:18AMWednesday, June 15, 2022
“Dance is basically language, like another form of writing,” said Purnell, the author of “100 Boyfriends.” He is bringing a new solo piece to Performance Space New York.
SOURCE: The New York Times Subscription at 06:33PMFriday, June 10, 2022
In Donja R. Love’s new play, an English teacher struggles against the penal system — and with his own guilt — to help students see a future beyond prison.
SOURCE: The New York Times Subscription at 03:37PMTuesday, June 7, 2022
The Tony Award-nominated co-director of “Six” shares the corners of the internet she haunts to help her stay productive.
SOURCE: The New York Times Subscription at 12:42PMTuesday, May 24, 2022
“There’s something about this show that buoys me up with an energy that I didn’t think I had,” the Tony nominee said of “The Music Man.”
SOURCE: The New York Times Subscription at 03:12PMThursday, April 21, 2022
Thursday, April 7, 2022
A new production about the 1960s doo-wop idol follows the usual rise-and-fall formula. Still, the songs are wonderful, as is the angel-voiced ensemble.
SOURCE: The New York Times Subscription at 01:54PMTuesday, March 22, 2022
Hip-hop, impromptu duckwalks and loving shade fill C. Julian Jiménez’s new play about two cousins dreaming of escaping their day jobs.
SOURCE: The New York Times Subscription at 03:37PMTuesday, March 8, 2022
Tuesday, February 8, 2022
Friday, January 21, 2022
Robert O’Hara directs a trimmed-down revival of Eugene O’Neill’s classic, with a colorblind cast and a weary eye on the pandemic and the opioid crisis.
SOURCE: The New York Times Subscription at 02:06PMTuesday, November 23, 2021
After dancing in ‘Hamilton’ and playing Anita in Steven Spielberg’s new musical adaptation, the actress has her sights on a part entirely her own.
SOURCE: The New York Times Subscription at 05:06AMWednesday, November 17, 2021
Paranoia takes root among five friends who fear their “My Little Pony” role playing game is being targeted in this new play at the Wild Project.
SOURCE: The New York Times Subscription at 01:54PMWednesday, November 10, 2021
Bebe Neuwirth, Joel Grey, Chita Rivera, John Kander and others discuss the Broadway revival’s surprising early success and its lasting legacy.
SOURCE: The New York Times Subscription at 05:06AMWednesday, October 20, 2021
Jason Robert Brown’s show is beginning to show its age, but Carolee Carmello’s deft performance lifts an otherwise straightforward revival.
SOURCE: The New York Times Subscription at 01:54PMMonday, September 6, 2021
Whether he’s originating roles in musicals or on “Gossip Girl,” Adam Chanler-Berat brings range — and realism — as a new kind of character actor.
SOURCE: The New York Times Subscription at 05:06AMTuesday, August 17, 2021
For an outdoor residency at the Brooklyn Navy Yard, the Bridge Production Group breathes fresh life into a 2004 musical.
SOURCE: The New York Times Subscription at 12:06PM 
